Top Hollywood deal-maker Skip Brittenham has joined with comic book artist and writer Brian Haberlin to create a multi-media sci-fi adventure saga titled Anomaly. It will be available in October as a 370-page book and, simultaneously, a stand-alone tablet app featuring voice work by some of the leading actors in science fiction and gaming. In October, consumers will also be able to download a free Anomaly app for iPad, iPod and Android devices equipped with Ultra Augmented Reality technology featuring more than 50 3D models. As part of the project’s multi-platform strategy producer Joe Roth is developing Anomaly for a feature film. Brittenham and Haberlin have formed Anomaly Productions to handle the property.
Anomaly is set in the year 2717, when most humans live in off-world colonies, and a single corporation, The Conglomerate, routinely conquers other planets to steal their resources. The story follows a group of explorers who embark on a diplomatic mission to a mysterious planet, only to find themselves embroiled in a global conflict between its exotic inhabitants. Before long, their mission turns deadly.
This is Brittenham’s first venture into creating intellectual property after decades of providing legal counsel and business affairs advice to many of the entertainment industry’s key players as a partner at the law firm of Ziffren Brittenham. But it isn’t his first association with animation. In addition to representing actors like Harrison Ford and Eddie Murphy, and companies ranging from Legendary Pictures and Hemisphere Capital, he has been in the middle of some major animation deals. This includes the DreamWorks Animation IPO and working with Pixar Animation and Illumination.
Haberlin is a veteran comic book artist and writer who got his start at Top Cow Productions, where he co-created the Witchblade franchise.


It’s the ship that made the Kessel Run in less than twelve parsecs
Technically that was true even though Lucas got speed and distance mixed up. Perhaps they only traveled 10 or 11 parsecs.
Skip just keeps getting more and more badass over time. Very cool.
This is amazing. It seems that IP is the future.
I keep reading more and more about Transmedia information, whether it be from Deadline, transmediareport.com, or just general sites like CNN.
I think it is safe to say that the future is in IP, not in single projects.
Will Heather Thomas be lending her voice talent to this project?
used to be when you had a good idea an agent charged 10% and did some deals. now looks like an attorney takes a chunk of your company which has all the ideas in one place. not sure how the conflicts got waived on this one.
How the conflicts got waived on THIS one? Take a look at the animation companies he represents and then let’s talk about conflicts. Skip is the king of getting away with conflicts. Gotta love this guy.
IP means “intellectual property” which can be anything – a script, comic book, etc. “Single projects” are IP too. It just depends on what kind of idea it is – one that can be mined in various forms of media, or one that’s best suited in one medium.
You could say “the future is in transmedia ideas,” but so far, I can’t think of an idea that was sold as a “transmedia” property that actually ended up being exploited as such – or – one that was and actually became a popular product. It’s funny to me when people pitch an idea as a movie, write up an instruction manual for the video game that has never been in development and won’t ever get made and include plans for the cell phone game that will also never get made, and studio execs actually believe it it’s going to happen or that it’ll soon become a valuable “brand”.
This should give the term “IP Adress” a new twist.
They’d better pray they get this right off the bat. If they don’t, this is going to be one expensive flameout.
This looks and sounds like a Mass Effect knock off… Lame. Fans of sci-fi know that title and are going to notice the cheap similarities.