
UPDATED: Last year, most midseason series received shorter orders for fewer of the standard 13 episodes new shows get. That included ABC’s GCB (10), The River (8) and Scandal and Don’t The B—- (7), CBS’ Rob (8) and NBC’s Bent (6) and Best Friends Forever (6).
This year, the networks are not as stingy to new shows, with only two midseason series, ABC’s drama Red Widow starring Radha Mitchell and NBC’s late pickup, comedy Next Caller starring Dane Cook, getting fewer than 13 episodes — 8 and 7, respectively.
But there are a number of returning series whose orders are shorter than the standard full-season 22 episodes (13 for midseason shows getting a second-season pickup). NBC did a lot of that on the comedy side, which the network’s topper Bob Greenblatt said at the NBC upfront was how they could afford to pick up as many (7) new comedy series. Of NBC’s returning comedy series only flagship The Office and Parks & Recreation have received 22-episode renewals. The rest, 30 Rock, Community, Up All Night and Whitney have been picked up for 13 episodes each. For 30 Rock, that marks the final season. During a press call on Monday, Fox entertainment president Kevin Reilly criticized the shorter orders for returning comedy series, calling them potentially “confusing.”
Also getting a 13-episode order is ABC’s procedural Body Of Proof, which is being held for mideason, while the CW veteran Gossip Girl was renewed for an 11-episode final season. (UPDATE: While I hear 11 episodes is the target length, CW president said today that talks with Gossip Girls producer Warner Bros. TV continue, with the final order likely in the 10-12 episode range.) They could be joined by CBS veteran Rules Of Engagement, which is finalizing a midseason renewal deal.
Related: CBS Update: ‘Rules Of Engagement’ Talks Down To The Wire, ‘Mentalist’ On The Move
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I guess I didn’t read all the coverage closely enough.
But did RULES OF ENGAGEMENT get a midseason pickup?
Not yet. They are still working out deals.
Are you kidding me? The only reason NBC has ordered 13 episodes or less for most of its sitcoms, is because they don’t have any faith in them.
I mean what is the point of ordering 22 episodes of a series that can only master around 1.4 in the demo? They simply couldn’t cancel all of their shows, that is why they went ahead with shorter orders.
I cannot believe I am saying this, but NBC might actually be in a worse place this coming September than last year, if that’s even possible. Maybe then can become the 5th place network behind Univision.
Or because they are older and approaching the end of their lives and/or are low-rated and/or they want to spread a limited pool of money around…
The way I see it, NBC is making the decision that they have such a big challenge ahead of them, they have to focus on building one or two nights, and then go from there. So they are hoping to take last year’s Sunday night success, and build it to a 3-night, Sun-Tues success in the Fall. If they can do that, it will be a major accomplishment. That means, however, that they are not going to “waste” a lot of new shows on Wed – Fri. Rather, they will use up their old, lower-rated shows on those nights, throw in a couple new shows to see if anything catches, and then focus more on Wed-Fri at midseason, where hopefully they will be starting with a relatively strong Mon/Tues block. NBC doesn’t have the luxury, at this point, of trying to compete aggressively 7 nights a week.
As Oprah learned with OWN, you need to build a schedule one night at time. If you spread yourself too thin, over too many nights, it doesn’t work.
I think you hit the nail on the head.
Your line of thinking is why I believe “Revolution” is on Mondays, not Thursdays. If YouTube hits are any indication, it’s going to premiere big. If that happens, and it holds up, that’s great for NBC–except for the fact that it’s at 10:00, so it’s harder to use it to build a show. I’d not sure I’d have it switch nights, but were I programming NBC, I’d consider moving it down an hour at midseason and putting another show after it. It could move the show to a new night, but unless there’s a clear opening–as in, both “Grey’s” and “Person of Interest” down significantly, and “Glee” failing to fly on its new night–I wouldn’t make too drastic a change.
It’ll definitely be interesting to see what happens with NBC next spring, when it’ll decide what it needs to do for the following season. And this goes double on Thursdays.
Harry you are absolutely correct. I would’ve just cancelled everything and started from scratch with the exception of their “Hit” shows, “The Voice,” “Smash,” and the now cancelled “Harry’s Law.” SVU is way way way past its prime. None of the new shows looks decent and overall the networks have done a horrible job with shows. Come on ABC, with their Alien/Jami Gertz comedy, that looks beyond terrible, and to boot it gets the post “Modern Family” slot, they should’ve kept “Happy Endings” there.
Don’t Trust The B in Apt 23 actually got a 13 episode first season order for mid-season. They aired only 7 this spring. The remaining 6 that were shot will start off the next season in the fall followed by the 13 additional episodes that were ordered for renewal.
always ratings vs critical allicam
I am the only one that thinks broadcast networks should adopt shorter seasons in general, similar to their cable counterparts? This would (hopefully) allow for stronger creative output and less viewer erosion due to scheduling. As a viewer few things are more frustrating (and perplexing) than looking forward to your favorite show and finding out its a rerun, especially when the shows it anchors are new. Also, as it does allow for a greater variety and number of shows throughout the year.
Do the economics of the big four networks allow this? Someone told me that the networks lose money on most shows, but that’s not clear if it’s because of some inherent way of doing this that makes this unavoidable or because most shows fail, and failing shows don’t make money. If it’s the latter, and switching things up means more eyeballs to the screen, wouldn’t this make them more money?
Actually, that’s not a great notion because you have a lot of production people working behind the scenes of a show. If every broadcast, scripted TV show had a 13-episode order, it would cause chaos.