
EXCLUSIVE: In his first TV series project since Lost, Damon Lindelof is heading to HBO for The Leftovers, a drama based on Tom Perrotta’s 2011 book, which the two will co-write together. This marks the first foray into cable for the Lost executive producer/co-showrunner and the first project under the rich three-year overall deal he recently signed with Warner Bros TV. 
The Leftovers, produced by HBO in association with WBTV, takes place after the Rapture happens but not quite like it’s supposed to. It is the story of the people who didn’t make the cut… and a world that will never be the same. Lindelof and Perrotta will co-write the script and executive produce the project, now in development, with Ron Yerxa and Albert Berger. If The Leftovers moves forward, Lindelof will serve as the showrunner.
Related: Damon Lindelof Finalizing Deal With WBTV: “I’m Ready To Come Back To TV Full Time”
HBO acquired rights to The Leftovers for series development with Perrotta attached as writer/executive producer and Yerza and Berger as executive producers in August 2011, shortly before the book came out. Lindelof read the novel that fall and word is he immediately fell in love with it. He tracked the rights down to HBO, which is a network he, like many writers, had been looking to work at. Once Lindelof’s deal at ABC Studios expired, he met with Perrotta. The two hit it off and began discussing what a potential Leftovers series would look like. The two are expected to start writing the script towards the end of summer after Lindelof completes his feature commitments. CAA-repped Lindelof recently co-wrote Prometheus and Abrams’ Star Trek Sequel. He just finished his script 1952 for Disney and is doing a rewrite on World War Z.
Related: ‘Lost’s Damon Lindelof Makes 7-Figure Disney Deal To Write Secret Sci-Fi Feature
Working in a partnership has worked out well for Lindelof before — he co-created his first series, Emmy-winning hit Lost, with J.J. Abrams. Branching out into cable after a dozen years in broadcast has been a priority for Lindelof and was a factor in his decision to set up shop at WBTV, which has strong cable business. Addressing the type of shows he wants to tackle when he was closing the deal with WBTV, Lindelof said, “What I love about television is character-based storytelling, and I want to continue to explore fantastical way of doing it where characters live in a world that is a little skewed.” But he was quick to point out that “I won’t be the one that would come up with the next Lost,” adding that he has no interest in doing more shows with “wackadoo mythology.” Perrotta shared with Todd Field an Oscar nomination for adapting his novel Little Children. Another Perrotta book that has received a feature treatment was Election.
TV Editor Nellie Andreeva - tip her here.


Congrats to Damon on his super duper secret 7-figure sci-fi feature payday.
Um, I only hope that his deal has a clause on How to Write An Ending because this guy blows when it comes to Third Act (and ending of series) wrap ups.
Couldn’t have said it better myself, Bobby. How this hack keeps failing up is beyond me. Prometheus was the worst-written big-budget movie in the past five years, and that’s saying something.
Great book, but the whole thing is based on around not explaining WHY/HOW it happened and dealing wit the reaction, aka, classic Lindelof. Will be interesting to see how Perotta’s intimate styles work with Damon’s…”think about it mannnnn” style.
A scifi project from the guy who blew Prometheus & Cowboys and aliens? No thanks/
It isn’t “sci-fi.”
maybe he should team with robert mckee.
Let the “it was purgatory all along” jokes begin.
Cue the whiners.
Is Disney insane? Does NOBODY there read? They give Shyamalan huge paychecks for progressively worse movies. Now this.
So, let me get this straight. The worse a writer is, if they get column ink, they get higher fees? What is this, the “Joe Eszterhaz Effect”?!
No, Joe Eszterhas actually wrote a couple of good films. In fact he wrote a couple of blockbusters. So the comparison to Lindelof is kind of unfair…to Joe.
Basic Instinct is a good film that holds up today. In fact it’s miles head of most of today’s rubbish.
Will make a better film than it was a book / leave it to HBO – they totally rock!
can’t even stand to look at lindelof’s picture, his writing is so irritating.
I’m looking forward to what Damon can do without network restrictions. HBO is a good venue for his creativity.
Prometheus was rated R and was absolutely terrible. No one is placing any type of restrictions on him. He’s a hack writer who doesn’t even know what’s happening in the worlds he creates.
Unbelievable.
Lindelof is bad. Not michael jackson bad.
The guy does not understand logical story telling.
Damon Lindelof + HBO? I’m definitely interested. I was huge Lost fan for all 6 seasons, and have always admired HBO’s series. HBO hasn’t done much with science fiction (unless Game of Thrones and Carnivale count) so I am really excited to see them looking into this genre. If it goes forward, it would be really cool to bring in some actors from Lost (Matthew Fox, Josh Holloway, and/or Terry O’Quinn).
Okay, now, for the SECOND time: “THIS CONCEPT IS NOT SCIENCE FICTION!” God “rapturing” people out of the world is not science fiction by anybody’s definition.
LOST IS GREAT!! Who cares about the OKAY ending, it wasn’t about the finish. It WAS about the JOURNEY you went through; the awesome ride LOST took you on. I praise lindelof
^^THIS^^
How was the writing illogical?
I hated ‘Prometheus’ as much as anyone, but I am getting a little sick of the Lindelof-bashing. Ridley Scott shepherded the project, rejected another script and approved the Lindelof draft, talking up its ‘big ideas’ to the press.
I am not saying that Lindelof should be left off the hook, I just think he’s that maybe the filmmaker behind ‘Legend’, ‘G.I. Jane’, ‘White Squal’, ‘Someone to Watch Over Me’, ‘Black Rain’, ‘Robin Hood’, ‘Hannibal’ and ‘A Good Year’ (and, arguably, others) might not be the greatest storyteller in the world, too.