ABC’s drama procedural Body Of Proof was the big winner in this year’s $100 million California production tax credit giveway, landing the biggest subsidy of all 28 film and TV projects that received allocations: $12.1 million. But the series starring Dana Delany may only get 59% of that amount if the series’ current order stands. A bubble show, sophomore Body Of Proof received a last-minute, 13-episode third-season order and did not land a spot on ABC’s fall schedule. But the series’ tax credit application for the California Film & TV Tax Credit Program was submitted for a 22-episode third season. (Body Of Proof‘s eligibility for up to 25% of its qualified expenditures stems from its cross-country move after the first season from Rhode Island to California. It first earned a California tax credit last year, making it automatically eligible this year again.)
Related: ‘Body of Proof’ & ‘Justified’ Among Productions That Won California’s $100M Tax Credit Lottery
A steady performer at 10 PM, Body Of Proof has been a moneymaker for producing studio ABC Studios as it is a strong international seller, and the tax credit makes the series even more appealing for Disney-ABC. That would make a back-nine order to a full-season 22 episodes a no-brainer. But as of now, Body Of Proof is not slated to come on until midseason (possibly returning to its Tuesday 10 PM slot if Private Practice ends its run after 13 episodes as rumored.) If Body Of Proof starts its third season late, it may not need more than 13 episodes. (This past season when Body Of Proof first received a tax credit, it also had an original order of 13 episodes as a midseason replacement the previous season. Because the network had five episodes in the can from the previous season, it only produced two extra segments.) That would mean ABC would have to forfeit a large portion of its allocated tax credit, which would go to another production that didn’t make the cut in the Friday drawing. “While allocated, none of the credit is paid until they finish postproduction and an audit is done,” said Amy Lemisch, executive director of the California Film Commission. That’s unless ABC can figure a way to order and produce a 22-episode third season and hold some of the episodes for the following season. Of course, if any of ABC’s new fall drama series tanks, Body Of Proof may be summoned in early, making a back order likely with or without the tax credit.


And yet the Network honchos still scratch their heads and wonder why the audience has “gone”. 13 one hour episodes, with 25 minutes of ads equals approximately 7.5 hours of entertainment for the year. In that 7.5 hrs we are really suppose to get into the story, care about the characters and make the effort to find the show when, and if, the Network decides to air it, while more often, than not, pre-empting it for a extra special reality review. Hmmmm, what a way to run a railroad. Right over a cliff.
Well “25 minutes of ads” is incorrect, we don’t get 35 minutes of running time. You get about 42 minutes of episode time (18 minutes of ads), so closer to around 9.1 hours. But in 20 years, how much time have we actually lost? A couple of minutes, maybe five (depending on the program, network, etc.).
Television is a business, the primary concern isn’t “quality”. It’s free entertainment, get over yourself.
I don’t know what networks YOU are watching, but I’ve never seen a show with 25 minutes of ads…
Shows that received the CA tax credit are grandfathered in for following years. If Body of Proof received the credit last year, it shouldn’t come as a surprise (or affect their pick-up status) that they’re being awarded the incentive for the coming year.
Similarly, returning shows like Justified and Pretty Little Liars didn’t win the lottery; they’re returning shows who were assured a spot as long as they filed correctly and on time.
Why should anyone even bother putting up with California’s pittance of a rebate program? Does “Body of Proof” really need to be set in Los Angeles? Would it affect the 53 people who watch the show if it left? Does anything need to be in LA anymore? It is ridiculous to think that a production set in California has any added value whatsoever anymore- less any that would warrant the expense of staying in state. California has missed the boat on adopting the (far better) incentives that are offered everywhere else– and it deserves to lose everything in tow at this point. Be sure to thank your legislators for ensuring that (if you work in the film industry) you will forever regret owning a home in California. It is time to abandon this failed state for good.
Try 18 min. of ads.
Where do you get 25 minutes from? Hour long episodes are 42-44 minutes, so maybe a maximum of 18, with cable being around 43-48 minutes. I get your point, but even in television an extra almost 7 minutes per episode does add up to around 9-10 hours per 13-episode season. Advertisements are also the reason shows are on the air. Are you going to pay $2.5 million per episode of a show to get it produced?
@RPF – Firstly, it’s more like 17 minutes of ads, make that 9 hours from 13 episodes.
More to the point, total number of episodes bears absolutely no relation to the quality of the series. The second series of Luther in the UK (4x 1 hour with no ads) had three self-contained story arcs which were incredibly satisfying. Scandal had 7 episodes and played out a very thrilling, tightly told story in that time.
9 hours is more than enough to tell multiple great stories.
We get invested in movie characters in 90+ minutes. Dumbo and Bambi are only like an hour long.
Why the hell is ABC/Disney even getting tax subsidy? This is a corporate welfare joke, and a perfect example of what’s wrong with CA’s management/politicians.
I understand that the craft unions are concerned about runaway productions, but has anyone noticed that CA is underwater to the tune of $15.7 billion and counting? It’s time the studios paid their fair share instead of engaging in rent-seeking behavior to the detriment of society.
Thank you film office worker from another state. Sorry we can offer half what you do and still retain the productions. Feel free to leave, you will not be mkssed. Xoxo