
At the top of its TCA executive session, FX‘s president John Landgraf announced that the network has renewed acclaimed comedy series Louie for a 13-episode fourth season. Additionally, it has ordered seven more episodes of Russell Brand‘s late-night show BrandX, which Landgraf said will undergo creative changes. As for comedy series Wilfred, which is up 12% this season, Landgraf said he feels “optimistic” about a renewal, noting that that a deal on that is still being hammered out.
Related: Russell Brand Says ‘BrandX’ Will Become More “Conventional”
On the development front, the network has ordered The Bridge, a drama pilot based on the Scandinavian series Bron. The original series, created by Hans Rosenfeldt, follows a police investigation following the discovery of a dead body on the bridge connecting Denmark and Sweden. In the U.S. version, written by Cold Case creator Meredith Stiehm and fellow Cold Case writer Elwood Reid, two detectives from the United States and Mexico must work together to hunt down a serial killer operating on both sides of the border after a dead body is found on the bridge connecting El Paso and Juarez. The project hails from Shine America, marking Elizabeth Murdoch company’s first scripted financing effort as it moves from solely producing under the Reveille banner to financing and packaging projects on an opportunistic basis. Shine will co-produce The Bridge with FX Prods. and will distribute internationally. Stiehm and Reid executive produce with Carolyn Bernstein, Lars Blomgren, and Jane Featherstone. Filming on the pilot will start in the fall.
Related: TCA: Louis C.K. On ‘Louie’, Emmy Noms, Stand-Up, And What He Likes To Watch
Landgraf said he is close to making a decision on the Keri Russell period spy drama pilot The Americans, indicating that he is “happy about the pilot and optimistic” about its chances. Having on the air “two drama series and a miniseries” as Landgraf put it, referring to Sons Of Anarchy, Justified and American Horror Story, which qualified as a miniseries at the Emmys, the plan is “to launch two more drama series in the next 12 months,” Landgraf said, noting that he hopes those would be The Americans and The Bridge. “We see ourselves getting to five and maybe six drama series…and conceivably even seven dramas.” As for comedies, “we may launch over next six months conceivably two more comedies, having eight on the air now,” Landgraf said. “We’re still pretty aggressive ramping up in that area.”
Related: Ricki Lake On Her Return To Syndicated TV Talk: TCA
Landgraf also confirmed that its series adaptation of the comic Powers is still alive. Charles H. Eglee is back re-writing the pilot script plus three more. If it likes the new scripts, the network would order a new pilot and may invite some of the cast back, including star Jason Patric, who is still interested in the material, Landgraf said. FX previously commissioned a pilot and then reshoots before passing on it. (The original pilot’s female lead Lucy Punch is unavailable as she has a new series, Fox comedy Ben & Kate.
Additionally, casting is nearly complete on FX’s comedy pilot from Denis Leary and Jim Serpico Bronx Warrants. Robert Kelly, standup comedian Godfrey, Josh Segarra and Shirley Rumierk are set to star in the project, with veteran Scott Ellis aboard to direct.
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The original series, The Bridge, was so unique and so well acted, so why not show the original on some cable network instead? I’m sure they’ll screw it up just like they did to the US remake of The Killing. This is getting to be another dumb pattern by US tv execs.
I agree – show the original. And what bridge would they use in the US – the Ambassador bridge between Detroit and Windsor Ontario? Though that might make it interesting
Did you not read the article? They said it would be the bridge between Juarez and El Paso, in TEXAS, not Michigan.
The original version of the article said nothing about it being a US-Mexico thing. Deadline updated the article with more information.
Right. Original article didn’t mention where the bridge was — guess you, Lone Fedora, were a little late to the rodeo.
Better yet, dont remake it or show it, and let people get the original via Netflix or if all else fails, torrents. Anything evenly slightly worth watching, or not even that good, is available online. TV timeslots should be reserved for helping fund the production of new series, and hopefully no more cop shows. TV is full up with cop shows. Stop it with the cop shows already!
Co-signed.
But if they have 7 dramas and 8 comedies on the air, when will they have time to air all of their exclusive movie premieres?????
Louie is positively brilliant, and Brand is also on television.
I’m glad FX is looking into more dramas. Both The Americans and The Bridge sound interesting. Here’s hoping Hulu picks up the originals like they did with Prisoners of War. I would love to compare the original to the remake. Speaking of which, they should air the original The Killing.
The US Killing didn’t screw anything up, and it was watched by about 20 times the number of Americans who would have watched the original Danish show with subtitles. This is the point where non-Americans (especially Brits) like to say, “Oh, Americans, too dumb to read,” but subtitled dramas only air in the UK on equivalents of PBS like BBC4 and Sky Arts. American cable channels are actually in the business of trying to make money, believe it or not. It might be asked why PBS in America can’t air subtitled drams, but of course the answer is obvious: To PBS the word “foreign” is synonymous with “British.”
The U.S. version of The Killing failed to inform the majority of its audience that it would not be solved during the first season. That is what caused viewership to drop off. Why they didn’t make that clear early on is a mystery, but it sunk the U.S. series. I have the subtitled Danish version on DVD and have no problem watching shows with subtitles, but admittedly my husband does. There are a lot of good foreign shows that require subtitles. I prefer watching the originals.
The Bridge is so good, but after the way American audiences treated The Killing…gutsy move,FX.
I thought FX was developing a show about a dominatrix in college — anyone know the status of that?
The Bridge has “The Killing” written all over it. And from the writer of “Cold Case”… no thanks.
@Bob Chillin: Meredith Stiehm is one of the best writers out there–Cold Case was a great show, even though it “only” lasted 7 seasons. and she was on the first season of Homeland which boasts one of the best staffs in the business.
No, I’m not her manager, agent, publicist, or mother and I’m not her either.
I just have better taste than you do, apparently.
They renewed Louie? New episodes can’t even break 900,0000 viewers. Put a fork in that ugly mug.
The original Bridge is one of the best pieces of television I’ve seen in the last few years. It was a bit of a sensation in the U.K., which is where I watched while visiting there a few months back, but obviously a subtitled show will be hard to sell in America, so I’ve been expecting a remake. I imagine it’ll be quite different. The dynamics between Sweden and Denmark are very different than the ones between America and Mexico. We’ll see how many of the twists and turns of the original plot they maintain. The female detective from Sweden was such a fascinating character, I hope they keep a lot of her quirks. And for those who can’t stomach an American remake, I think the original Bridge will be shooting a second season at some point.