(Los Angeles-August 16, 2012) The Los Angeles County Museum of Art (LACMA) and the Academy of Motion Picture Arts and Sciences (The Academy) are pleased to co-present the first U.S. retrospective of filmmaker Stanley Kubrick, developed in collaboration with the Kubrick Estate and the Deutsches Filmmuseum, Frankfurt. The exhibition provides access to the director’s extraordinary vision and working methods while illuminating the network of influences and conditions that came together to make his films universally regarded as modern masterpieces. The Los Angeles presentation is made possible by a generous gift from Steve Tisch.
“By featuring this legendary filmmaker and his oeuvre in his first retrospective within the context of an art museum, Stanley Kubrick will reevaluate how we define the artist in the twenty-first century, and simultaneously expand upon LACMA’s commitment to exploring the intersection of art and film,” said Michael Govan, CEO and Wallis Annenberg Director of LACMA. “We are also pleased to honor Kubrick’s impact on film and art history at our 2012 Art + Film Gala, along with artist Ed Ruscha, on October 27.”
“Stanley Kubrick represents the perfect opportunity to collaborate with LACMA on the presentation of film in a museum setting,” said Dawn Hudson, Academy CEO. “It is a taste of things to come when we open the Academy Museum of Motion Pictures in the historic Wilshire May Company building on the LACMA campus.”
LACMA trustee Steve Tisch said, “I am glad to support this important retrospective of one of the greatest filmmakers of all time. This is one more example of LACMA’s commitment to film as an art form, along with past exhibitions like Tim Burton and Dalí: Painting & Film and recent acquisitions like Christian Marclay’s The Clock.”Kubrick’s acclaimed repertoire of films, including Paths of Glory, Lolita, Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, The Shining, Full Metal Jacket, and Eyes Wide Shut, among others, highlights not only his signature directorial tenacity but also major technological innovations of the time, such as filming by candlelight in Barry Lyndon and utilizing the front projection effect in 2001. The exhibition also includes an alternate beginning to this seminal science fiction film.
Kubrick’s films will be represented through a thoughtful selection of archival material, annotated scripts, photography, costumes, cameras and equipment, set models, original promotional materials, and props. The interdisciplinary exhibition draws attention to Kubrick’s fixation with historical research and his visionary adaptations of influences from the fine arts, design, and architecture, and enables visitors to experience the cinematic journey of one of the great artists of the twentieth century. The exhibition also includes sections dedicated to projects that were never completed, as well as to the special effects (visual and auditory) developed by Kubrick and his team.
Terry Semel, co-chair of LACMA’s board of trustees, said “I had the great privilege of working with Stanley on many of his films, including Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut. I am thrilled to see his work honored in a museum setting.”
Hawk Koch, Academy president, said “This is a major step in the Academy’s plan to create a premier movie museum in Los Angeles. We are pleased to co-present this retrospective with LACMA which will provide visitors the opportunity to experience Kubrick’s iconic work as well as his influence on our culture.”
The exhibition will be accompanied by a film retrospective at LACMA’s Bing Theater beginning in November, as well as public programs and conversations with Kubrick’s collaborators and people he influenced, and additional exhibition-related film series planned for spring 2013.
As part of this partnership, and to kick off the film retrospective, on Wednesday, November 7, the Academy will present “An Academy Salute to Stanley Kubrick.” The evening will feature film clips and a conversation hosted by actor Malcolm McDowell. Special guests will include Kubrick’s colleagues and collaborators. The event will also launch the Academy’s Kubrick exhibition, which will be open to the public through February 2013. Featuring items from the Academy’s permanent collection, the exhibition will illuminate the work of Kubrick’s collaborators, as well as the many artists who influenced Kubrick’s work. The salute and exhibition will take place at the Academy’s Samuel Golden Theater and Grand Lobby in Beverly Hills, respectively.
Stanley Kubrick originated at Deutches Filmmuseum, Frankfurt, and has since traveled to Berlin, Melbourne, Ghent, Zurich, Rome, Paris, and Amsterdam. The exhibition presentation at LACMA will be dramatically different from the international venues, with exhibition design by film production designer Patti Podesta.



This genius didn’t make enough films. A true master indeed.
That’s where you’re wrong, he made the perfect amount. Crafting everyone single one of them, not rushing them. That’s what made him a genius, instead of shoveling garbage out year after year like most directors, just for a paycheck. Look at what PTA is doing, took his cue from Kubrick, nice and slow and the results show.
And P.T’s films make NO MONEY ……..
Just more praise heaped upon the incredibly talented yet already well-covered and overexposed.
It’s not like his films are unavailable, or that there aren’t a few dozen books already written about him.
LACMA’s wording is very tricky here. They make it sound like this is the first ever American Retrospective of Kubrick’s films. I think they mean that it’s the first museum sponsored event with his family. Still, a lot of Media outlets are just calling it the First Retrospective – period.
To wit. Other PRIOR “Kubrick Retrospectives”:
https://www.nytimes.com/2006/06/02/movies/02bmovi.html
http://www.washingtontimes.com/news/2007/feb/1/20070201-120810-2599r/
http://articles.chicagotribune.com/2005-07-01/entertainment/0507010283_1_gladiator-school-amores-perros-barry-lyndon
http://www.ifccenter.com/series/waverly-midnights/kubrick/
Not to mention “Kubrick Retrospectives” in L.A.:
http://americancinematheque.com/archive1999/2001/2001.htm
http://egyptiantheatre.com/archive1999/2002/sched.htm
Ah, the Academy. Who so praised and supported his work during his lifetime. Thank God they could do this after getting the truly great Tim Burton out of the way.
Love the sarcasm!
While I wish I could believe that he made just the right amount of films, Kubrick hinself was always regretful that he did not and could not make more films during his career. This is a sentiment he often expressed to his wife and longtime producer.
It’s really harsh for you to say someone is wrong like that when you really don’t have all the facts.
He wanted to make Napoleon
He wanted to make Aryan Papers
He was ready to make them
Shit got in his way. Your “Slow and Steady” theory doesn’t really apply to these cases.
Does anyone know whether the event on Nov 7 is open to the public, and if so where to purchase tickets?