

EXCLUSIVE: In Berlanti Prods.’ first sale this development season, the Warner Bros. TV-based company has set up a medical drama at ABC. The project, written/executive produced by former Supernatural co-showrunner Sera Gamble and executive produced by Greg Berlanti, centers on world-renowned neurosurgeon Dr. Steven Saylor who becomes a medical anomaly himself after suffering a traumatic brain injury. He’s forced to re-specialize as an internist at the hospital where he was once king. The untitled drama, produced by Berlanti Prods. and WBTV, has received a script commitment with penalty. Melissa Kellner Berman co-executive produces.
This marks Berlanti’s first project at ABC since he left sister studio ABC Studios for Warner Bros. in June 2011. During his five-year stint at ABC Studios, Berlanti shepherded a number of series — all for ABC — including Brother & Sisters, Dirty Sexy Money, No Ordinary Family and another drama with a male protagonist who had a brain issue, Eli Stone. I hear Berlanti and ABC had been looking to collaborate again and have now found a project to do it.
In its first development cycle at Warner Bros. TV, Berlanti Prods. last year sold five broadcast projects to CBS, Fox, NBC and the CW, four of which, CBS drama Golden Boy and comedy Oh F*ck, It’s You, Fox drama Guilty and CW drama Arrow were picked up to pilot. Two, Golden Boy and Arrow, went to series, with Guilty remaining in contention for next fall. (Additionally, WME-repped Berlanti has series Political Animals on USA Network.) UTA-repped Gamble stepped down as executive producer/co-showrunner of Supernatural in April when she opted not to renew her contract in order to focus on development for Supernatural producer Warner Bros. TV.
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Ah Sara…as great a writer and showrunner as she is beautiful and friendly
ABC “Nabs”? The headline reads as if this is groundbreaking material, or an epic talent! It’s Greg Berlanti, who’s charming as hell, knows where all the bodies are buried, and may have (offered tongue-in-cheek) slept with every decision maker. It’s mediocre content AT BEST that he “creates”, more often hackneyed and 3rd rate. POLITICAL ANIMALS is a predictable yawn. WME are amazing, shell game salespeople and should build a shrine to Berlanti on their campus. Truly a head scratching phenomena of average talent being great in a room and cultivating good will and opportunities galore.
amen. he has a willie wonka like magic in the room, then the script comes in and it’s augustus gloop.
Let’s assume your statement is true. Meaning, you have first hand knowledge of his “magic in the room” and his “Augustus Gloop” sripts. That would mean you are an executive listening to the pitch or close to the process somehow.
Why do you keep buying his product?
Gamble’s involved? Then I won’t be watching, it’s that simple.
Amen to that.
Gamble ran Supernatural into the ground creatively during her turn as showrunner. They made producer Bob Singer co-showrunner midway through Season 6 because she couldn’t even stay on budget. Unless Warner Bros. is throwing her a bone with this project, I’m surprised they let her work on another project so soon.
One positive is I’d never watch a show with a premise like this in the first place, as such I won’t have to watch her ruin it.
I don’t know what the kids are drinking at those conventions, but I work at Warner Bros and Bob Singer has co-showrun Supernatural since season one. Say what you will about the guy, he’s good with the money. He’s a big reason the show has never been over budget in seven seasons. And believe me, if Ms. Gamble screwed the pooch in season six, you would not have seen her back for season seven, and you wouldn’t see them giving her a big development deal now.
It sounds terrible. And there’s already a slew of more believable and better done shows about doctors.
Also, I’m not interested in a show where I’m sure the hero of the story can get away with almost anything but the one person who dares says something gets beaten up by the other characters, verbally and physically.
At least she’s not ruining another show I watch, that’s a plus. The negative of course being that she’s going to create something from the beginning and she doesn’t seem to have developed. Seems freaking ignorant of Hospitals and the hierarchy too.
Someone start the ‘smug face’ counter!
Why do the networks continually buy the same tired old pitches from the same writers? Take a chance on a new voice!
I appreciate Sera Gamble for what she tried to do with Supernatural. Even though her two seasons were the weakest of the 7 so far, there were some really good episodes in them. Much luck, Sera!
political animals is my fav show
Dirty Sexy Money, Eli Stone and Political animals are all top notched. Just look at ABC’s current line up. Desperate housewives already ended. They cant depend on Greys anatomy forever. Revenge and Scandal are both mediocre wih mediocre ratings.
Political animals easily beats single one of theirs.
The premise sounds awful and there’s Sera involved? No way I’ll be watching this. Thanks for the warning.
Congratulations, Sera! Medical dramas aren’t really my thing, but I hope it turns out fabulously for you. Thank you for all your great episodes of Supernatural through the years.
That’s uncalled for. I know Sera. She is plenty friendly. And I don’t see male writers being judged for their looks or weight. Grow up. She’s succeeding and you’re obviously not.
I’m not a big fan of medical dramas, but I guess I’ll give it a go for Gamble. I wish her next project had been something I’m more inclined to watch, but who knows? I mean, I watched Scrubs, so it’s not like I’m completely averse to shows set in hospitals.. Scrubs was a different animal though.
Let’s be fair, it’s hard to blame for working and collecting a paycheck. Isn’t it more honest and accurate to blame the networks for having no guts, no originality, no imagination, and no shame? The quality of network television is the way it is not because writers want to sell insipid shows, but because networks insist on buying them. And btw, broadcast television disappear entirely before that ever changes –