Ray Richmond contributes to Deadline’s TV coverage.
For its first-ever foray into original scripted series, BBC America made a surprising choice in centering the show on the
period in America during the Civil War rather than a subject impacting the other side of the pond. The new show, Copper, premieres on Aug, 19 and carries a first rate pedigree, produced by no less than Barry Levinson (Diner, Rain Man) and Tom Fontana (Oz, Homicide: Life On The Street). It tells the tale of a brutal Irish immigrant cop (played by Tom Weston-Jones) in New York City and his unique sways of meting out justice in the notorious immigrant neighborhood of Five Points, Rather than a western, Copper is dubbed as more of an “eastern” saga. During a TCA session late this morning, Levinson said, “Here’s the BBC excited to do a piece about America and its history, whereas a (broadcast) network would be much more reluctant to go down that road. What you might consider a foreign company was fascinated with this story”. Added Fontana: “The fact that this is BBC America’s first foray into scripted programming means a lot to us. (BBC America GM) Perry Simon has been incredibly supportive and is also incredibly hungry for this to work. I remember also doing HBO’s first scripted drama with Oz, and that’s very intoxicating, especially for a jaded old idiot like me”.
Related: BBC America Co-Producing ‘The Musketeers’: TCA
For Fontana, doing Copper particularly resonated in that it’s something of an anti-CSI with regard to its cop show investigative techniques. “There’s no DNA, no machines”, he observes. “It’s all about detectives having to use their minds and really assess the situation. I also personally just love the fact that we’re writing and doing a series where there are no cellphones”. He added that doing a show about the American Civil War in New York City “is not dissimilar to doing one about our country and our world now. It’s exciting for me to see the parallels”. And the parallels didn’t end with the division of the country for Fontana, adding that immigration, racism, poverty, educational issues and the treatment of children “are things that I think we’re still dealing with that they dealt with then”.


Someone might want to tell Levinson that that the BBC has never heard of his show. BBC America is an American company completely separate from the British company and imports British shows from all different British channels rather than being some kind of BBC regional outpost.
Not quite true. BBC America is owned by BBC Worldwide which is the commercial subsidiary of the BBC. It cannot be funded by the UK license fee and indeed it’s goal is to be profitable in order to swell the BBC funds.
Whether the BBC has heard of this show I don’t know, but if it makes money they will get the reward.
Yes, I know BBC America is owned by BBC Worldwide (a profit-making, commercial enterprise), but that is also separate from “the BBC,” by which I mean the UK TV channels that are UK licence-fee funded and whose executives only make decisions about their own channels. A former head of BBC America, Garth Ancier, has spoken of how BBC America has no connection at all to the UK’s BBC and in fact when the BBC has asked for BBC America to come aboard certain projects as a co-producer BBC America has said no if they didn’t think the projects would be in their OWN interest.
Back in 2003, Susan Lyne at ABC developed an almost identical TV show, set in New York in the late 19th Century, Irish cops, Five Points, etc. It was called The First. First-rate script, but the network balked at last minute about doing a period piece. We’ll see if they were right.
ABC may well have been “right.” Networks need to draw in a broad audience. 19th century New York cops is not going to attract a broad audience. The beauty of cable is that it allows for niche programming — shows aimed at a pretty narrow viewership.