LOS ANGELES, CA (August 16, 2012) – Charlie Corwin, CEO of Original Media, announced today
that agent Jessica Matthews and producer Patrick Moses have joined the company in Vice Presidential roles. Matthews will serve as Vice President of Scripted Development, heading up scripted development for film and television, while Moses will serve as Vice President of Current Series overseeing all current series, working lockstep with all aspects of production as well as supporting the development team on pilots and presentation projects.
Matthews comes most recently from Creative Artists Agency (CAA) where she was a Motion Picture Literary agent and a member of the teams that represented Al Gough & Miles Millar, Robert Zemeckis, Selena Gomez, Pete Chiarelli and Stan Lee among many others. She began her career at CAA in 2003 as an assistant in the Television department and is a graduate of UCLA.
Moses has been producing and showrunning hit TV shows, feature films, and commercials through his own company, IKM Productions, since 2004. His TV credits include originating the Real Housewives franchise, Project Xtreme for DIY, 100 Scariest Movie Moments for Bravo, and other projects for G4 and TLC International. His films have gone theatrical in both the US and abroad, and he has worked with global brands such as Hyundai, Visa, and AT&T. Previous to his work as a producer, Patrick worked as an investment banker across Asia for JP Morgan’s Technology, Media, and Telecom group in Hong Kong.
Founded in 2002, Charlie Corwin’s Original Media has built a strong reputation for cutting-edge content and quality production. Original Media produces hundreds of hours of award-winning content across multiple media formats including Academy Award nominated feature films, reality television, scripted television and digital programming and currently has seventeen television series on air. Original Media produced the Academy Award nominated films THE SQUID AND THE WHALE and HALF NELSON. The company, headquartered in New York, is a subsidiary of Endemol USA.d producer Patrick Moses have joined the company in Vice Presidential roles. Matthews will serve as Vice President of Scripted Development, heading up scripted development for film and television, while Moses will serve as Vice President of Current Series overseeing all current series, working lockstep with all aspects of production as well as supporting the development team on pilots and presentation projects.




Why would leave CAA to work in development. Look, no one respects 90% of development executives. Anyone can look at a script and say, “This stinks,” “This is good.” They all disagree on what they like, and one look at The Black List gives you a ton of poorly written junk. Half the writers have no talent, but development executives aren’t professionals, they give coverage for a few years and get coffee. The coverage is not valuable. Many are smart people, but ask any respected writer or director what they think of development people, or agents and especially managers for that matter, and they’ll tell you they simply get in the way. But leaving CAA is not like leaving any of the other agencies. People respect CAA agents. They don’t respect managers unless it’s 360 for example, but they respect CAA. This is a good company, though, so that’s a plus, but I wish she would have stayed. She will be missed by clients and co-workers.
No one leaves CAA by choice. You have much to learn.
The worst are managers who couldn’t cut it at the agencies and weren’t asked to stay. They give notes that aren’t appreciated, advice that no one wants to listen to, but actors and writers are convinced they need one because others have one. True, a Management 360 has some all-stars, as does Anonymous, and there are good men and women at all the management companies. But they’re few and far between. Saying you’re a manager is announcing to the Hollywood community that you have nothing to add to the conversation. Most of them are failed writers and actors, or just those who never had the guts to try.
“People respect CAA agents.” That’s an awfully bold and broad statement.
not only is it bold, it also isnt true.
Do you work in this business?
Which one are you? Useless development exec or worthless manager.
Also, agree that CAA gets respect. WME as well. I’m talking about to the rest of the country. No one cares if you’re a manager or a CE, even at an A-list company. They might say, “Oh, cool! You work in Hollywood!” But real talent, real brains end up in academia, medicine, big law, and you know, actual writers and directors.
Being a manager is not cool. Having an agent, manager and lawyer is cool.
most agents that leave caa that are not leaving for another agency are leaving cause they have been shown the door.
How did he originate the Real Housewives?
Well, he didn’t create it – everyone knows that. Which means he managed to hitch his cart onto someone else’s horse, like Corwin did. Where’s the part about the hundreds of hours of Original Media TV that failed so miserably? Or its first feature developed in house (that means Charlie got to give notes), A GUIDE TO RECOGNIZING YOUR SAINTS costing over $20 million and earning back a whopping $517,000? And then there’s AUGUST, which cost even more and made even less. BAM!
Yay Jessica!
Jessica was a terrific agent and no doubt will be an even better executive. She will bring the passion to the job that it takes to succeed. A great get for Original Media.
This is one of the strangest collections of comments I’ve ever seen. A press release about Original becomes a diatribe against development executives and managers? So Stu, trobo and pokie (the new 3 Stooges?) why don’t you just put those scripts of yours that didn’t sell back on the shelf.
Jessica was a great agent and writers advocate and she will be a terrific producer. She is creative and hard working. They are lucky to get her.
Jessica is a class act and Original Media is lucky to have her on board.
Yes, people do leave CAA by choice. Despite what they teach you there, life does exist beyond the walls of the Death Star. Congrats to Jessica. Your life is about to start.
Congrats to Jessica. They are lucky to have her. She’s smart, funny and definitely one of the hottest girls in our business.
Good luck!! You have a new company to run, everyone else has left or is leaving.
Hey Jessica! Congrats (even though this release is old).
But nevertheless, I have a great indie-drama script for consideration, check it out at http://www.goodscreenplay.com
Give the site a visit!