August 3-5 Weekend Actuals
1. Dark Knight Rises (Legendary/Warner Bros) Week 3 [4,242 Runs] PG13
Friday $10.2M, Saturday $14.3M, Sunday $11.2M, Weekend $35.7M (-43%), Cume $353.9M2. Total Recall (Sony) NEW [3,601 Runs] PG13
Friday $9.1M, Saturday $9.3M, Sunday $7.1M, Weekend $25.6M3. Diary Of A Wimpy Kid 3 (Fox) NEW [3,391 Runs] PG
Friday $5.8M, Saturday $5.1M, Sunday $3.7M, Weekend $14.6M4. Ice Age 4 3D (Fox) Week 4 [3,542 Runs] PG
Friday $2.5M, Saturday $3.4M, Sunday $2.7M, Weekend $8.6M (-36%), Cume $132.1M5. The Watch (Fox) Week 2 [3,168 Runs] R
Friday $1.9M, Saturday $2.5M, Sunday $2M, Weekend $6.5M (-49%), Cume $25.5M6. Step Up Revolution 3D (Summit/Lgate) Week 2 [2,606 Runs] PG13
Friday $1.9M, Saturday $2.2M, Sunday $1.8M, Weekend $5.9M (-50%), Cume $23.7M7. Ted (Universal) Week 6 [2,767 Runs] R
Friday $1.6M, Saturday $2.3M, Sunday $1.7M, Weekend $5.6M (-23%), Cume $203.6M8. The Amazing Spider-Man 3D (Col/Sony) Week 5 [2,425 Runs] PG13
Friday $1.2M, Saturday $1.7M, Sunday $1.4M, Weekend $4.4M (-34%), Cume $250.7M9. Brave 3D (Pixar-Disney) Week 7 [2,110 Runs] PG
Friday $806K, Saturday $1.2M, Sunday $996K, Weekend $3M (-31%), Cume $223.4M10. Magic Mike (Warner Bros) Week 6 [1,202 Runs] R
Friday $474K, Saturday $542K, Sunday $398K, Weekend $1.4M (-46%), Cume $110.9M
SUNDAY AM, 6TH UPDATE: Theatrical grosses are still not returning to normal. Instead of the Aurora shooting tragedy spooking box office, the red-hot London Olympics (“NBC Holds American Viewers Hostage: Day 10″) is distracting filmgoers. Total moviegoing this weekend looks like $120M which is down yet again (-25%) from last year. Sony Pictures’ reboot of 1990′s Arnold Schwarzenegger actioner Total Recall now starring Colin Farrell couldn’t give
Warner Bros’ and Legendary Pictures’ third-weekend-veteran The Dark Knight Rises the tight race Hollywood expected. (Nice to hear from my opinionated gurus again…) Right now it looks like TDKR (4,242 theaters) bounced back for #1 its third straight $36.4M or a domestic total of $354.6M. This weekend IMAX did an estimated $5.7M in North American with a cume now standing at $48M.
Creeping in softly to begin with, Total Recall (3,601 theaters) “performed in line with tracking and expectations,” Sony said of its $26.0M opening. Actually, the studio had expected more: $28M-$30M. Problem is, as rival studios pointed out, this weekend’s take won’t be enough to make up the pic’s $150M cost unless it hits big overseas. There, the film opened #1 in India, Malaysia, Singapore, Taiwan, and Thailand and took in $6.2M from 12 markets. In North America, the CinemaScore was only a ‘C+’ which doesn’t bode well for word of mouth. Exit polling showed 58% of the opening weekend audience was male and 42% was female; 47% was under age 30 and 53% was 30 and over.
I don’t know why Hollywood keeps thinking Colin Farrell can carry a movie. He’s just not box office, and this pic proves that again. And Total Recall was a completely unnecessary remake that ignored the elements that made the original worth watching. The last version directed by Paul Verhoeven starred Ah-nold at the height of his film career. The marketing even made fun of his iconic status by promo-ing the hell of that scene putting him in a dress as he sneaked into Mars. This new version directed by Len Wiseman is still based on Philip K. Dick’s seminal short story “We Can Remember It For You Wholesale” but without Arnie or Mars or the campiness. There are five credited writers, including the scribes of the original film: screen story by Ronald Shusett & Dan O’Bannon and Jon Povill and Kurt Wimmer, with screenplay credited to Wimmer and Mark Bomback. The producers are Neal H. Moritz and Toby Jaffe. The campaign for Total Recall focused on men and therefore on sports programming, the American Idol finale, the MTV Movie Awards, and other male-centric TV like Anger Management, Louie, Wilfred, and Brand X. Digital centered around the WelcomeToRekall.com interactive website. Sneak peeks and special spots ran in WWE Raw, Breaking Bad, Falling Skies, and a UFC fight on Fox. The cast rolled out the film at Comic-Con, followed by a press day in Miami, an international tour in France and Brazil, and a junket and premiere in Los Angeles, as well as the daytime and late-night talk shows. The talent will continue to promote the film as it rolls out internationally with a tour to Russia, Spain, Germany, the UK, Ireland, and China.
On the other hand, Fox’s PG-rated Diary Of A Wimpy Kid 3 (3,392 theaters) was made on only a $22M negative just like the first two. When Fox 2000 first bought the books, there were 1 million in print; now there are 75 million in print in 40 different languages. Author Jeff Kinney has been involved in all 3 films. Fox 2000′s Elizabeth Gabler, always a huge advocate, worked closely with the production when its longtime executive Carla Hacken left for New Regency. This is the first time any installment of this successful Wimpy Kid franchise isn’t releasing in March. Bad decision. While the original and sequels scored $22.1M and $23.7M respectively, the new one called Dog Days opened for only $14.7M. The CinemaScore of ‘A-’ could mean stronger numbers from the excellent word of mouth. Fox and producers Nina Jacobson and Brad Simpson combined Books 3 and 4 but used the title of the 4th book, Dog Days, “because we wanted to make a movie both set and released in the summer,” Jacobson told me. This installment pumps up Steve Zahn’s role, which the producers had been wanting to do. Pic was directed by David Bowers; screenplay credit goes to Maya Forbes & Wallace Wolodarsky.
Here’s the Top Ten based on weekend estimates:
1. Dark Knight Rises (Legendary/Warner Bros) Week 3 [4,242 Runs] PG13
Friday $10.2M, Saturday $14.4M, Weekend $36.4M, Cume $354.6M
2. Total Recall (Sony) NEW [3,601 Runs] PG13
Friday $9.1M, Saturday $9.4M, Weekend $26.0M
3. Diary Of A Wimpy Kid 3 (Fox) NEW [3,391 Runs] PG
Friday $5.8M, Saturday $5.1M, Weekend $14.7M
4. Ice Age 4 3D (Fox) Week 4 [3,542 Runs] PG
Friday $2.4M, Saturday $3.3M, Weekend $8.4M, Cume $131.5M
5. The Watch (Fox) Week 2 [3,168 Runs] R
Friday $1.9M, Saturday $2.5M, Weekend $6.3M (-50%), Cume $25.3M
6. Ted (Universal) Week 6 [2,767 Runs] R
Friday $1.6M, Saturday $2.3M, Weekend $5.4M, Cume $203.4M
7. Step Up Revolution 3D (Summit/Lgate) Week 2 [2,606 Runs] PG13
Friday $1.7M, Saturday $2.0M, Weekend $5.3M, Cume $23.1M
8. The Amazing Spider-Man 3D (Col/Sony) Week 5 [2,425 Runs] PG13
Friday $1.2M, Saturday $1.9M, Weekend $4.3M, Cume $250.8M
9. Brave 3D (Pixar-Disney) Week 7 [2,110 Runs] PG
Friday $811K, Saturday $1.1M, Weekend $2.8M, Cume $223.2M
10. Magic Mike (Warner Bros) Week 6 [1,202 Runs] R
Friday $470K, Saturday $740K, Weekend $1.3M, Cume $111.2M
Editor-in-Chief Nikki Finke - tip her here.


@jake
“How is 10.2 vs 9.5 NOT neck and neck grosses?”
For one, TDKR is projected to outgross Total Recall $36 to $26, so the early 10.2 vs 9.5 numbers likely misrepresent how close the race is.
Also, Total Recall’s $9.5 million incorporates the opening midnight grosses, which TDKR obviously lacks in its 3rd weekend — so the “true” Friday numbers likely have TDKR way ahead of TR.
Dark Knight Rises will finish up somewhere between 430-450m. The Dark Knight made over $500m. Rises had a budget of $250m compared to The Dark Knight’s $175m. Make no mistake, it is performing disappointingly as far as Warners are Legendary are concerned.
Poor word of mouth? Doesn’t matter either way. Bourne will crush it, then comes big opening by Expendables! Two better action films.
Why would Warner Brothers be disappointed? It’s going to make a billion dollar world wide.
It’s Because movies like Totall Recall, Terminator and The Rumning Man were brilliant, fresh concepts at the time and edgy. Of course they seem dated and silly now, but at the time, they were pushing the envelope and reaching the young male audience, which is the toughest to impact.
They don’t seem dated and silly now. They seem to be better than the movies that came out this year.
I challenge you to name a plot-hole in TDKR.
I agree, Challenger.
Saw TDKR a second time this week. Lingering questions I had from my first viewing were answered with a rewatch. The film lunges forward for almost it’s entire running time, but it is well thought-out. Personally, I believe Nolan enjoys making puzzle-like, dense popcorn movies that reward repeat viewings.
By the way: it was a midweek IMAX screening and the audience cheered at the end like it was opening night. I did not expect that almost 2 weeks into it’s run. So despite what some posters on here would have you believe, there are definitely audiences out there having a great time with this movie.
Stupid plot hole:
The entire police force of Gotham somehow being trapped underground for 3 months with no means of getting out…seriously?
That’s just one of them.
There are half a dozen. I shake my head when people call Nolan an intelligent filmmaker. Can’t WAIT to see him working without Pfisker. That’ll be revealing.
Look, it was an ok film, it isn’t doing TDK numbers because it just isn’t as entertaining.
The first one was resolved for you, what were the other 5 “plot-holes”? Just curious.
I have seen TDKR twice and the audience applauded loudly at the end both times, (and always during a particularly satifying moment just before the credits). Do you not respect an filmmaker’s ability to rouse emotion in an audience? Not an easy accomplishment for a superhero movie, (or even a high minded fall/winter Oscar-bait drama, for that matter). For me, this qualifies Nolan as intelligent, (along with his many many other obvious gifts as a director).
I cannot answer why TDK was making more money at this point in release, but I thought this third Batman was more satisfying as a whole.
Cops being trapped underground was at least as plausible as any of the schemes Joker pulled off in the previous film. Or the “microwave emitter” of the first film.
And if you stumbled over Joker-tricks and microwaves, why did you even go to TDKR?
So, NO, in the context of Nolan’s trilogy I would not call trapped cops a plot hole. TDKR played by the same rules and folded into the same world Nolan set up with Batman Begins.
Next?
there was no police “stupid plot hole”.
the entire police was NOT in the tunnel. some were trapped others were not. it was stated by the priest to Blake, (paraphrasing) “they are hunting cops like dogs”. thru-out the whole marshal law sequence cops have created a resistance movement. Foley is scared and in hiding until the trapped cops are saved.
to further explain: “With police officers being ruthlessly hunted down, Gotham City under Bane’s complete control, and the nuclear bomb set to detonate in several months, Gordon and several surviving officers form a resistance, but are impeded at every chance they attempt to overthrow Bane and find the bomb. They are eventually all rounded up and sentenced into exile; forced to walk over the fragile sheet of ice over the water separating Gotham from the mainland.”
I had a problem with Bane’s motivation. What he did for that little girl, to save her life in the lion’s den, was so noble it made me want to cry.
Then he’s exiled by Liam Neeson, but goes on to fulfill his quest for Gotham’s destruction b/c the little girl grows up to be a psycho with daddy issues?
A bit of a stretch, no? The movie is still boss though…
Sam.
For me, Bane worked like this:
One can be rejected, (or excommunicated), from an organization but continue to carry out the belief system and/or it’s goals. (This happens in the real world all the time).
Additionally, rejection by a respected superior can motivate some like nothing else will. (The impulse to prove oneself can drive men and women to all kinds of heights and depths).
And that’s before we factor in Bane’s loyalty to Talia.
Can I just ask: Who the hell is making decisions like spending this much money on a piece of crap remake? Colin Farrell is NOT a movie star. No one is clamoring to see him in a big budget monstrosity like this. This is a guy who dipped his wick one too many times 10 years ago and burned a lot of bridges–for god’s sake let it go. He ain’t never gonna be anything more than a decent character actor at this point.
To paraphrase Joss Whedon: everybody’s trying to make a fortune, when they should just be trying to make a living. Was ANYONE asking for a remake of a crappy Schwarzenegger flick from 20 years ago? TR wasn’t exactly Terminator level quality–even back then it was derivative dreck. Not much has changed, either.
These big budget films are high reward, when one hits big (I’m talking Avengers big) but how many of them truly justify the costs involved? Huge amounts of capital are tied up into one single project, starving any other pictures of funding, which then requires huge marketing budgets to try and hoodwink the public into seeing absolute shit movies, before word gets around that its the latest disappointing sci-fi action extravaganza.
Meanwhile, more modest films like Wimpy Kid and Magic Mike are making HUGE profits off of relatively small investments. If Wimpy Kid cost $20 million in production costs, a weekend of $17 million is AWESOME! Parents will take their kids to see it, it will play all week, and in a few months when it hits on DVD, it will be picked up for Christmas presents. Does ANYONE see Total Crapall being on a Christmas list?
The level of poor executive decision making is just unreal.
Well said. But I disagree about Colin Farrell. He has a lot of talent, but seems to be destined for a career like Kevin Bacon. Maybe he should try television.
Total Recall just isn’t getting anyone’s heart pounding. It is expensive as hell to go see a movie these days. Fifty bucks for a couple if you include gas, parking, food. Why spend all that money to see ANOTHER subpar remake of something that wasn’t that good in the first place?
Arnie is an icon, so they shouldn’t remake his movies? Yet, John Wayne is way up there in icon status and they didn’t hesitate to remake one of his. Your logic is backward, they remake his movies because generally they can be done better. None of his movies are untouchable, as lets say Sound of Music, Wizard of oz, Citizen Kane, Vertigo, Scarface. This movie is terrible because of the direction not because it was some perfect movie to begin with. Same that’ll happen with Dredd im sure.
Yes, John Wayne is a cinematic legend, but he died in the late 1970′s, and the original True Grit came out in 1970, so you had a whole generation of people and most of another generation who had no firsthand knowledge or familiarity with his work. And 40 years is long enough time to do a reboot of a classic movie, especially one that was truer to the original novel.
However, Arnold Schwarzenegger is still very much alive, and a lot of people were familiar with the original Total Recall, and while I thought the original was sort of cheesy but entertaining with great special effects for its time, I didn’t think the reboot would do as well. It looked better visually, but Colin Ferrell is no leading man movie star who could pull this off. He’s a fine actor, and he really shines in more art-house and supporting roles, but he’s no blockbuster movie star.
Regarding Total Recall, wasn’t the idea of this reboot to go back to the source material, Phillip K. Dick’s novel “We Can Remember It For You Wholesale?”
Anyone notice schools out?
Colin farrell is a good actor i hope he got $ 20 million for total recall.
Total Recall was better than Batman Rises!
Batman had bad acting and a bloated plot! Glad the series is over! We need a new Batman that can speak and does look like an idiot every time he pops in! Bane was a joke and Catwoman was more interesting than Batman ever was! Batman Rises – F rating
I hope Marvader doesn’t mind me borrowing his line in reply to badmovie…anyone nothing elementary school is out?
if the new total recall was anything it was bloated.
Note to Hollywood…as you can finally see, COLIN FARREL IS NOT A STAR…not only can he not carry a movie, he can’t even carry a bucket of water… there is no star power w/ him..enough already..sincerely, Gerald Butler
Genius.
You nailed it.
The original Total Recall and Bladerunner are my two favorite movies ever (saw recall 3x in the theatre as a teen), and I was completely pissed when I found out they were remaking Total Recall, especially with that Underworld director.
I did end up seeing the new one and.. I approve.
They really took a different tone with the new one, and I know why. It’s because they didn’t even attempt to bother with the charisma of the first one, mostly because they didn’t have Arnold, and you can’t replace Arnold. You shouldn’t even try to replace Arnold, because there is only one Arnold. Given that, any attempt to redo the first one in its original charismatic style would have had to fail, since it would only be seen as a half-hearted attempt to replace Arnold, which is impossible. (And Michael Ironsides facial expressions are irreplacable as well.. hah)
The producers pretty much were forced to go in this new serious Bourne Identity direction, and I appreciate the deference they gave to the original by going in this super-serious direction. I really hope people don’t go in to watch the new Total Recall expecting the satire and humor of the first one. Also, the pacing & tone is actually closer to the short story.
The new one holds up on its own because it has its own identity.
I just saw diary of a wimpy kid 3. Greg Heffley has to learn how to be outdoors during the summer, not just stay inside and play video games all summer. He’s also learning from his mistakes.
I just saw Total Recall today. I thought it was pretty cool. Once in awhile had a hard time distinguishing between the two chicks. Only took a millisecond to realize which one was looking at though. I think they could’ve maybe chosen two that look a bit different though. Would’ve also liked to have seen a little about what happened after the character Cranston plays went bye bye (hopefully it wasn’t all for nothing kinda thing).
Why the dig at Collin Farrell? Dude is a good actor. That script sucked and it was 30 minutes too long. Watching Collin Farrell was the best thing about that movie and I love me some hot chicks but those broads were not doing it for me.
Arnold is an icon for a reason. Total Recall was an envelope pushing film for its time, and a majority of that had to do with Arnold. It worked due to him and not in spite of him. The script had been circulating for decades, and Arnold was the one to resurrect it when De Laurentis’s company was facing hardships. He was very involved in the creative process. Going as far as to spend HIS MONEY on additional fx shots. It’s a classic. The remake is a quick cash in that coattails off of the hard work put into the original. It shows. Lifeless, humorless, and monotonous. It’s not fun.
Have you ever read any of Philip K. Dick’s novels? Do Androids Dream Of Electric Sheep? (Blade Runner), We Can Remember It For You Wholesale (Total Recall) both would not make for an entertaining movie. Dick’s novels and short stories are ponderous nd boring.
The Dark Knight Rises is the finest of the three.
If you like sound design, the finest actors, score, camera work, compositions, costumes and precise action then you will see this movie at least twice this summer.
Bane challenges body and spirit.
I love me some sound design, but I would not sit through TDKR again for that!
Can you call yourself a movie star if you’re never in a hit movie? Someone ask Colin Ferrell.
Colin Farrel is box office poison? True, and team him up with female box office poison Jessica Biel and its a recipe for disaster.
I’ll gladly stare at a studio leaked still of her on the internet wearing a tight and revealing outfit that got her the gig in the first place. – but actually drive to a theater, purchase a ticket, and sit and watch her act for an hour and a half? Never done that, never will.
I hate to be a hater, but I knew Total Recall wouldn’t do well when I saw Jessica Biel in the trailer. She’s hot, but any movie she’s in really sucks. And the new TR was boring. I saw it…it was very boring
Watched Total Recall last night and thought it was okay.
Farrell was fine and I like that the movie paid homage but also moved on from the original. I also have to say the action scenes were very well staged – the elevators sequence in particular was really well done.
Big weakness for me was Jessica Biel. Totally bland and forgettable as she is in all her movies. Should have gone with a more interesting character actress…
Diary of a Wimpy Kid: Dog Days looks like it will hold well in the coming weeks though, because of the A- CinemaScore, and because there is ni direct competition within the month and beyond (Oogieloves is looking for the 2-6 demo, while Wimpy Kid is 6-14