
UPDATED: Following the recent promotion of Peter Rice to Chairman and CEO of Fox Networks Group, Fox entertainment president Kevin Reilly has been elevated to the post once occupied by Rice — Chairman of Entertainment for Fox Broadcasting Co. As part of the promotion, Reilly has signed a new, multi-year contract with the network, believed to be for three years. In addition to all programming — including reality/alternative — and digital, Reilly also will oversee scheduling, marketing, research, and business affairs, areas that for the most part had reported to Rice. “Kevin is a uniquely gifted executive with the strong strategic vision and creative instincts to ensure that Fox continues to drive the future of our industry,” said Rice. “We are incredibly fortunate to have him here and thrilled he will be with us for many more years.” The title bump solidifies Reilly’s new position as the top executive at Fox. As entertainment president, he worked under Peter Liguori from 2007-09 and then Rice who both served as Fox Entertainment chairmen. (Rice’s duties were expanded in 2010 when he was upped to Chairman of Entertainment for Fox Networks Group, overseeing both Fox and FX.)
Since joining Fox in 2007, Reilly has presided over the lineup of Fox, which has finished as No. 1 network among Adults 18-49 for a record eight consecutive seasons, though its reign may come to an end next season when CBS has the Super Bowl. The series Reilly has put on the air include Glee, New Girl and The X Factor. Reilly also was the architect behind the recently launched Animation Domination HD – an independent production subsidiary now ramping up production on alternative animation for digital channels and a late-night Saturday block on FOX. Before Fox, Reilly was president of entertainment at NBC, where he introduced such series as The Office, The Biggest Loser, Heroes, Friday Night Lights and 30 Rock, and at FX, where he put on The Shield and Nip/Tuck.
TV Editor Nellie Andreeva - tip her here.


Reilly is not only brilliant about when to say yes but also when to say no as it did with
the abysmal, unfunny, amatuerish In Living Color reboot.
Ummm. Okay. So who takes the blame when it comes to Fox’s dismal 1 hour dramas?
Terra Nova, Alcatraz, The Finder, Lone Star, Touch…All epic, overdeveloped bombs and at the end of the day, Reilly is the final voice.
Why doesn’t anyone get canned for greenlighting so much suckage?
Textbook ascendancy to a big job. The right school (Ivy of course), the right look (too hip for words), pYing dues (Brillstein and NBC), the indie win for credibility (FX), the ruthless side (stringing along Showtime for NBC), the embarrassing dismissal that wasn’t his fault (Ben Silverman’s NBC), the meticulous tending to relationships that come back to serve at the right time (Peter Liguori first at FX then at Fox), the pitch perfect ability to manage up that sacrifices old friends (Liguori) in service of new ones (Peter Rice), that are all about the realization of a moment like this. What we forget however is he has the creative chops to sit in an edit bay and give productive notes, push for ideas that he can champion even when they are not on brand, schmooze talent like very few, play the jock-cum-artiste like no one else, and remind everyone that he’s the one constant in successes that others may partake in but don’t happen unless he wants them to. Its an impressive run and an even more impressive result. For the implosion or pending implosion of every Silverman, McPherson, Ostroff, Greenblatt, Albrecht, Strauss, Zucker and Wayne, there is always Reilly. Cool, calm and shiny as Teflon. Congrats to the maestro!
You gotta give it to a man who knows how and when to play his cards!
Reilly deserves major props for reversing Fox’s image among scifi/genre fans (despite the axing of Terra Nova) by gracefully getting the underperforming Fringe to an honorable conclusion that makes people feel good. It greatly repaired Fox’s geek cred, not a small matter when you consider Fox was a network founded partially on geekdom (The X-Files) and was the most hated network by geeks and genre fans because of past unfortunate treatments of genre shows. I don’t see Fox investing too much more in genre stuff, but the goodwill MAY come in handy someday, for what it’s worth.
But he still has a horrible record with drama and his taste in general is way overrated. He got lucky with Glee and The New Girl but his true taste is reflected in Bee’s long list of failed dramas.. The new ones are once again appalling and doomed to fail. One is left to wonder what great scripts and shot pilots he left on the table.
Reilly really doesn’t have to do much. He doesn’t really program Wednesdays or Thursdays at all and then he is working with one less hour and has the behemoth known as the NFL constantly overrunning.
His job isn’t that hard considering FOX’s circumstances. What’s the last show they had go into syndication that wasn’t a cartoon?
I admit this guy has made his share of mistakes at FOX, but bottom line, he has been a blessing for this network and how stupid was NBC for getting rid of him to begin with and they’ve been in a downturn ever since. The ratings speak for themselves between FOX vs. NBC as proof. Congrats to Kevin on his promotion.