Brian Brooks is managing editor of MovieLine.
Sleepwalk With Me as predicted lead the pack of new specialty releases. With $65,000 at only one engagement, the feature nonetheless sprinted into very specific record-breaking territory. Distributor IFC Films touted its numbers and some trivia, giving the dog days of summer some luster and a moment of levity. “As a joke Avengers director Joss Whedon recently declared war on our film, so we’re surprised to see that our per screen average is so much higher than The Avengers‘ $47,698 per screen [opening]. We look forward to beating his worldwide gross of $1.5 billion in the coming weeks.” (Marvel’s The Avengers is approaching that figure worldwide). IFC Films pointed out that Sleepwalk is the highest per-theater average for an American “non-animated film from a first-time filmmaker.” It is also a “house record-breaker” for New York’s IFC Center. Sleepwalk will now head to Los Angeles, Chicago, Boston, Washington, D.C., Minneapolis, Indianapolis, Portland, Seattle and other cities in coming weekends. It will be on 22 screens by August 31st. Also opening with a strong start in its debut, Oscilloscope’s Samsara averaged a fantastic $37,500. Next up is L.A. followed by a national rollout.
Just in time for the Republican convention, Rocky Mountain Pictures paraded its anti-Obama doc 2016 Obama’s America into 1,091 venues in its 7th week versus last weekend’s 169. Late last week, the feature was tracking as the movie with biggest advance ticket sales and seemed poised to even overtake The Expendables 2 as Friday’s overall box office winner. That didn’t happen, but it still landed in the upper echelon of the weekend’s biggies, grossing upward of $6.2 million for a solid $5,717 average and placing 8th in the overall box office. Last weekend 2016 averaged $7,393. Certainly a solid showing, but if there’s a comparison to be made, Michael Moore’s anti-Bush doc Fahrenheit 9/11 grossed nearly $24 million, averaging $27,558 in 868 theaters for its bow back in 2004 on its way to $119.2 million in North America.
Among specialty holdovers, Cosmopolis stumbled in its second weekend, averaging a paltry $2,435. R-Patz and Cronenberg fans failed to carry the Cannes title into its second round after adding 60 theaters. Sundance premiere Robot & Frank, held better in its second weekend, averaging $6,325. And Compliance added 9 locations, averaging $4,800. It debuted in one theater last week, taking in $16K. Sony Pictures Classics’ Celeste And Jesse Forever added 48 theaters in its 4th weekend, averaging $2,614. Last weekend it averaged $3,744. For its opening in four venues, it averaged $26,964.
Little White Lies (MPI Pictures) NEW [3 Theaters] Weekend $26,500, Average $8,833
Neighboring Sounds (Cinema Guild) [2 Theaters] Weekend $14,157, Average $7,078
Samsara (Oscilloscope Laboratories) NEW [2 Theaters] Weekend $75K, Average $37,500
Sleepwalk With Me (IFC Films) NEW [1 Theater] Weekend $65,000
Somewhere Between (Long Shot Factory) NEW [1 Theater] Weekend $7.877
Returning / 2nd Weekend
The Awakening (Cohen Media Group) Week 2 [31 Theaters] Weekend $19,972, Average $644, Cume $152,670
Beloved (Sundance Selects) Week 2 [7 Theaters] Weekend $17,360, Average $2,480, Cume $57,377
Chickens With Plums (Sony Pictures Classics) Week 2 [2 Theaters] Weekend $6,745, Average $3,373 , Cume $85,713
Compliance (Magnolia Pictures) Week 2 [10 Theaters] Weekend $48K, Average $4,800, Cume $73,344
Cosmopolis (Entertainment One) Week 2 [63 Theaters] Weekend $153,420 Average $2,435, Cume $447,240
Death By China (Area 23a) Week 2 [1 Theater] Weekend $3,100
Robot & Frank (Samuel Goldwyn Films) Week 2 [46 Theaters] Weekend $290.950, Average $6,325, Cume $342,259
Related: ‘Sleepwalk With Me’, ‘Samsara’, ‘Hermano’: Specialty B.O. Preview
2 Days In New York (Magnolia Pictures) Week 3 [40 Theaters] Weekend $102K, Average $2,550, Cume $290,674
Red Hook Summer/strong> (Variance Films) Week 3 [29 Theaters] Weekend $79,944, Average $2,757, Cume $168,685
Celeste And Jesse Forever (Sony Pictures Classics) Week 4 [115 Theaters] Weekend $300,611, Average $2,614, Cume $1,041,207
Ai Weiwei: Never Sorry (IFC Films) Week 5 [37 Theaters] Weekend $39,960, Average $1,080, Cume $389,151
Killer Joe (LD Entertainment) Week 5 [60 Theaters] Weekend $195K, Average $3,250, Cume $935,839
Ruby Sparks (Fox Searchlight) Week 5 [135 Theaters] Weekend $168K, Average $1,244, Cume $2,109,846
Searching For Sugar Man (Sony Pictures Classics) Week 5 [29 Theaters] Weekend $128,333, Average $4,425, Cume $502,275
The Queen Of Versailles (Magnolia Pictures) Week 6 [85 Theaters] Weekend $192K, Average $2,259, Cume $1,539,193
2016 Obama’s America (Rocky Mountain Pictures) Week 7 [1,091 Theaters] Weekend $6,237,517, Average $5,717, Cume $9,075,393
Easy Money (The Weinstein Company) Week 7 [4 Theaters] Weekend $6,830, Average $1,708, Cume $178,602
Farewell My Queen (Cohen Media Group) Week 7 [64 Theaters] Weekend $101,376, Average $1,584, Cume $1,111,138
The Imposter (Indomina, A&E IndieFilms) Week 7 [24 Theaters] Weekend $86,486, Average $3,604, Cume $391,604
Beasts Of The Southern Wild (Fox Searchlight) Week 9 [212 Theaters] Weekend $460K, Average $2,170, Cume $8,856,593
To Rome With Love (Sony Pictures Classics) Week 10 [221 Theaters] Weekend $203,558, Average $921, Cume $15,888,782
Safety Not Guaranteed (FilmDistrict) Week 12 [54 Theaters] Weekend $50K, Average $926, Cume $3,756,928
Moonrise Kingdom (Focus Features) Week 14 [332 Theaters] Weekend $418,514, Average $1,261, Cume $43,679,330
The Best Exotic Marigold Hotel (Fox Searchlight) Week 17 [112 Theaters] Weekend $90K, Average $804, Cume $45,751,024
Bernie (Millennium Entertainment) Week 18 [52 Theaters] Weekend $48,742, Average $937, Cume $9,121,276
The Intouchables (The Weinstein Company) Week 20 [194 Theaters] Weekend $362K, Average $1,866, Cume $10,457,197
For more estimates listed by title, see box office results here...





Why is Nikki calling “2016 Obama’s America” an anti-Obama movie? If deadline.com had been around in 2004, would she have called F 9/11 “anti-Bush”? Please leave the spin out of the story: just call it a documentary.
In any case, her claim the box office for this documentary would be totally frontloaded are wrong: Saturday’s estimates are besting Friday’s.
Here’s Nikki referring to Chris Rock in February, 2005 as being “anti-Bush”: http://www.alternet.org/story/21341/oscars_to_%27rock%27_the_red_states. Took me less than five minutes to find this.
Why are conservatives wrong so often? Because they are so interested in perpetuating their myths (in this case about the media) that they don’t have any incentive to actually look for the facts.
BTW, the description of the Obama “documentary” as being “anti-Obama” is only 100% accurate.
What happened to R-Patz’s supposedly legions of female fans? More interested in the personality than the actor and the films?
While Pattinson is lucky to have legions of female fans, he also generates a lot of hate because of Twilight so I’m not surprised with these number
The numbers for Cosmopolis are fantastic!!It’s only showing in about 7 markets throughout the US. That leaves out about 93% of fans who are anxiously awaiting for EOne to open the film in our area.
It’s not fantastic. These numbers show Cosmopolis is not likely to expand.
Kind of disaster for Robert Pattinson’s career. Lets compare numbers:
2 Days In New York – Average $2,550
Celeste And Jesse Forever – Average $2,614
Killer Joe – Average $3,250
Searching For Sugar Man – Average $4,425
Chickens With Plums – Average $3,373
Compliance – Average $4,800
Cosmopolis – Average $2,435
That means that there were more people in theaters for those movies then for Cosmopolis. And I’ve never even heard of those movies except Killer Joe! Cosmopolis had pretty loud promotion campaign. Every tabloid, ever magazine, every TV channel mentioned Cosmopolis when Pattinson showed up after hiding. … What is wrong with those so called fans? They will camp for Twilight, they will worship Pattinson and put his face as tatoo on their bodies!!!… but they will never show up for his movies
Amazing.
His career after Twilight is officially kind of over. There is a reason why no one is asking him to do big budget movies. Because he won’t sell them to public. His fans don’t care about him and ordinary people won’t see his movies because he can’t act. After Twilight he will just vanish in those small budget movies that will go straight to DVD or will have short run in 50 theaters. And he doesn’t have any talent to be in awards season. So he will just vanish. Kind of like Van Damme or Forest Whitaker or Adrien Brody or Orlando Bloom or many other once famous actors. Kristen Stewart will join him very quick too. Because people went to see Snow White for Charlize Theron’s crazy Queen and good visuals. And they just tried to ignore Kristen, who was the worst part of the movie. She can’t sell any movie on her own too.
Bad news for you, my friend. From what I have heard, Robert has like 4 movies lined up with great directors so his career is definitely not over during the next few years. About Cosmopolis, it’s true that the scandal put him on spotlight but that doesn’t mean that people will want to see Cosmopolis especially because it’s not a “feel good” movie. Let’s be real, if Taylor Kitsch is still doing movies after all that flop, anyone can.
Problem is that none of those movies will get some box-office or critical acclaim. They will be just like Cosmopolis or Bel Ami. Will get some limited release and will be ignored by critics and viewers. And after last Twilight movie will hit the theaters – Pattinson won’t have anymore that free publicity.
That is no career. Remember Orlando Bloom? He was lucky and had good agent and fresh of his Legolas success he scored supporting roles in big budget movies like Troy and Pirates. And producers thought that he is big star and gave him Lead role in big budget Kingdom of Heaven. And it showed that Orlando is no leading man and doesn’t have fan-base to support him. While there were 3 Pirates movies – Orlando was somehow relevant. He did promotions, he was in press. And then Pirats ended for him, there was no free publicity to stay relevant and he just vanished from spotlight. He still shoots some movies. But when was the last time you heard of Orlando Blooms movie? Or promotion for that movie? Or interview?
That’s what eventually will happen to Robert Pattinson, Taylor Kitch, Zac Efron. Taylor Lautner.
Out of curiosity, have you wondered if maybe Orlando Bloom was just “tired” after making so many epic movies in such a short time? Maybe he’s doing stuff like Good Doctor just as a break?
No. His career really ended. He is not a Leading actor. I’m telling this to you as a former (some kind of) fan. I was charmed by Legolas. As everyone were. I watched that stupid Ned Kelly for Orlando. I watched Troy for Orlando. I watched Elizabethtown. And even Kingdom of Heaven. And that movie was bad because of Orlando. He ruined it with his empty stoned performance.
He can not act. I was fan and did not payed attention to it. But movie after movie. Pitas after Pirats and I was just tired of his non-acting. He can’t help it. He tried. But he is not an actor. He can’t play different characters. And producers stopped calling him with big budget movie scripts. And no one even noticed how Orlando slowly vanished from movies that have wide release. He is doing small movies because no one is asking him to big movies.
We don’t know about box-office but how can you tell it won’t get critical acclaim? Like I said, they have good directors and Pattinson will have more of a supporting role (Guy Pearce and Naomi Watts are the lead for exemple) so at least people won’t blame solely on him if something happens. I just find really unfair that imo Water for Elephants did open really well considering i.e. all the flops from this weekend (which no one is blaming JGL, who has been in various blockbusters, but imagine if it was Pattinson) and even Remember Me (56m/worldwide for that movie is pretty great) but people just refuse to give him any credit in anything. Only time will tell if he becomes, in fact, a Orlando Bloom.
Shy nailed it.