British stage director Rufus Norris’ feature debut Broken was the opening-night film at Cannes‘ Critics Week sidebar this year. Film Movement has acquired rights to the drama starring Tim Roth, Cillian Murphy and newcomer Eloise Laurence. It will open it in New York in early 2013 alongside VOD and a limited national rollout. The pic is based on Daniel Clay’s novel about a girl’s abrupt coming-of-age after witnessing a savage beating that strips her of her innocence, and only love can save her. The acquisition was negotiated by Film Movement president Adley Gartenstein and Carole Baraton of Wild Bunch.


Having trekked far and wide (literally) to see Mr. Murphy’s last film, “Red Lights,” I have to ask: What is it with these tiny-limited, delayed film releases? What happened to the days when someone would make a film and then– oh, shock!– push it into release so that people could actually see it? Especially with modestly budgeted, no-F/X flicks like “Broken,” and especially now that digital is the new standard in projection (which must obviate at least some of the costs involved in producing and insuring prints): Why string out the release? Aren’t films meant to be seen any more? Do filmmakers really rely that little on box-office receipts to recoup their costs and/or turn a profit? Speaking, perhaps, primarily as a fan of Mr. Murphy and his increasingly inaccessible film choices: what a frustrating state of events….