
EXCLUSIVE: The plug was pulled this morning on Motor City, the revenge drama that was scheduled to start production late this month with Albert Hughes directing and Gerard Butler, Mickey Rourke and Adrien Brody starring. The film was in pre-production, and the crew was just told to go home. It is an abrupt and chaotic development. Insiders tell me that Motor City stalled after the film’s backers, Emmett/Furla Films, Envision Entertainment, and Mark Damon’s Foresight Entertainment, realized at the last moment that the release date given them by Warner Bros through its deal with Joel Silver’s Dark Castle turned out to be a drop dead date. Production was to start September 17th, meaning the film could only have 12 weeks of post production. It wasn’t enough time. They needed that studio release to justify all of the foreign distribution deals made for the film by Damon. As a result, they could not secure a bond and couldn’t move forward.
Related: Emmett/Furla Films Funding ’Motor City’ With Gerard Butler
Insiders tell me they still want to make the picture, but they have to do some work under the hood of Motor City to put it all back together again. Since the plug was just pulled, the backers are now dealing with the ramifications with cast, crew and filmmaker. It is unclear at present if Warner Bros will be involved down the line. In the film, Butler plays a man who gets out of prison and is bent on revenge against those who framed him.
A spokesperson for the producers and financiers confirmed the shut down and issued this statement to Deadline:
“Faced with the realities of a very short post-production schedule and complicated visual and special effects, the producers have decided to push back production on Albert Hughes’ Motor City. We are dedicated to delivering top-tier productions such as 2 Guns starring Denzel Washington and Mark Wahlberg which is currently in production and Peter Berg’s Lone Survivor which is in pre-production. The circumstances surrounding this project made it impossible to meet the firm March 31st delivery date without compromising the quality of the film.”
When indie films get halted just before production starts often do so because of money woes, insiders said that isn’t the case here and that it was more about the requirement of a bond and the hardship that a hard release created. We will monitor the ramifications of this. Emmett/Furla Films, in partnership with Envision Entertainment, has become a prolific financier/producer of mid and higher range action drama, and recently got $275 million more in funding and a new TV division. On the feature side, EFF just wrapped the thriller Broken City with Mark Wahlberg, Russell Crowe and Catherine Zeta-Jones, with Fox releasing in January; EFF is also funding the Arnold Schwarzenegger-Sly Stallone teamup The Tomb with Summit releasing; the drama 2 Guns starring Denzel Washington and Wahlberg for Universal; the Reese Witherspoon starrer Rule #1; the action thriller Empire State with Dwayne Johnson and Emile Hirsch; the Stephen Frears-directed Lay the Favorite with Bruce Willis, Rebecca Hall, Zeta-Jones and Vince Vaughn with The Weinstein Company distributing; the John Cusack-Nicolas Cage-starrer Frozen Ground, Fire With Fire with Josh Duhamel, Willis and Rosario Dawson and Freelancers with Robert De Niro, Forest Whitaker and Curtis “50 Cent” Jackson. EFF is preparing to start production on the Peter Berg-directed Navy SEAL drama Lone Survivor with Wahlberg. That is a lot of production commitment in a short time and the next big test will be Lone Survivor, also a pricey picture that was originally developed by Universal and now will be released by that studio but not funded by it.


It seems like the film is indirectly killed by Warner Bros (which would not want to release another Joel Silver movie….)
I must agree with Maria about the reason why it is hard for Indie film to get the budget to made the film come alive. I just hope that Gerald Butler drama will see the life of day.
is it a drama or an action film ?
Must be a bad rom-com. After all this is Gerard Butler, the male Jennifer Anniston, we are talking about.
“male Jennifer Anniston”? i thought that was Ryan Reynolds…
I think I’ve already seen this type of revenge movie (Tango & Cash). Good call on pulling the plug.
I’ll bet the bond had something to do with Mickey Rourke. In the eyes of certain studios, he is poison.
And in the eyes of certain other studios he’s gold — what does it all mean?!
Not surprising. This film felt like it was never going to come together. Cast changes and behind the scene musical chairs just made this a giant question mark from the beginning.
The thing that made this project (which is a Black List script to boot) interesting was the fact it only featured two (?) lines of actual dialogue in the entire script. If they got rid of that hook what’s the point? Just another Emmet/Furla carbon copy action film.
In saying that it’s going to be interesting to see just how many (if any) projects Joel can shake free from his slate at WB to take to his new self funded (yikes) venture at Universal.
Obviously the likes of the Lethal Weapon (reboot) and Logan’s Run will stay with Warners. In fact thinking about it, what else does Joel actually have on his slate worth taking?
Expect to see Robinov set up Albert hughes with a project at ‘Warners proper’ ASAP now this film has disappeared into the ether.
The thing that made this project (which is a Black List script to boot) interesting was the fact it only featured two (?) lines of actual dialogue in the entire script.
SERIOUSLY?
TWO LINES??
WAS IT GOING INTO PRODUCTION WITH THAT SCRIPT???
No. It was rewritten and dialogue added.
I would think Warner Brothers would want to make at least SOME movies to justify all those executive salaries.
WHAT? Lethal Weapon REBOOT???? Surely you jest?
Freelancers evidently went straight to DVD. Seriously: It was available at the last Redbox kiosk I visited.
Re: Joe — that’s what Emmett/Furla does best
Freelancers was such a crap movie, no wonder it went straight to Redbox. 50 Cent can’t act. DeNiro – does he really need the $ anymore?
A Lethal reboot is INSANE. Those movies worked because of Mel and Danny’s chemistry. Without that it’s just another, “He’s from this – he’s from that” crap. Make another Lethal (with Mel and Danny – grittier – like the original) and you’d have another hit – look at Sly’s Rambo & Rocky – look at Bruce with Die Hard – this is a no brainer, folks.
Class Mark Damon film — unrealistic pre sales = no film. I feel bad for everybody involved, Mark should hang it up.
Thank God. Gerard-seriously, you can do better! (2 lines??!!!!!!!) Stop compromising yourself because of MGP’s and Coriolanus’ financial results (if that’s what you’re doing). You’re the man, stop being a pushover for hollywood, make what makes YOU come alive in life, or it’s another dead end. It’s always hard before it’s easy. But if you do go for the “guaranteed sell” at least make it your own, like the Johnny Depp thing. Done with the fan rant, (LOVED those 2 movies btw, but Dear Frankie/Phantom = your best imo, it’s a tie).
…and yes, I know he won’t read this, it’s my way of saying s!@#…
- just another college girl in her 20′s with raging infatuation over the unattainable “perfect” guy. hah
That is the best “pretend to be an actual real person” post I have read. I love that the “just another college girl” is aware of “MGP’s and Coriolanus’ financial results. That made me laugh.
exactly !
I value my privacy or I’d prove you wrong. Not a word of that post is a lie. That is all.
How many college girls watch old flops like Phantom of the Opera? You are awful
The awkward squeezing in of demo information was icing. LOL. Oh dear.
All that’s laughable is that I’m nothing but honest and you’re all laughing at nothing. Oh, silly me, unwilling to give out my private info in order to prove to a bunch of random strangers online who I am.
It’s sad to see any film fall apart for all the people involved, especially at the last second. Whatever its potential merits or faults, it did begin with a black list script which is usually a good sign though God only knows what it eventully turned into. Yet honestly? Not being snarky but the concept is older than my tires.
Horrible movie idea.
“We are dedicated to delivering top-tier productions such as 2 Guns”
says it all
I think anyone involved in this film was mainly drawn to the special effects over the content, but who knows what it’ll turn into. A good film needs great artistry in script, acting, and cinematography, without all 3, what do you really have?
Totally agree with all you said Jessica… Don’t have to prove anything one way or the other
What is with this Emmett/Furla group? Talk about schlock films! IMDB shows a ton of films, but damned if I’ve heard of any of them. Sounds like they grab name actors and throw them in crappy formula films that have no merit or artistic value at all. Anyone ever work with or dealt with them?