Brian Brooks is managing editor of MovieLine.
The overall box office still has a case of the doldrums but a couple of new specialty movies this weekend had robust openings. Summit scored with its rollout of The Perks Of Being A Wallflower, averaging a stellar $61K. That’s the fourth best per-theater average of the year. Perks brought out young females in droves, with women making up 70% of audiences and 60% were under 25. Summit also boasted that Perks was also the company’s highest per-screen debut for any Summit title. Samuel Goldwyn Films’ doc Diana Vreeland: The Eye Has To Travel also showed gusto in its debut, averaging a stylish $21,413. IFC Films bravely took on How To Survive A Plague, a doc exploring the AIDS crisis from the standpoint of activist group ACT-UP. It averaged a softish $7K. Sundance Selects will open Survive in VOD on September 28th.
Among holdovers, last week’s record-breaking debut The Master held solid in its second weekend after a sizable expansion. The Weinstein Company added 783 theaters, grossing $5 million and a solid $6,345 average. Roadside Attractions took Arbitrage into 244 locations from 197 last weekend. The film averaged a solid $5,221. Noted a Roadside Attractions spokesperson: “The film held up very well and in particular went up 78% Friday to Saturday. ” IFC Films added 16 theaters for Liberal Arts in its second weekend. It grossed $40K in 20 theaters for a very soft $2K average.
Variance did not release figures for Head Games.
NEW
Backwards (Dada Films) NEW [5 Theaters] Weekend $22,900, Average $4,580
Brooklyn Brothers Beat The Best (Oscilloscope Laboratories) NEW [2 Theaters] Weekend $6,537, Average $3,269
Diana Vreeland: The Eye Has To Travel (Samuel Goldwyn Films) NEW [3 Theaters] Weekend $64,238, Average $21,413
Hellbound? (Area 23a) NEW [4 Theaters] Weekend $4,275, Average $1,069
How To Survive A Plague (Sundance Selects) NEW [4 Theaters] Weekend $28K, Average $7K
My Uncle Rafael (Rocky Mountain Pictures) NEW [14 Theaters] Weekend $100,210, Average $7,158
Occupy Unmasked (Magnolia Pictures) NEW [4 Theaters] Weekend $44K, Average $11K
The Perks Of Being A Wallflower (Summit Entertainment) [4 Theaters] Weekend $244K, Average $61K
Unconditional (Independent) NEW [350 Theaters] Weekend $546K, Average $1,560
RETURNING / 2ND WEEKEND
10 Years (Anchor Bay) Week 2 [43 Theaters] Weekend $78,109, Average $1,816, Cume $109,203
Arbitrage (Roadside Attractions/Lionsgate) Week 2 [244 Theaters] Weekend $1,283,900, Average $5,262, Cume $3,952,407
Last Ounce Of Courage (Rocky Mountain Pictures) Week 2 [1,064 Theaters] Weekend $546,964, Average $514, Cume $2,749,150
Liberal Arts (IFC Films) Week 2 [20 Theaters] Weekend $40K, Average $2K, Cume $78K
The Master (The Weinstein Company) Week 2 [788 Theaters] Weekend $5M, Average $6,345, Cume $6.055,883
Stolen (Nu Image/Millennium Films) Week 2 [99 Theaters] Weekend $32,508, Average $328, Cume $288,007
HOLDOVERS / 3RD+ WEEKENDS
Bachelorette (Radius-TWC) Week 3 [34 Theaters] Weekend $24,770, Average $726, Cume $419,628
Detropia (Loki Films) Week 3 [11 Theaters] Weekend $37,200, Average $3,382, Cume $131,415
Hello I Must Be Going (Oscilloscope Laboratories) Week 3 [15 Theaters] Weekend $22,937, Average $1,529, Cume $67,314
Keep The Lights On (Music Box Films) Week 3 [8 Theaters] Weekend $22,561, Average $2,820, Cume $149,802
The Words (CBS Films) Week 3 [1,247 Theaters] Weekend $775K, Average $621, Cume $11,019,571
The Bullet Vanishes (China Lion) Week 4 [2 Theaters] Weekend $3K, Average $1,500, Cume $116K
For A Good Time, Call… (Focus Features) Week 4 [105 Theaters] Weekend $147,644, Average $1,406, Cume $1,091,583
Little Birds (Millennium Films) Week 3 [2 Theaters] Weekend $4,031, Average $ 2,016 Cume $16,594
Samsara (Oscilloscope Laboratories) Week 5 [59 Theaters] Weekend $197,821, Average $3,353, Cume $1,155,761
Sleepwalk With Me (IFC Films) Week 5 [135 Theaters] Weekend $297K Average $2,200, Cume $1,697,000
Robot & Frank (Samuel Goldwyn Films) Week 6 [156 Theaters] Weekend $198,120, Average $1,270, Cume $2,901,568
Nitro Circus Movie (Arc Entertainment) Week 7 [7 Theaters] Weekend $1,800, Average $257, Cume $3,371,000
Celeste And Jesse Forever (Sony Pictures Classics) Week 8 [54 Theaters] Weekend $50,794, Average $941, Cume $3,020,855
Killer Joe (LD Entertainment) Week 9 [70 Theaters] Weekend $46,242, Average $661, Cume $1,899,961
Searching For Sugar Man (Sony Pictures Classics) Week 9 [38 Theaters] Weekend $100,868, Average $2,654, Cume $1,193,669
2016 Obama’s America (Rocky Mountain Pictures) Week 11 [1,216 Theaters] Weekend $917,551, Average $755, Cume $32,002,626
Beasts Of The Southern Wild (Fox Searchlight) Week 13 [132 Theaters] Weekend $125,700, Average $952, Cume $10,904,926
To Rome With Love (Sony Pictures Classics) Week 14 [50 Theaters] Weekend $57,548, Average $1,151, Cume $16,531,214
Safety Not Guaranteed (FilmDistrict) Week 16 [40 Theaters] Weekend $19K, Average $475, Cume $3,956,915
Moonrise Kingdom (Focus Features) Week 18 [120 Theaters] Weekend $128,961, Average $1,075, Cume $45,153,468
The Intouchables (The Weinstein Company) Week 24 [156 Theaters] Weekend $182K, Average $1,167, Cume $12,253,558
For more estimates listed by title, see box office results here...


Arbitrage blew me away. Was genuinely surprised by this one. Only problem, Susan Sarandon not in enough scenes. It is as if she has this goal to be in as many movies as possible, with as little to do as possible, though this one gives her more screen time than some of her other more recent films. Anyway, great movie.
Why release the master before the heart of awards season? Will fade with too much competition
PERKS did amazing this weekend. Would really like to know its expansion plan.
Surprised The Master held so well, considering that myself and 90% of the people I know who did see it found it extremely disappointing. If I wasn’t such a big PTA fan, I’d probably call it an utter trainwreck. I can’t imagine a normal movie fan liking this film, at all. It’s this year’s Tree of Life; just not a mass audience film. We’ll see how it continues to roll out.
I saw- The Mater this weekend. And there was about 8 people snoring-LOL. Many walkouts and those that stayed when leaving were all saying- I don’t get it .Great acting- but over long. Didn’t they have an editor ? Rambling to say the least. And what the hell was that mess about ?
Still don’t quite understand why most people struggled to understand this film. It was quite astounding and original in its structure and presentation, with the master-class acting and unnerving score. Pretty sad how people need everything spoon-fed to them nowadays then go back and blame Hollywood for not being original enough! Silly
Emma Watson picked an excellent movie to start her post Potter career.
Interesting. Has Emma Watson learned to act yet? In decade two?