
EXCLUSIVE: When I was covering Toronto, the big talk was all about deals for completed films. But the one script buyers were talking up was The Imitation Game, Graham Moore’s heralded screenplay about Alan Turing, the English mathematician, logician, cryptanalyst, and computer scientist who single-handedly helped crack the German “Enigma Code” during World War II that helped the Allies stave off defeat. In a competitive situation, Teddy Schwarzman’s Black Bear Pictures has come aboard to finance production of the film, with Schwarzman producing with Ampersand Pictures’ Nora Grossman and Ido Ostrowsky, with Moore exec producing.
Turing’s story, which topped the 2011 Black List, is hardly a happy hero tale. Not long after Turing made his contribution to toppling the Nazis in WWII, Britain criminally prosecuted him in the early 1950s for being homosexual. He chose chemical castration over prison and was so demoralized that he eventually committed suicide by eating a cyanide-laced apple (legend has it that Turing’s advancements for what became the computer so inspired Steve Jobs that he named the company Apple).
The script originally sold in a seven-figure spec deal to Warner Bros, when it appeared that Leonardo DiCaprio was interested in starring. The studio put J Blakeson on the project, but the deal had a quick trigger and the rights reverted back to the screenwriter, who then got the job of adapting The Devil In The White City for Warner Bros. That’s being crafted for DiCaprio to play serial killer Dr. HH Holmes, with DiCaprio and Appian Way partner Jennifer Killoran and Double Feature partners Michael Shamberg and Stacey Sher.
Moore is repped by CAA and managed by Tom Drumm of The Safran Company. His attorney is Fred Toczek. CAA put the financing together and will rep distribution rights. Attorney Alan Wertheimer repped the producers and Schwarzman for Black Bear.
Black Bear launched early last year, and is a producer of Broken City, the Allen Hughes-directed drama that stars Mark Wahlberg, Russell Crowe and Catherine Zeta-Jones, with Emmett/Furla financing and Fox distributing. Black Bear also produced the Ramin Bahrani-directed At Any Price with Dennis Quaid and Zac Efron, with Sony Pictures Classics releasing; Adult Childen Of Divorce, the comedy that stars Adam Scott, Richard Jenkins, Amy Poehler, Jessica Alba and Jane Lynch; and All Is Lost, the survival tale written and directed by Margin Call‘s J.C. Chandor, with Robert Redford starring.


Great outcome for a great script. The Black Bear team are some of the smartest, filmmaker-friendly producers-financiers out there, and Graham is just getting going. Looking forward to seeing how this comes together.
Says Teddy or an assistant at Black Bear. Thanks, dude, but just give us your dad’s money and keep quiet.
A wonderful, wonderful script.
Beautiful script.
Did the screenwriter get to sell the script twice? Or did the rights revert back, which they then had to get Black Bear to pay up for?
Perhaps it should have said…
…sold for seven figures (IF ACTUALLY PRODUCED), but really only paid about $150k for an option, which includes a rewrite.
I don’t know the situation specifically, and it probably depends on the deal that was made. But I would guess that the screenwriter did not sell it twice, and that Warner Bros. will recoup at least some of its costs in turnaround. Perhaps Black Bear made a deal for less than dollar for dollar, and Warner Bros is made whole if the movie gets made. Can some biz affairs person or someone who knows the particulars weigh in? It’s an interesting question.
I don’t think progress to production that effects in the rights reverting to the writer (which is how the situation’s been reported) is similar to turnaround. I don’ think WB gets any money back, but I also don’t think they paid the reported seven figures either. Seven figures was probably the total number that Moore would see if the movie went to production. My guess is that he saw small percentage of that sum, probably did some work on it (WGA guaranteed first rewrite), Leo cooled off and in turn so did WB, and now it’s Moore, and not WB, that is selling the script again.
To get this, they had to agree to make this for more money than any of the studios or any other financier would. Great business.
Were the rights to Turing’s life story purchased before writing began?
Films to play the videotapes
I don’t think it’s physically or grammatically possible to have “single handedly helped”
but anyway, good for graham moore. I’m sure he was besieged by nothing but encouragement when he told people he was writing a script about Lionel Turing.
Yay! A fantastic script by a brilliant writer and very talented producers. This movie should be made!
Yes, Graham Moore is a great writer but this is simply not a movie. It’s a great writing sample, but there is not a single cinematic moment in the script. Black Bear is going to have the same issues WB did.
what a totally stupid pseudo-insider comment
sadly, you are correct
Most insightful comment yet. It’s true. Great read but unfilmable. Ask yourself why a major studio forked over money then waffled when Leo didn’t commit and a sophomore director of moderate talent was engaged.
I’m sure this guy’s got chops, but he’s so ridiculously connected I can’t relate at all.
“—IN FACT, the first computers were made
by a EUGENIST —-for EUGENICS.”
-ENDGAME documentary
(10 MILLION views online)
And so let’s lionize actuarial PSYCHOPATHY in this,
the 11th hour of rollout.
This script is well-written. However, there’s a competing Alan Turing project, called TURING, that gives it a run for its money – more character-driven, lot’s of “cinematic moments”, way more heart.
A further issue is that video games are typically serious naturally with the main focus on knowing things rather than leisure. Although, it comes with an entertainment part to keep your kids engaged, just about every game is frequently designed to work on a specific skill set or program, such as mathematics or scientific research. Thanks for your post.