
EXCLUSIVE: Robert De Niro and Jane Rosenthal’s Tribeca Prods. continues a strong selling season with deals at Showtime for The Good Shepherd and at CBS for a family medical drama from TV writer/playwright Diana Son (Law & Order: Criminal Intent). Both projects are produced by CBS TV Studios where Tribeca is under an overall deal. Rosenthal and De Niro executive produce, with Tribeca’s Berry Welsh serving as producer.
Showtime is developing The Good Shepherd, a period drama based on the characters from the 2006 Cold War feature spy thriller directed by De Niro and co-produced by Tribeca. The film’s writer, Oscar winner Eric Roth, will write/exec produce the series adaptation, with De Niro set to direct, the first time the Oscar winner has been attached to direct a Tribeca TV project. The series will follow the family of a CIA operative.
Producers originally planned to do a Good Shepherd feature sequel but opted to pursue pay cable for an opportunity to delve deeper into the characters in a serialized format. The 2006 movie starred Matt Damon as a senior CIA officer, with Angelina Jolie, William Hurt and Alec Baldwin, De Niro co-starring.
This would mark the first series created by CAA-repped Roth in two decades, since the 1992 Fox musical drama The Heights, which he co-created. He spent the last two decades mostly in features, earning four Academy Award writing nominations and winning for Forrest Gump. He is currently an executive producer on Netflix’s House Of Cards and served as co-executive producer on HBO’s Luck.
The untitled Diana Son drama project at CBS explores what happens when a workaholic mom has to balance work and family on her own for the first time. It centers on the chief trauma surgeon at a respected Manhattan hospital who suddenly becomes a single mother when she loses her stay-at-home husband to a fatal accident. She re-evaluates work/life balance by taking over her father-in-law’s venerable Brooklyn brownstone-based family medical practice. Paradigm-repped Son is writing/exec producing. The project reunites her with Tribeca and CBS TV Studios — she served as a co-executive producer on their CBS cop drama NYC 22.
The Good Shepherd and the Diana Son project join Tribeca’s recent sale to CBS of a father/daughter legal drama written by Game Change‘s Danny Strong and to be directed by The Fighter‘ David O. Russell. The company is repped by CAA.
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That is great news – “The Good Shepherd” is one of my favorite movies ever. I have watched it dozens of times & never tire of it.
You must be Bob’s mom or something. I couldn’t sit through it… lifeless.
Personally, I’d like to see De Niro get back to acting again… he’s turned into a straight-to-video actor like Nicolas Cage.
The run of stuff he’s done over the past several years is just beneath his dignity… when you think about what a great actor he used to be… sad.
This is the kind of thing he SHOULD be doing. High end cable is where great actors and filmmakers are migrating because of crap like Battleship clogging up the studio pipelines. Good move for Showtime.
Yes, some of DeNiro’s acting choices as of late are well below his talent level – but they’re obviously pay checks. And to that I say wait for Silver Linings Playbook. From what I hear, he’s phenomenal. And anyone who knows the cable business knows this is not for the paycheck.
Yep. Agree. It was coma inducing.
The Good Shepherd? Really? A spinoff of a movie that flopped the first time around?
It may have flopped, but that’s a testament to the “dumbing down of the audience”. It was a terrific piece of writing and a thoroughly thought provoking movie. Something we don’t see much of anymore.
This is just Jane Rosenthal servicing her client’s ego. TV is not a clearance sale rack for failed features, as everyone at Showtime knows by now… or should.
Hey Mgmt — get back to your WME staff meeting. This is a great project and will be a fantastic cable series. universal was supposed to develop a sequel that would pick up in the 1970s and expect this will track that period in time against the family backdrop. bring back eddie redmayne!
I guess TV is a better place to dumb down a movie, eh?
No, this movie was a film fan’s worst nightmare. Great actors stuck in a muddled script.
Pass. Next!
Diana Son is incredibly talented. Love to see her developing her own series. This sounds like a good fit for what CBS is looking for – with no medical drama on the air right now!
The Good Shepherd was unwatchable. Just paint drying… sounds like DeNiro wants a re-do a la George Lucas.
Very interesting on the same network as Homeland. The Good Shepherd is one of those pictures that gets better with each viewing. This series could cut pretty deep and really explore deep character.
The good Shepard wasn’t that good and was never in contention for a sequel, but it seems now movie stars are all migrating to a form of story telling they once snubbed, basic TV. I’m sure they are saying to themselves, hey! Now we get to make 12 movies instead of one. Which in part is true.
Cable now is the home for many fallen by the way side film makers, including the once great movie stars. Sadly because of the internet, long gone are the days of Raging Bull and The Dear Hunter.
I guess they still got to make a living.
But thanks to this migration, at least now Cable has raised the bar for all story teller and shows like The Soprano’s which gave rise to dysfunctional hero’s like Vick Mackey and Walter White and the greatest story telling since Shakespeare, in the wire. Those who disagree with that should take up hair dressing. Not that hair dressing is bad career, if i had hair I’d be having it cut right now. Because as a writer I like to procrastinate. Did I spell that right. But then writing for network TV is one exercise in procrastination, because the bar is now so f–in low it’s mind blowing. It’s almost as Grim as Grim.
Anyway back to the writers room and a five act story form with add banners that block out most of the shit drama going on behind them…
Okay then. Wow. What a post. Well, you tried. Better luck next time.
I enjoyed the Good Shepard. I thought it was a good film. It was a fascinating study in how intelligence was gathered before we had such advanced technology. Watch the movie; especially the scenes when they are trying to identify the people on the tape. It was slow paced, no explosions or CGI.. just great dialogue. I know Robert D wanted to explore the movie more.
Please God no more doctor shows.
Family drama with top notch surgeon’s spouse killed in an accident; now surgeon is single,juggling parenthood vs. career. “Everwood” anyone? Paging Greg Berlanti! What an original premise.
Berlanti himself has never been known for original premises. Nor for quality writing. Nor for quality anything.
You could also make the argument that it’s not that far off from GIFTED MAN premise or the busted Christine Lati doctor pilot (but hopefully won’t be marred in grief of the dead father). CBS is notorious for liking things that have a few elements similar to what’s been done before and trying to prefect it. Look at NYC 22….and now GOLDEN BOY…which also brings things around full-circle to Mr. Berlanti since he’s the EP.
This has the CBS “family” element going for it. And Diana is a talented writer. Hopefully it has enough edge to make the cut in January.
I think the point was that De Niro should stick to acting. As a director he’s a bore.
And if nobody went to this with Matt Damon and Angie Jolie, imagine it with a bunch of understudies…
Wait, the big news here is that ERIC ROTH CREATED THE HEIGHTS. I had no idea! I remember when that show launched after 90210 and they did this crossover thing with Donna Martin and there was that kind of forced song How Do You Talk to an Angel that they tried to break? Being 15 was rad. Back when I could reasonably use words like Rad.