The non-profit permitting group said today that overall on-location production in LA County slipped 3.9% from the same quarter last year. A big part of that fall is from on-location feature film production dipping 21.1% for the quarter. That’s in stark contrast to the rise film production had during 2012’s first and second quarters. Those periods saw features up 16% and 9%, respectively. While features fell, two categories jumped up significantly: The relatively new category of webisodes was up 148% over the same period last year. Now making up 9% of annual TV production in LA, webisodes saw 423 permitted production days for the quarter. TV sitcoms, which make up around 11% of TV production, were also up, rising 47.6% from the same quarter last year to 608 permitted days.
Related: Governor OKs $100M Film-TV Tax Credit Until 2017; Is It Enough To Keep Up With Rival States?
With total days for the quarter down to 10,773 compared with last year’s 11,210, news was not so good in the other TV categories. Overall TV production was down 1.4%, with the harshest drop coming in reality TV, which fell 20.5% from the third quarter last year. TV drama also took a tumble, down 18.5% from the same time last year. Pilots were also down 45%, but as FilmLA noted, “the quarter is not usually a strong one for the category.” The period runs from the end of June to the end of September. FilmLA’s data comes from filming permits for shooting on streets, non-certified sound stages and in unincorporated areas of Los Angeles County.
Deadline's Dominic Patten - tip him here.


More and more productions are everywhere but CA it seems. I’ve had to travel to work on 4 features in Atlanta in the last few years. The incentives are just too tempting for many producers and production companies. It’s sad to see so much of our industry be outsourced. Some states have successfully added production to their state’s revenue stream. Not every state that’s tried it has been successful, both those who have, are seeing a bounty of production projects.
It seems unlikely that it will get much better in CA unless something dramatic is done. $100 mill may seem like a lot to those outside of our industry, but it is a drop in the bucket, and will likely do little to stem the flow of run away production. Mostly what it does is keep lower budget projects here, which is great for some people, but they certainly do not have the same economic impact as the much larger productions do.
Incentives are only part of the reason production is leaving. Location prices, crew rates and fringes, permit costs, the list goes on. Other cities, states and countries have offered lower prices across the board and this has just as big of an impact on production budgets as the incentives do. The unions need to make some concessions, as do the stages and other infrastructure entities in LA.
I say this as a union crew member. I don’t want to be come another Detroit, though I fear we may be on that path.
It’s not the unions. It’s things like the cops, who have an institutionalized system of graft in place. You want to put a light on a sidewalk, you gotta pay a couple of cops 900 bucks each to show up and stand around. You use a generator or have an actor light a freaking cigarette, you’re forced to hire a fire marshall at the same kind of outrageous rates. Then the price of locations, and parking are totally out of control. To blame high costs here on the craft unions is ludicrous. You think crews in new york make less than we do here? So why is NY booming right now while we’re dying? It’s the incentives, which are, in effect, nothing more than bribes.