
CBS this morning was the latest broadcast network to weigh in on freshman series back orders, giving full-season pickups to dramas Elementary and Vegas. The first wave of episodic orders typically goes to the strongest ratings performers, with the next echelon getting additional script orders while the networks decide whether to keep them around. This is the case again this fall with one notable exception: Fox’s modestly rated new comedy Ben And Kate, the only new series with a back order to get fewer than nine episodes (six), as its pickup was more of a statement by Fox that it is
committed to nurturing its fledgling Tuesday comedy block than a testament to the show’s strength. The full-season 22-episode orders to date went to the six highest-rated new series among adults 18-49: NBC’s Revolution (4.3/11 in most current ratings*), CBS’ Elementary (3.5/10), NBC’s Go On (2.9/8), CBS’ Vegas (2.7/8), Fox’s The Mindy Project (2.6/7) and NBC’s The New Normal (2.5/7). Ben And Kate (1.8) is six slots down, below ABC’s Nashville (2.4), ABC’s Last Resort (2.3), ABC’s 666 Park Ave, CBS’ Partners (2.3) and ABC’s The Neighbors (2.1). The CW’s sole pickup so far, Arrow, is the network’s highest-rated series this fall with a 1.3 in 18-49. (Note: Full Freshman Series Status Report chart after the story.) Interestingly, the only freshman show to get a larger-than-22-episode pickup this season was not the highest-rated (Revolution), but Mindy Project, for reasons in the vein of those for Ben And Kate‘s back order. (Fox also is pre-empting Mindy for three of the current four weeks, so the extra order served as a vote of confidence to the Mindy Kaling series.) I hear there are discussions for an extra episode of Arrow, which would push the order to 23.
Of the freshman series that have been on the air for at least three weeks, only CBS’ comedy Partners is still awaiting word on an episodic or script order. The comedy was pre-empted last night, and the network will likely wait another week before making a decision. Because of the first Presidential debate, ABC’s Nashville and Chicago Fire launched late and have only aired two episodes, so decisions on both are forthcoming. Neither is considered a slam dunk after steep second-week declines, though Nashville is in better shape critics- and ratings-wise. ABC, which was flying high last fall with early full-season orders to Once Upon A Time, Revenge and Suburgatory, is the only broadcast network with no episodic back orders yet. (It has given out script pickups to dramas 666 Park Ave and Last Resort and comedy The Neighbors).
Technically, Fox has not ruled on the fate of low-rated The Mob Doctor, though its options are down to whether to keep the show on the air for several more weeks or pull it. For now, Mob Doctor is slated to return to the schedule after the World Series on November 5, the second Monday of the November sweep.
Here is a list of all freshman series ranked by 18-49 rating, along with their current pickup status.
1. Revolution NBC 9-episode order (total of 22) 4.3/11 in 18-49
2. Elementary CBS 9-episode order (22) 3.5/9
3. Go On NBC 9-episode order (22) 2.9/8
4. Vegas CBS 9-episode order (22) 2.7/8
5. The Mindy Project Fox 11-episode order (24) 2.6/7
6. The New Normal NBC 9-episode order (22) 2.5/7
7. Nashville ABC TBD 2.4/7
8. Last Resort ABC 2 Scripts 2.3/7
8. Partners CBS TBD 2.3/6
8. 666 Park Ave ABC 2 Scripts 2.3/6
11. The Neighbors ABC 3 Scripts 2.1/6
12. Ben And Kate Fox 6-episode order (19) 1.8/5
13. Chicago Fire NBC TBD 1.7/5
13. Guys With Kids NBC 5 scripts 1.7/5
15. Animal Practice NBC Cancelled 1.4/5
16. Mob Doctor Fox All But Cancelled 1.3/3
16. Arrow The CW 9 Episodes (22) 1.3/4
17. Made In Jersey CBS Cancelled 1.1/4
18. Beauty And The Beast The CW 3 Scripts 0.9/3
19. Emily Owens, MD The CW 3 Scripts 0.5/1
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*Most current ratings: a season-to-date average of Live+7 ratings if available and Life+Same Day. Live+7 ratings are currently available through the first two weeks of the season. The last two weeks’ averages are Live+Same Day.
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All of the aforementioned shows, without exception, absolutely suck. Back to the drawing board, network geniuses!
Actually Nashville is an excellent show. And — I dare say this because it’s not popular to say – Mob Doctor is also a teriffic show…
Don’t get the hate for it. It’s well acted, well written and entertaining.
I know no one on any of these 2 shows.
Thanks for the list! Numbering’s a bit off though (I was going crazy trying to figure out why my post on freshman shows had 20 listed while yours only had 19!).
None sucks worst that The New Normal, whose ratings are curiously absent from the article.
funny you should say that. I would love to know how you would do it better.
US Breeze–you are too correct. Revolution and Arrow are actually EMBARASSINGLY bad writing ( I had staff writing offers and declined). GO ON is nearly as bad….and MOB DOCTOR and Animal Practice, Guys With Kids, Emily Owens…those series should have been injected with something fatal before they were filmed!
So while my manager and agent are unhappy with me, I’m happy to not be swimming upstream in a writer’s room that has to churn out crap.
Ha! Funny guy, you. Long career, not.
You’re proud of turning down a staff gig on the season’s top new show? Because you’re so smart? Sounds pretty stupid.
Nicely said. Also turning down a chance to work on a JJ Abrams show? Your manager and agent just found someone new to take to lunch…
In this economy you actually declined work?
What, besides posts on Deadline, are you writing now?
No TV writers with credits named Pedro listed on IMDB. Not that I believe anything you say, but you’re asking us to believe that you had an offer to work on one of the most anticipated, highest-budget shows (Abrams no less) as your first legit gig and turned it down? Let me introduce you to my friend Jack Daniels.
The last episode of Elementary got a 2.3/6 with 10.84 viewers. They always spin the numbers. The fact is the mentalist did better at that time slot. They are killing the show by having it on Sundays.
Elementary is just MONK all over again. And the plots are really tired. Don’t expect a long or happy run.
Sorry if this isn’t a smart question and I don’t know what they are but: what does it mean if there is an order for more scripts?
It means the writers can writer more scripts but there’s no guarantee that they’ll be filmed. basically they can spend a little money on some scripts and see what the ratings do in the meantime and also see where the story is going by getting the scripts and then making a decision on weather or not to continue.
It means they want to see where the show’s going before they actually commit to more episodes.
Shows that are strong out the gate get their back nine orders right away, without necessarily having to see more scripts.
They order more scripts in case they decide later they do indeed want to continue the show. Without the already prepared scripts, it would be incredibly difficult to get that many episodes written and filmed in such a short time. Essentially, they are betting that the show will merit more episodes but they haven’t decided to commit to that idea until they get more data.
You win the award for actually asking an intelligent question that you did not know the answer to, and all 3 respondents win the award for actually *answering* the question and helping someone learn something without pounding them with derision and snarky comments. I’m shocked, but pleasantly surprised! There is hope for these boards yet!
Partners should move to NBC, with these ratings it would be a hit there AND the creators already have a good relationship with that network because of Will & Grace.
What is shocking to me, that shows like Nashville and 666 Park Avenue did NOT end up on cable, both have niche audiences, former is a critical darling, latter is a competent genre show, yet for some reason ABC thought these could be hits for them…in 10PM slots ! Hopefully they will give these two some time to find their mojo, I think both have tremendous potential.
Actually, I hope ABC will treat ‘Nashville’ as CBS does ‘The Good Wife’ : renew it again and again because it is their one and only prestige drama.
Having said that, I can’t help but think that ‘Nashville’ would have been a better fit with Lifetime (they are surely in need of a prestige show), 666 could have been huge for SciFi or FX, and from last year, Smash could have been another succesful Spielberg-fare for HBO. But oh, well, I’m just hoping all will survive one way or another !
I agree, that 666′s concept could have been cool on a cable network where it could have ben grittier – I feel like on ABC it just skims the surface of what the concept can be – it’s got to take a cue from American Horror Story in that sense. I actually think Nashville would be a good replacement for 666 in that Sunday night slot. I think it fits in with that kind of primetime soap feel that revenge has. But then again, nothing else is on on Wednesdays – might as well keep it!
I agree but ABC should move Nashville from Wednesday nights to Sunday nights and give it more of an audience and showcase and CXL 666 Park Avenue or banish it to Saturdays in the middle of December, once football concludes.
This list would look a bit different if DVR info was incorporated. But probably just some position juggling caused by reality shows and cable/satellite tune ins. Networks blissfully ignore this but they’re wrong to do so.
EK-
DVR info IS included. The next day numbers include playback from the night before. The season to date numbers incorporate live plus 7 numbers when they are available (2 weeks later). Plus, the nets get a look at live plus 3 numbers 5 days after a show is aired, so they have an excellent idea of the playback.
Actually EK, this list includes DVR ratings. And the networks are starting to incorporate DVR viewing into their decisions.
Why count DVR and not On Demand or Online views, which is how I watch network shows? Can’t viewers fast forward through commercials on DVR which we usually can’t do online or On Demand? My only worry is Last Resort. Finally, Andre Braugher has a great role and he might lose it, and I may lose a show I love.
Fox didn’t even bother giving THE MINDY PROJECT a real name. That shows how little faith they had in the show to begin with. They were called on it and now they’re backpeddling to make it look like they cared.
Would be so curious to see what would happen to Go On and The New Normal if they did not have that monster lead-in (The Voice). Actually thought Animal Practice had more potential as a series and NBC basically left it out to die by itself on Wednesday night with no lead-in and no solid lineup against ABC’s biggest comedy night. Will wait and see….you can’t hide two mediocre shows behind Adam Levine forever.
I love The Mindy Project. Why is FOX screwing it over like this? Kick the Ben and Kate crap aside and let TMP grow. It’s a very funny show.
Are you truly serious? Funny show? After three aired episodes, the show is getting worse by the week and no wonder FOX is pre-empting it, but yet they gave it a full season order. AJ, enjoy the show while you can before it gets canned after one season. The actress is annoying.
Ah, diversity writers. A much shallower pool to swim in. But yes, the writing blows. But so does the writing on WALKING DEAD. Not always the writers faults though with network execs trying to stick to the lowest common denominator.
How is Nashvillle a prestige drama like the good wife? When the network has to spoon feed your story beats for you, I would gander your show is in deep trouble. You have a bunch of network execs breaking stories who none have any writing or experience in a writers room, this is a sad state of affairs and an embarrassment for the writing team. Sure the pilot was strong but once they dived into the crazy pace of broadcast television this very talented team of writers just gave up. And now folks, the network is breaking the stories, not good, not good at all!
@Pedro
Turning down two staff writing gigs is nothing to brag about, it just makes you look like a douche. Yes, the two series are terrible but they have potential. Instead of dismissing these two shows as terrible, a true writer finds a way to work within the show to make it better. As an aspiring tv writer, I would kill to have been offered a staff writing gig on Arrow or Revolution, hell, I’d kill to get any staff writing gig at this stage in the game.
Revolution really does have bad writing, and even the performances suffer for it. I wish the actors had something better to say, because the premise behind the show can still work.
Very true. I tuned in for the possibilities but at this point, it’s just become so ridiculous that I only watch as a learning tool, seeing the mistakes the writers made and how they could be corrected. It’s pretty educational.