
Fox and FX Networks are getting into the long-form event programming business, teaming for a new production unit that will supply the sibling networks with high-profile limited and miniseries. The unit will operate as a division of FX Prods. and will be run by HBO executive Gina Balian, who has been named SVP of limited series for FX Networks and FX Prods. In the newly created position, she will oversee development and production of limited and miniseries for FX and FX Movie Channel. Additionally, Fox will use FX Prods. as a producing partner for summer limited event series with Balian overseeing those projects. She will start November 1, reporting jointly to FX’s EVP Original Programming Nick Grad and Eric Schrier, EVP of FX Prods. and Head of Series Development for FX. “We are committed to increasing FX’s long-form offerings, and with FXM’s growth the timing is perfect to add long-form original programming to its lineup,” FX president John Landgraf said.
I hear both Fox and FX brass had been interested in adding event programming to their lineups, leading to the collaboration. “We have been signaling our appetite for large-scale, high-impact event series for Fox for many months and we’ve begun buying towards that goal,” Fox chairman Kevin Reilly said. “We’re going to create quality 10-to 12-part events that can stand alone or be evolved into franchises — events that will be big in scope and have top-tier talent attached.” Fox plans to order its first event series into production in summer 2013 to air in 2014. It marks a return to the long-form event programming, once a staple of broadcast TV, but with projects more in line of HBO’s mega-minis Band Of Brothers and John Adams than the traditional four-hour miniseries of the networks’ past.
Balian spent the last decade as HBO, most recently as SVP Drama. During her early tenure there, she worked on both comedy and drama series, developing the low-budget, experimental Flight Of The Conchords and buying the series idea for How To Make It In America. She was the lead executive for HBO on Rome, Tell Me You Love Me and In Treatment. She also oversaw all creative on the network’s recent hit series Game Of Thrones, as well as Luck.
TV Editor Nellie Andreeva - tip her here.


Interesting? What is it? What is their goal?
Congrats to FX and Gina…who is an amazing executive with great creative instincts.
Congrats to Nick and to Gina.. two awesome execs!
It’s about time. So many great ideas with limited premises (episodic wise) that now can have a life mini-series style. Beautiful.
Good, start adapting Wheel of Time now. It’s like Game of Thrones but with a little more family appeal and could be on a network.
Good work getting Gina. One of the finest execs out there.
The strategy is to maximize Fox Intl presale, minimize pilot failures, and launch and own IP that could spin off into other media properties?
uh oh Ellenberg, should not have scared her off.
Gina is fantastic…Fox Nets are super lucky to get her.
Why did Fox need a new division for this?
Isn’t FTVS good enough?
Wouldn’t starting this unit within those walls be more synergistic?
First off, I would just like to heartily congratulate FX and Fox for really “thinking-outside-of-the-box” in forming this “long-form” development and production unit. I think what some “series-minded” programming people might be overlooking or forgetting here is the entirely different creative and economic modeling that goes into the development and production of long-form miniseries and even “limited-run” series (also as potential “back-door” returning series orders!).
I’m really gratified that drew a clearly separate line between this “long-form” FX Productions unit being its own entity — away from Fox Television Studios and 20th Century Fox Television. The reason why I (and probably other agents, managers, etc. pitching long-form projects) like this separate architecture so much is because it sends a CLEAR STATEMENT this unit is in the “Big-Tent EVENT” programming business — something that has been virtually ABANDONED for the last 20-plus years by the ratings-challenged, vanilla-looking broadcast networks. It’s just has been sad reality that most networks (including premium cable players like HBO and Showtime) have abandoned MINISERIES as part of their programming menus — instead choosing this OBSESSIVE economic/creative focus on just developing cookie-cutter procedural dramas (particularly CBS and NBC) with just the “back-end” syndication revenues in mind!
There’s nothing wrong with considering the “back-end syndication” part of the economic quotients in getting ROI and profits on series, but what this has all done has created an “assembly line” mentality and really DEVASTATED networks committed to a lack of diversity in their programming and mindless obsession on going with formulaic procedural dramas and “dysfunctional family” sitcoms (aren’t there enough of those, too?). What this has done has created entirely hard-to-discern networks with so few BRAND-identifiable and any thought of “event programming” except for same conceptually tired/spent first-run REALITY competition series (“DWTS,” “Survivor,” “American Idol” and “The Voice”).
What has been entirely MISSING from the broadcast network and has been disappearing is Big Event/Big Tent miniseries, limited-run series, etc., that help to DIVERSIFY networks’ program offerings and provide a unique, highly-promotable and MEMORABLE miniseries program! That is what made ABC so UNIQUE and HIGH-GLOSS in the 1970s and 1980s with “Roots,” “Rich Man, Poor Man,” “The Thorn Birds,” “The Winds of War,” “QB7,” and the Stephen King minis and telefilms — that is what set the Alphabet apart and gave them HUGE ratings tentpoles for the critical SWEEPS periods!
Instead, for the last 20-30 years, the broadcast networks have NOTHING that really speaks to HIGH-GLOSS, CRITICALLY-ACCLAIMED programming because so few drama series can sustain that level of QUALITY and there is such a pathetic array of choices to establish true VIEWER LOYALTY to a network. Sure, CBS may brag about being the No. 1 network in Total Viewers, but what is there among there ever-multiplying “CSI” and “NCIS” franchises that is MEMORABLE, ORIGINAL or THOUGHT-PROVOKING — it’s all of same regurgitated crime-scene crap over and over!
That is why I thoroughly APPLAUD the programming folks at FX and Fox for making this kind of ground-breaking commitment for the return of ORIGINAL, EVENT-BASED long-form programming! I’m guessing that they saw the HIGHER RATINGS returns for “American Horror Story” (even a drama listed as “limited-run” with rotating cast members and stories) on Fox and the record basic-cable network ratings for History Channel’s “Hatfields & McCoys” miniseries delivering just around 14 million total viewers nightly again proved that ORIGINAL long-forms can draw more eyeballs and ad revenues (and international sales!) to be TENTPOLES for their networks — and differentiate from the other networks’ bilge pumps of cop dramas, family/NY sitcoms and sometimes lowest-common-denominator reality shows.
This commitment by FX and Fox even makes me optimistic that other networks may follow suit soon with their own independent long-form units. Maybe even HBO will return with great minis of the order like “Band of Brothers,” “John Adams,” “Angels in America” and “From the Earth to the Moon,” etc., just to BREAK the pattern of sameness and blandness that has taken over the network TV airwaves. One can pray for that, at least! ;-D
Great news for Fox and FX. Bad news for HBO. Gina is far and away the best creative exec at HBO. They’re losing a real star who everyone loves working with. Good luck to you Gina!
A big congrats to Gina!
Congratulations, Gina! Smart, hard working, collaborative and kind. She’s quite a catch!