
Premiere Week used to be the ultimate make-it-or-break-it test for the broadcast networks, a barometer for which new shows will be hot that season and which will likely die. Today, more and more networks schedule their fall premieres outside of premiere week, diminishing the importance of the season’s opening week. Last year, some of the strongest new fall series — ABC’s Once Upon A Time and Suburgatory and NBC’s Grimm — all launched outside premiere week. This year, the list includes NBC’s Revolution and Go On, which premiered early, and ABC’s highest-profile new series, drama Nashville, which debuts next week.
Related: Fall 2012: As Broadcast Season Kicks Off, Where Do Networks Stand?
And then there is the rising power of DVRs, especially for returning series. During Premiere Week last year, four series — Two And A Half Men, Modern Family, How I Met Your Mother and The Middle – were up double-digits from the previous fall’s premieres. This year, only one returning show, ABC’s Grey’s Anatomy, posted year-to-year gains, a testament to the series’ masterfully crafted cliffhangers. But many series are expected to make up ground in Live+7 as pundits point to this season as the one where shifted viewing reaches critical mass for a major impact on ratings reporting. So far, only Live+3 ratings for series that aired Monday-Wednesday last week are in. They show an average of 26% lift in adults 18-49, up from 20% last fall, as DVR contribution has crossed the one-quarter mark only three days after the shows’ original airing.
Not surprisingly, top-rated comedy Modern Family is the biggest ratings gainer for now, adding 1.75 in 18-49 (31.6%) for a stellar 7.3 Live+3 demo rating. Somewhat surprisingly, as viewers tend to overwhelmingly favor returning shows for their season passes, Modern Family‘s gain is tied for No. 1 with that for new NBC drama Revolution. Overall, the 1.75 Live+3 increase for Revolution represents the largest percentage gain for any Monday-Wednesday series (50.6%) and vaults the futuristic series to a 5.19 demo rating, the second-highest behind Modern Family last week. It edged the series that helped launch it, NBC’s The Voice (5.18). The big DVR jump on top of already strong ratings (with a 3.5 Live+Same Day rating in 18-49, Revolution was already the highest-rated freshman series of Premiere Week) is an indication that the big premiere for the JJ Abrams/Eric Kripke drama the week before was not a fluke; viewers liked what they saw and put the series on their DVR lists.
Revolution is the brightest new prospect so far this season, which has been short on standouts. CBS fielded two dramas that show potential: Elementary (3.1 in 18-49, 13.4 million viewers in Live+Same Day), and Vegas (2.5/7, 14.9 million), the most-watched new series during Premiere Week. In an encouraging sign, Vegas went up to a 3.2 in 18-49 in Live+3 (its audience also grew to 17.2 million). The other new drama series so far underperformed, ABC’s Last Resort and 666 Park Avenue (both at a 2.2 demo rating in Live+Same Day) and especially Fox’s Mob Doctor and CBS’ Made In Jersey.
Last fall, new comedies were leading the pack early in the season, with strong premieres for 2 Broke Girls, New Girl, Suburgatory, Whitney and Up All Night. This year, new drama seem to be dominating the conversation, with NBC’s Matthew Perry starrer Go On the only freshman comedy that appears a shoo-in for a back-nine pickup. It averaged a 2.7 18-49 rating in Live+same day and a 3.2 in Live+3 last week. Also considered a strong possibility for a back order is Go On‘s companion, The New Normal, which shot up 38% in Live+3 to a 2.8 in 18-49. ABC’s The Neighbors got off to a solid start (3.2 in 18-49 Live+Same Day) but needs to prove its mettle in its regular 8:30 PM slot this week. Very low for CBS standards was the premiere of the network’s new comedy Partners, while the ratings for NBC’s Guys With Kids and especially Animal Practice have been disappointing.
Fox’s new comedies The Mindy Project (2.4) and Ben & Kate (2.1) were also soft in premieres. (They went up to a 2.9 and 2.4, respectively, in Live+3) Their lead-in, New Girl, shot up 38% in Live+3 to a respectable 3.8 in 18-49 after very modest Live+Same Day premiere ratings. And two very low-rated returning shows — ABC’s Private Practice and CBS’ Hawaii Five-0, both at a 1.9 demo Live+Same Day rating in 18-49 — perked up, to a 2.8 and a 2.6 rating, respectively. Private Practice‘s low live performance may be explained with viewers not yet used to its relatively new Tuesday time slot, while Hawaii was hit by Monday Night Football and the new demo force in the Monday 10 PM slot, Revolution.
Here are the preliminary network standings for Premiere Week. The big move is NBC’s climb from No. 4 last year to a somewhat surprising No. 1 on the strength of its successful expansion of The Voice to fall and the potent launch of Revolution. This marks NBC’s first outright premiere-week demo win in nine years with its highest 18-49 premiere-week rating in four years.
All the other networks are down double-digits. CBS faces comparison to a blockbuster Premiere Monday last year featuring the debut of the rebooted Two And A Half Men. Besides rock-solid The Big Bang Theory, the network’s comedies have all posted declines, and its Monday lineup shows vulnerability for the first time in years. The jury is still out on the move of veteran Two And A Half Men to Thursday.
Fox is the only network without a new show in the 3 demo rating range so far this season after the success with New Girl and The X Factor last fall. With X Factor down from last year, the new Tuesday comedy block slow out of the gate and no solid new shows, the network is looking forward to midseason with the return of American Idol and the launch of drama The Following.
ABC’s attempt to stem the rapid ratings erosion of Dancing With The Stars with an all-star edition did not work, which, coupled with a so-so start for its freshman series, contributed to the network’s year-over-year declines. Here are the rankings (The CW’s fall lineup does not premiere until later this month):
No. 1, NBC, 2.9/8 (up 12%)
No. 2, Fox, 2.7/7 (down 18%)
No. 3, CBS, 2.4/7 (down 20%)
No. 4, ABC, 2.3/6 (down 18%)
No. 5, Univision, 1.4/4 (down 7%)
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Heroes-lite.
And that show sucked.
No thanks, guys.
They must be popping champagne at NBC!
We did it!
We finally bought some good press. It can be done, boys! It can!
I knew this would happen. With NBC making in roads at the other networks expense and the other three weakened, none of the networks has a 3.0 or above average rating. All under a 3.
As someone who’s interested in but not overly familiar with television ratings, this is a great analysis. I’m glad that DVR viewing is being incorporated into the ratings on such a level. Two observations: one, the strength of the DVR bump on both “Revolution” and “The New Girl” make sense, as they would seem to attract a younger audience less interested in appointment viewing… and two, the Live+3 average lift of 26%, up from 20% last fall, seems like it’s just the tip of the iceberg. Does anyone have numbers on the growth of DVR penetration – past, present and future?
Here’s the deal: until all the factors are assimilated into one rating protocol (that’s network, syndication, cable/satellite and DVR) the idea of trying to ascribe winner/loser status on a regular basis is meaningless. And let’s not forget other viewing platforms like phones and tablets. Extremely difficult to quantify all this but it is the second decade of the 21st century and some wizard out there should be able to figure it out … eventually. Till then advertisers, which is whom the ratings are aimed at after all, will each figure it out for themselves, demographics being the key and not just the 18-34′s. Sooner or later, killing off shows which attract millions of views older than that will become an obvious mistake.
‘Sooner or later, killing off shows which attract millions of views older than that will become an obvious mistake.’
I believe this is already happening. Can the network executives not see one of the obvious reasons viewership is down? Why folks are turning to cable?
So many of my favorite shows have been cancelled over the past couple of years that I don’t bother checking out the new shows. What’s the point in getting attached when the suits in charge will inevitably pull the plug?
And yes, I am not a member of the ‘most valuable’ demographic category.
Revolution will fall apart by episode 5 like all JJA shows.
I hope Revolution finds its footing because I like the premise ..but I’m not holding out hope. so far its really really crap .especially in the shadow of more good TV than any one person has the time to watch like Breaking Bad, Mad Men, Sons of Anarchy, Homeland.
Good news for JJ tho, Person of Interest is finally getting really interesting! Send some of those writers over to Revolution!!!
Network TV has taken such a nose dive. It’s dumbed down to the point of uninteresting. NBC’s pick up have the depth of a napkin. Nashville written by the talented Callie Khouri is really good if that development team at ABC/Disney don’t note her to death which is kind of their thing.
As a showrunner/creator I’ve never seen networks so lost and so fearful. They have no taste and they don’t understand how to get the the best out of writers. They’re risk adverse and have these tiny attention spans. Everything they hear is mirrored off some memory of “something somewhat like that that didn’t work” never taking into account all the details of the failure of that idea. Networks and studios have dumbed themselves down to the point that they seem clueless to their jobs. Cable lets writers be original and do their thing. That’s how you get Homeland or Breaking Bad which could both exist at 10 on Fox or NBC.
Exactly! I couldn’t have said it better myself!
There have been shows I really liked where it’s been the network executives who decided which direction storylines should go, not the producers and writers who KNOW their characters and their viewers. Because of their meddling, they’ve lost my viewership time and time again because of the c**p THEY think we should see.
This is why cable is now my number one choice for viewing.
Look at programming on PBS and BBC America. The reason why the likes of Downton Abbey, Sherlock and Luther, to name but a few, are so popular with viewers: You don’t have British TV executives telling the producers and writers what to do. They allow them to just get on with the process and don’t interfere.
When will they ever learn?
I’m glad Revolution is doing as well as it is. I enjoy it and I hate getting into shows that come in on their way out. Giancarlo Esposito was an excellent casting choice. Especially for folks that just caught up on Breaking Bad over the summer, like me.
These poor untalented people hired by NBC, ABC and Fox to buy and “develop” for them and the studios with the uber busy ladies giving needless notes are making TV worse every year. With all this second guessing of shows and their writers nothing good is created. A show as singular as Homeland is not ecapable of being born out that system. Breaking Bad, Louis CK all work because the network and studio didn’t tell a writer/creator how to write and create.
Revolution is an absolutely terrible. Interesting premise, but a laughable execution. Hell, if last year’s similar futuristic drama Terra Nova got axed, then Revolution is bound to follow in its footsteps.
“I can’t turn on the lights…”
This makes me laugh so hard that a show is even based on this premise.
Three nights a week, the most-watched broadcast or cable program is football (NFL games Sundays on NBC and Mondays on ESPN; college games on Saturdays over either ABC, Fox, or NBC).
If the NFL Network soon gets in as many homes as ESPN, it’s Thursday-night NFL games will become the most-watched program on Thursday nights, which would cause fits to the major broadcast nets given that Thursday is the most important night of the prime-time week (thanks to film studios buying commercial time on Thursday nights to promote movies opening the next day).