
EXCLUSIVE: Warner Bros has acquired the feature film rights to the Mickey Spillane series of mystery novels featuring private investigator Mike Hammer. The deal is a co-production between Film 360 and Thunder Road. The producers are Guymon Casady and Ben Forkner for Film 360, Basil Iwanyk for Thunder Road and Ken Levin, the longtime rep for Spillane’s estate.
Spillane wrote 13 Mike Hammer novels solo, beginning with the 1947 book I, The Jury. He wrote another six teamed with Max Allan Collins. Spillane’s Mike Hammer was a prototype for the tough guy private eye, and the studio will try to resurrect the character in an attempt to build an action franchise. What Warner Bros and the producers haven’t yet decided is whether to keep Hammer in the hardboiled period setting of the novels, or turn Hammer loose in a contemporary setting. They will also need to choose one of the books, though I think I, The Jury is a heckuva place to start, even though it was twice before turned into movies.
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While Ian Fleming acknowledged that Hammer was an influence on his James Bond character, Spillane’s signature character can also be likened to rogue heroes like Clint Eastwood‘s Dirty Harry and Lee Child’s Jack Reacher (who’ll be played by Tom Cruise in the upcoming Paramount film. Hammer was a solitary tough physical guy with an impatience for the legal system and no qualms about killing those who elude its grasp. Spillane’s series was huge when published in paperback; at one point in the 70s, Hammer novels took up seven spots in the 10 best selling books of all time. Hammer mysteries have sold 225 million copies globally.
The producers have already met with A-list screenwriters; some pitched keeping Hammer in period mode, while others sparked to bringing him into the present. Hammer has been out of circulation as a film or TV property for a long time, because of a rights dispute. Spillane passed away in 2006, which came one month after the death of his manager, Jay Bernstein (who also repped singer Tom Jones and Farrah Fawcett). Bernstein’s estate claimed ownership of the Hammer character. Levin spent several years in court, before the rights to Spillane’s work came back to the author’s estate and a clear title could be delivered for a movie deal. Spillane’s co-author Collins will be exec producer as will the author’s widow, Jane Spillane.
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Very nice. Love seeing Mike Hammer back. Now what happened to the Clive Owen/Frank Miller deal with Philip Marlowe?
Boy, I hope that never happens. Clive Owen is great, but Frank Miller is so bloody overrated.
Should have mentioned WB’s history with the genre. It was the studio’s stock and trade at one time when Jack Warner was still running things. Doesn’t mean anything today, of course, but would have been a nice historical touch.
My dream director would be Michael Mann. I know a couple years ago Mann had been developing a Kiss me Deadly remake with Robert Rodriguez.Im hoping Mann might be interested in directiing this new incarnation. Maybe Tom Hardy as Mike Hammer?
If Tom Cruise will be Jack Reacher on the big screen, logically, Pee Wee Herman is the right man for Mike Hammer
Darren McGavin was the first Mike Hammer on TV – he was fantastic, a real man’s man – the shows were actually criticized for being too violent (in the 50s).
If you haven’t read the books, you should. They’re fun reads. (I read the first 4 or 5 some years back; I’d bought them for a lady friend’s father’s birthday, ended up reading them before wrapping them after flipping through the first book and being unable to put it down. Schlocky…but schlocky fun!)
I’d rather see Bruce Willis return as Joe Hallenbeck in a sequel to the Last Boy Scout. That was the best modern day tough guy private eye movie ever made and they should have done a sequel to it 20 years ago.
For a perfect Spillane movie adaptation the winner is Robert Mitchum he did the best Marlowe in Farewell My Lovely the narration throughout was so good he kept talking about Joe DiMaggio’s amazing hitting streak as he kept the audience informed about what was happening with the mystery.
My mistake Mitchum played Philip Marlowe and it was based on a Raymond Chandler novel but it’s a classic of the genre probably the best ever.
Duh! Bruce as Hammer!Plus he’s a damn good actor…keep in his time…his tactics wouldn’t work in today’s sensitive times.He’d lose his license in the first movie.
and loved Stacy Keach’s Mike Hammer tv show back in the 1980′s
Yes, I loved Stacey Keach at Mike Hammer- too bad his cocaine problems derailed his career. He was handsome, talented, and charismatic. But, I do love the choices of Tom Hardy and Clive Owen. Michael Mann would be a solid directing choice ( but sometimes he can be incredibly excessive ) , and I can see Curtis Hanson or Ben Affleck directing .
ABC tried a contemporary take on Philip Marlowe a few seasons back with Jason O’Mara, and the quality, or lack thereof, of that particular take notwithstanding, it showed why dropping Mike Hammer into a contemporary setting will probably not work.
These characters worked beautifully in their time and place and taking them out of that time and place generally doesn’t feel right. That’s why, as ‘Sam Spade’ pointed out above, Mitchum’s Marlowe was maybe the best incarnation since Bogart. (Although it’s hard not to admire Altman’s casting of Elliot Gould – !! – as a contemporary Marlowe in 1973′s ‘The Long Goodbye’).
They will fumble this by making it present day. Hammer is such an anachronistic character he only works in the bygone era and they won’t do that because they’ll be afraid of it. That’s their problem on this. I remember that stupid TV show “Sledge Hammer” from 25 years ago it was terrible it gave me a headache to watch it.
All the cliched conventions of the private eye genre have to be set in the past they don’t work in 2013. If a guy like Mike Hammer was running around trying to solve cases he’d be a joke people would think he’s a lunatic he certainly couldn’t blend in or go undercover.
I want a Continental Op movie…never heard of him? Read Red Harvest by Dashiell Hammett.
Red Harvest is a masterpiece…Both Bertolucci and Leone tried and failed to make it..super violent and cynical…perfect for these times…..Make it with Scorcese directing from an Ellroy script…wow