
A new trend has begun to take hold in a category that’s been mostly major-studio territory since its creation a decade ago. The animated-feature lineup is seeing more independent distributors finding their way into the Oscar race and enjoying real success in winning those coveted nominations.
In fact, since the animated-feature category was created in 2001, the list of winners — from DreamWorks Animation’s Shrek through last year’s victor Paramount’s Rango — has been dominated by the major studios, particularly Disney/Pixar, which won four of the past five animated-feature Oscars and six overall. Last year’s Cars 2 was the first time a Pixar entry failed to make the cut, even with five nominations in the category. Even the two
independent productions that have won, Studio Ghibli and Hayao Miyazaki’s Spirited Away (2002) and Aardman’s Wallace & Gromit in the Curse of the Were-Rabbit (2005), were distributed by major studios, Disney and DreamWorks Animation, respectively. But it’s clear that indie distributors are making headway in the animation race and potentially causing big trouble for the majors and their expensive tentpole toons. Read More »
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New arrivals to the specialty market don’t include any marquee Oscar contenders compared to recent weeks. What we have is a hodgepodge of cross-genre fare. Abramorama’s Addicted To Fame takes a behind-the-scenes look at a film set with a troubled star. Magnet Releasing’s Universal Soldier: Day Of Reckoning is a follow-up to the previous Jean-Claude Van Damme pic which took a circuitous route to the big screen. China Lion’s Back To 1942 may find appeal beyond its core Chinese American audience with the participation of Adrien Brody and Tim Robbins, while Pantelion Films/Lionsgate’s Hecho En México rolls out in Los Angeles with Mexican culture in the spotlight. And Ex-Girlfriends aims to capitalize on micro-budget DIY marketing.
Addicted To Fame















