Branagh To Tackle ‘Macbeth’ In Manchester
Kenneth Branagh is returning to the stage in his first Shakespeare role for more than a decade. In summer 2013, Branagh will take on Macbeth at the UK’s Manchester International Festival, the BBC reports. Branagh, who was recently knighted at Buckingham Palace, will give 17 performances as Macbeth in a new production by Emmy and Tony Award winner Rob Ashford. Branagh directed a film adaptation of Shakespeare’s Love’s Labours Lost in 2000, four years after his Oscar-nominated direction of a big-screen version of Hamlet. In 1995, he played Iago in Oliver Parker’s feature of Othello and in 1993 directed and starred in Much Ado About Nothing with his then-wife Emma Thompson. The first feature that brought him great acclaim in the U.S. was 1989’s Henry V for which he was nominated as Best Actor and Best Director.
Cinematographer Harris Savides Gets Tribute
Plus Cameraimage, the international film festival that celebrates cinematography, will pay a special tribute to the late cinematographer Harris Savides (American Gangster, Zodiac, The Game, Milk). Savides’ friend and collaborator on Milk, Gus Van Sant, will be on hand in Bydgoszcz, Poland for the homage along with Savides’ colleagues Chris Doyle (Hero, In the Mood for Love, 2046), Anthony Dod Mantle (Slumdog Millionaire, 28 Days Later…, The Last King of Scotland) and James McCormick, who was Savides’ first camera assistant. Van Sant will also accept the festival’s Director Duo Award on behalf of Savades and himself. As a part of the tribute, the festival will screen two of their films, Elephant and Last Days. Savides passed away in October at age 55.


This man wan an incredible artist. His play with shadow and opaque colors – subtle sublime lighting. I’ll note two films where his full power is on display, infusing drama and poetry: “Birth” and “American Gangster.” Both of those films are flawed little gems but there are scenes that I go back too that would not have the weight they carry if not for this man’s delicate, deep, sublime touch. The jogging prologue in “Birth” is tour de force. And Denzel Washington’s entrance into the big party in “American Gangster” is incredible actually. I am blown away. To young to die.
Kenny has always had his small triumphs, and the recent “Weekend With Marilyn” has once again shown him to be a master of character roles. And yet, he is best when the spittle, angst and horror fly about him in Shakespearean plays… Not comedies. He is a humble, self-conscious person on talk shows, and confident but measured on stage and directing major motion pictures. What I like best is his ability to infuse small human moments of humor in epic tragedies or stories of the fall. Since “Dead Wrong”, this has remained unchanging. What I look forward to is Kenny’s film version of Macbeth, so we can see a modern take (and NOT a stage play that too full of words), full of visual elements about a man who returns war-weary, haggard, and suffering from PTSD (i.e., violent, dark, brooding, and massively paranoid, self medicating with much wine –which the Bard knew too well, long before psychotherapists gave it a name). That is a film I want to work on with this docile man… Because that character, words or not, is where a great film character actor and Shakespearean master could truly amaze us all.
He directed HBO’s As You Like It, cameo’d as himself as the very very end.