
EXCLUSIVE: With the latest James Bond movie Skyfall already smashing box office records, the film’s co-writer John Logan and director Sam Mendes are re-teaming on the TV side. In what would be both Logan and Mendes’ series debut, the two have partnered for a drama project. We’ve learned that the script, written by Logan with Mendes attached to produce and possibly direct, has been sent to premium cable networks.
It is described as an origin story set in the 1800s London in the vein of The League of Extraordinary Gentlemen, which also was set in 19th century Europe, including London, and featured an assortment of fictional literary characters. The Logan/Mendes project features such characters as Van Helsing and Doctor Frankenstein as they hunt for vampires. The drama is unlikely to have spy elements as Eon Prods., which produces the Bond films, has a long history of preventing its writers and directors from working on other ‘spy’ material, even when they’re done with a 007 movie and have moved on. In the case of Logan, he is far from done with Bond – he already has been tapped to write the next two installments, Bond 24 and 25. Meanwhile, Mendes was the first Oscar winner to direct a Bond pic with Skyfall. He is producing the TV project through his Neal Street Prods.
Skyfall is breaking box office records overseas and opens this Thursday on IMAX screens and this Friday wide in North American theaters. Hollywood expects this installment to top both 2008′s Quantum Of Solace, which went on to gross $586M (£367.4M) worldwide, and 2006′s Casino Royale, which grossed $594.2M (£372.5M) making it the highest-grossing film in the Bond franchise (not adjusted for inflation or higher ticket prices). That includes the U.S., where all-in guesstimates top $215M – much better than Quantum Of Solace‘s $168.3M or Casino Royale’s $167.4M.
Mendes and Logan share a stage background. Mendes was a top theater director and Logan an accomplished playwright before they segued to feature directing/writing. Logan has been nominated for three Oscars for co-writing Gladiator, and scripting Hugo and The Aviator. His work also includes Rango, Coriolanus, Sweeney Todd, The Last Samurai and Any Given Sunday, and he won the Tony, Drama Desk and Outer Critic Circle awards for his play Red. Mendes won an Oscar for his feature directorial debut, American Beauty. His directing credits also include Revolutionary Road and Away We Go. Both are repped by CAA.


That is a UNIQUE Great Idea…another Vampire Hunter Movie…ho hum…
But it’s a vampire hunting TV show, that makes all the difference!
Get Poe, Lincoln and Queen Victoria in on the action, and I’ll check it out.
Surely this is a joke.
Someone should start up a Vampire Channel so all this crap can be quarantined. How many freaking Vampires and their hunters do we need on television?
SyFy is the vampires & ghosts channel, so there you go.
Now if only someone would start a science fiction channel…
And set in the 1800s… So clever!
I’d rather see a mash-up of Houdini, Doyle & HP Lovecraft hunting down the supernatural. Whatever happened to that comic book project?
No network has need of this with their glut of genre shows in development so they’re eyeing cable, but it feels like it might be an old script getting reactivated with muscle behind it. The concept isn’t fresh at all. The irony about the influx of feature names coming to television is you still need a TV person to run the show, so they’re better off going with a true TV person’s original concept than buying into the next SEAQUEST or TERRA NOVA.
So many talented movie people gravitating toward television. Does this mean that talented movie people can’t count on a successive job even if their movies do well? That doesn’t bode well for the movie business it seems to me. And maybe not for television either if they don’t have the same knack.
Movie people like the immediacy of television, as well as the royalties provided a director of the pilot even if the last thing the show sees of that person is their back out the door. Trouble is, most feature people aren’t good at it and they provide a great pilot with nowhere to go as a series.
Isn’t this too close to the upcoming NBC show DRACULA? Set in 1800s, Van Helsing, blah blah… maybe Mendes could direct that one?
Wow, more public domain characters to go with Sherlock Holmes and the fairy tale characters currently being pimped. These ideas/loglines are getting worse every year.
It’s sad when you see two talented guys like this phoning it in.
Say what you will about another vampire show, but it’s all in the execution. If the writing and production value is spot on, it will be a massive hit. People like genre, so give them what they want.
I know plenty of shows that are big hits that look like crap.
‘Once Upon A Time’ and ‘Revolution’ top that list.
I wouldn’t necessarily tout the writing as top notch either.
People like to watch bad stuff. Always have, always will.