Michael Haneke’s Amour was named best picture today in voting by the Los Angeles Film Critics Association. The tender study of an elderly couple in their twilight years also was named best picture at Cannes and at the recent European Film Awards. Paul Thomas Anderson was voted best director for The Master, which presents a portrait of a charismatic cult-like figure. The Master also took best actor for Joaquin Phoenix supporting actor for Amy Adams. The LA vote halted earlier momentum for Zero Dark Thirty, which won best picture and directing nods for Kathryn Bigelow from the New York Circle of Film Critics, National Board of Review and the Boston Society of Film Critics. Bigelow was the LA group’s runner-up. The LA critics vote resulted in a best actress tie between Emmanuelle Riva for Amour and Jennifer Lawrence for David O. Russell’s Silver Linings Playbook. These and other results are posted below.
BEST PICTURE: Amour
Runner-up: The Master
BEST DIRECTOR: Paul Thomas Anderson, The Master
Runner-up: Kathryn Bigelow, Zero Dark Thirty
BEST ACTRESS (TIE): Jennifer Lawrence, Silver Linings Playbook; Emmanuelle Riva, Amour
BEST ACTOR: Joaquin Phoenix, The Master
Runner-up: Denis Lavant, Holy Motors
BEST SUPPORTING ACTRESS: Amy Adams, The Master
Runner-up: Anne Hathaway, The Dark Knight Rises & Les Miserables
BEST SUPPORTING ACTOR: Dwight Henry, Beasts of the Southern Wild
Runner-up: Christoph Waltz, Django Unchained
BEST SCREENPLAY: Chris Terrio, Argo
Runner-up: David O. Russell, Silver Linings Playbook
BEST EDITING: Dylan Tichenor and William Goldenberg, Zero Dark Thirty
Runner-up: William Goldenberg, Argo
BEST ANIMATION: Frankenweenie
Runner-up: It’s Such A Beautiful Day
BEST FOREIGN-LANGUAGE FILM: Holy Motors
Runner-up: Footnote
BEST CINEMATOGRAPHY: Roger Deakins, Skyfall
Runner-up: Mihai Malaimare Jr., The Master
BEST DOCUMENTARY: The Gatekeepers
Runner-up: Searching For Sugar Man
NEW GENERATION AWARD: Benh Zeitlin, Beasts Of The Southern Wild.
BEST MUSIC SCORE Winner: Dan Romer and Benh Zeitlin, Beasts of the Southern Wild
Runner-up: Jonny Greenwood, The Master
BEST PRODUCTION DESIGN, Winner: David Crank and Jack Fisk, The Master
Runner-up: Adam Stockhausen, “Moonrise Kingdom
DOUGLAS EDWARDS EXPERIMENTAL/INDEPENDENT FILM/VIDEO AWARD: Leviathan


Production design to The Master – wtf. Didn’t they see Anna Karinina – The Hobbit – Hyde Park ?
Anne Hathaway deserved Best Supporting Actress, especially, with those two stellar and memorable performances. Amy Adams’ role was very minor, and she brought nothing to the table. Adams was completely forgettable in her role. I am happy that Dwight Henry is getting some critical love. He was wonderful in Beasts of the Southern Wild, and this was his first acting project. Roger Deakins is gifted , but his Skyfall cinematography work was , basically, borrowing from Wally Pfister’s brilliant Dark Knight Trilogy work .
LA Film Critics have a hard on for The Master….quelle surprise.
Newsflash: the hobbit is kinda a mess, man. Yeah, we all wanted it to be better too
The master is a horrible movie. Come on Bradley cooper is the best actor of the year!
The day Bradley Cooper wins an acting award over Daniel Day Lewis will signal the End of Days.
And the “Head Up Your Ass Award” goes to … THE LOS ANGELES FILM CRITICS ASSOCIATION!
These are good choices, but there are so many great ‘storys in film’ this year and with great casts and crews. I thought Daniel Day-Lewis did a super job in ‘Lincoln’…
Eevery group has a right to its opinion and these are all worthy choices, but once again the LAFCA goes way out off the beaten path of awards. Keep this list handy come February. Odds are that not a single one of these “winners” will get an Oscar (except perhaps screenplay). Happens year in, year out.
Of the three movies Joe mentioned, The Hobbit is the least sloppy!
The Master is one of the worst films made in the last few decades. Will single handedly wreck PTAs carrer. Nobody likes the movie.
Except for the current 85% rating/178 fresh reviews of THE MASTER by critics on Rottentomatoes, with 60% of audiences liked it. Sure, certainly nobody liked the movie. I doubt PTA’s career is going to be ruined after his film WINS AWARDS, and the industry recognizes Joaquin’s powerful amazing performance.
It’s an art film, douche. Now go watch TRANSFORMERS 10: DARK SIDE OF THE IDIOT AUDIENCE.
Those critics are lying. If they really thought about they would realize the disgrace the movie is. Also it wont get nominated for Oscars.
Yes, because if a critic doesn’t agree with you oh great anonymous, than he must be lying. Great comeback there.
I haven’t seen, and will not see, another film by PTA after enduring MAGNOLIA and THERE WILL BE BLOOD. After all these years of his films, I’ve come to see that his sole purpose is truly nothing more than making his viewers as uncomfortable as possible. I took countless bathroom and water breaks during the last two just to save my sanity. I’m done.
Happy for Jen Lawence!
*Lawrence, damm.
Lincoln was a boring movie. The movie didn’t move one bit, just talk talk talk. Didn’t care for any of the characters. Should name the movie, 13th Amendment, not “Lincoln”. Argo should deserve an award and Les Mis, most definitely!
Yikes! It’s not enough that we in LA have to trail NYC in any/everything cultural, but when our local film critics issue their proclamations do they always have to pick such inane choices? Amour and The Master in top spots? What middle-brow-trying-to-be-sophitiscated choices. Want to be eclectic, then go for Beasts of the Southern Wild. Want to be mainstream, go for Argo or ZD30. Want to support the local industry, pick something made here that’s actually commercial and good — the two concepts aren’t antithetical. But why rubber-stamp choices made by other critical bodies long before many of the year’s most noteworthy films have been released?
exactly the film sucks. The Master is a film for people who love their own ego.
Life of Pi completely shut out. What a shame.