The war is over. Paramount Pictures and the estate of The Godfather author Mario Puzo have reached a settlement in their legal battle over new books and movies based on the Mafia classic. On Thursday, lawyers for both sides submitted a
brief joint stipulation (read it here) to the U.S. District Court in New York asking for all claims to be dismissed. “This stipulation of dismissal with prejudice is pursuant to a settlement agreement among Paramount and Puzo and is not an adjudication on the merits of the claims or defenses of either party,” the stipulation said. No details of the settlement were made public.
This week’s deal comes after Judge Alison Nathan ruled on September 26 that Paramount, which released the original Godfather film in 1972 and its subsequent sequels, can make more movies about the Corleone clan if it still wants to. This legal war started in February when Paramount sued the Puzo estate to stop the publication of an “unauthorized” third Godfather sequel/prequel. In its suit, the studio claimed the book blemished the legacy of the films. In March, the estate countersued, claiming that the contract between Puzo and Paramount distinctly excluded book rights. The countersuit claimed that Paramount is in material breach of its contract with Mario Puzo. The two sides reached an agreement in May to allow the publication of new The Family Corleone book while the case went on. Richard Kendall and Nicholas Daum of LA firm Kendall Brill & Klieger represented Paramount in the joint stipulation. The Puzo estate is represented by Bert Fields of Los Angeles’ Greenberg Glusker Fields Claman & Machtinger.
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“they made them an offer they couldn’t refuse.”
Paramount doesn’t want to make more Godfather films it’s been 22 years since Godfather 3 and it was terrible. They should lose all rights to the franchise for lack of momentum on it. The Puzo heirs should be allowed to take any new books to another studio that might want to revive the series.
Godfather 1 & 2 are masterpieces of American cinema and two of the most influential movies of all time. Why not just leave it alone rather than muck it up with re-makes or new installments. Godfather 3 is unwatchable and a blemish on the series. Let’s quit while we’re still ahead.
Are you kidding? Paramount just made a deal with Coppola and is now setting up shop at the studio to make his first big fim in years. Surely, there’s been talk about making another Godfather series otherwise they would of let the rights go like Fox did with Daredevil.
Coppola only has one film left in him and it’s going to be his New York magnum opus he wants to do the history of Manhattan from 1930 to 1990 or something like that. There might be mafia guys in it real mafia guys from history with lots of other historical characters but Francis won’t ever do another Godfather film. Doing the 3rd one was hard on him and it showed it was terrible and that was 20 years ago.
I am sick and tired of these comments about how bad G3 is! The film is not perfect, but it is a fitting finale to the series. Pacino is a different Michael Corleone, but the world he lives in now is different. There are many great performances in the film: Andy Garcia, Eli Wallach, Talia Shire and the storyline is terrific. It is certainly part of the official canon of Godfather lore. Also, by the way, Ed Falco’s book, The Family Corleone, is terrific and would make an excellent film.
Agree. Godfather 3 brought forward all the themes of the first two. A fitting finale for sure.
Godfather 3 is a great film. Enough said.
GF 3 was a fitting and proper sequel. It was just miscast. We miss Robert Duvall, and Sofia should not played the role meant for Winona Ryder. Otherwise, a good, well directed story and film.
George Lucas is probably looking for a new franchise to work his magic on now that Star Wars is being Disneyfied.
I agree with a previous post. The Godfather III was an unfortunate mess. I saw it in the theater and gave it another chance years later on home video ..,it’s still an awful film. However, in my opinion, Coppola’s “The Cotton Club” is a far better film and is an overlooked classic in the gangster genre.
So basically, Bert hammers Paramount once again.