
Every year, TV studios do preliminary work on their highest-profile broadcast projects in anticipation of a pilot pickup. That work has been mostly low-key, consisting of putting together wish lists and sending out feelers to name actors to gauge their interest. But this fall, an unusually large number of pilot hopefuls have hired casting directors and issued breakdowns, initiating a formal casting process before a green light. Some, like the CW’s Amazon and NBC’s Alfonso Cuarón/J.J. Abrams drama, focused on casting the crucial lead characters — a young Wonder Woman and a 10-year-old girl in possession of a great gift/powers, respectively. Shawn Ryan/Eddie Murphy’s Beverly Hills Cop reboot for CBS also cast its lead with Brandon T. Jackson before the script had been finished.
Other projects have released full-blown breakdowns. That includes Fox’s drama Rake, starring Greg Kinnear and executive produced by Peter Tolan; comedy I Suck At Girls from Bill Lawrence; and the untitled Mike Schur/Dan Goor comedy, which has Andy Samberg attached to star. Most if not all of those projects already have rich pilot production commitments, making pilot orders a sure bet. Another project with such a commitment, Adam Goldberg/Seth Gordon’s 1980s comedy How the F Am I Normal at ABC, also hired a casting director a month before its official pilot order this past Friday. And the show with the biggest deal this season, NBC’s Michael J. Fox comedy, which has a 22-episode commitment off a pitch, also has a casting director in place and is actively casting.
Starting the casting process early on projects that have a very-high-to-certain chance of getting ordered gives studios a jump on talent before the onslaught of the traditional pilot casting begins when 80-plus projects are competing — often for the same actors. But going early doesn’t always translate in landing the thesps the studios and the networks want as some sought-after actors feel skittish about committing to a project before they have looked at all the pilots in contention for next season.
TV Editor Nellie Andreeva - tip her here.


Yeah, why “the F” wait for the script?
On the other hand, it’s nice to know you have a job after the holidays so you can enjoy them with some peace of mind for a change.
Yes, because the kind of name actors that studios are trying to lock up early really have to worry about where their next dollar is coming from. Sign on to something now and maybe those actors can buy their kids actual Christmas presents instead of putting lumps of coal in their Christmas stockings like they usually do.
Pretty sure he/she was referring to the casting directors
You don’t have DIDDLY till you have a good script.
There is always a ton of good actors waiting, but good writing is less abundant. This coming from an actor.
Please, no more crappy, low-rated Bill Lawrence “comedies”.
His shows may have low ratings, but they last for long periods of time. Why? Because Bill Lawrence is a good guy, and is shows are hilarious. What’s not to like?
Granted, I’m assuming you probably watch stuff like Two and a Half Men, so you might not get his humor.
He could have easily pulled off a 4th BHC film given a great story and script so i can’t blame him. However, if JR wouldn’t have been on board as supporting it would have been pointless in my opinion. I will absolutely tune in and give the pilot a shot. It will be hard to watch him not drop the F-bomb though. I don’t want to see him be a serious dad though lol.
CW probably learned from NBC’s mistakes with the late in the game Wonder Woman crap pilot they made two years ago. Palicki was decent for casting but the costume and concept were weak.
Nothing on the once rumored Valley Of The Dolls pilot from Lee Daniels for NBC? I would think a lot of per-work for that would be needed.