EXCLUSIVE: Studio moguls often come into their jobs roaring like a lion. But then they leave like a lamb. Such was the case when a kinder and gentler Tom Rothman came back onto the Fox lot this week for his on-the-downlow swan song held at the Fox commissary. “It was very warm and cordial and packed with a ton of people,” one insider tells me about the goodbye party Monday night. An estimated 250-300 invitation-only guests ate and drank in honor of Rothman, who was ousted in that September 14th studio shakeup and left the lot on October 12th. Those there were mostly Fox film employees, but also (in random order) Ridley Scott, Aline Brosh McKenna, Bart Walker, Bryan Lourd, Dave Wirtschafter, Hutch Parker, Jim Mangold, Lili Zanuck, Mark Gordon, Peter Farrelly, Peter Chernin, Lauren Shuler Donner, Robert Newman, Simon Kinberg, John Davis, and Peter Rice. Rothman’s longtime Fox Filmed Entertainment co-chairman Jim Gianopulos — now solely chairman/CEO of Twentieth Century Fox Film — spoke first about their time together and all that they went through in their daily business. Like how Gianopulos came up with a signal in meetings to get Tom to stop talking (more like quiet down) by pulling on his ear. Jim said he noticed one day that his earlobe was longer than the other from tugging on it so much that he simply had to stop. Then, with a “gracious” nod to Rothman’s career slate of movies, Gianopulos introduced a reel. contd.
After, Gianopulos called up senior staff (presidents, etc) and Fox 2000 head Elizabeth Gabler spoke on their behalf ”emotionally” about Rothman. She showed one of the leather-bound scripts they presented him as a gift from all the films he had worked on during his 18-year tenure. Then the assembled group “raised a glass together and toasted him”. With that, Rothman spoke to the assembled group. As always, he was very articulate and intelligent but also ”warm and witty and self-deprecating”, said one of my sources. Described another, “Nice speech. It was nostalgic, sad, but classy to the end”. Naturally, there were lots of inside jokes. In a town where a new Mercedes is de rigeur for movie moguls, everyone on the Fox lot knows Rothman has driven a Lexus SC coupe dating back to the 1990s. ”He said that this would probably shock a lot of people – but he’d got a new car. That’s unlike Tom.”
Rothman had packed up his Fox office a month after he was canned while the moving vans waited. Now he has not one but two offices — one out of Dreamworks Studios as he produces Steven Spielberg’s Robopocalypse, and another permanent space he rented at Sony’s Columbia Pictures. But at Monday night’s party, many of the guests were quietly wondering where Rothman might land next. As one of the attendees told me, “I don’t think we’ve seen the last of him running a studio.”
Related: Tom Rothman To Produce Spielberg’s Robopocalypse
Related: FOX SHAKEUP: Tom Rothman Exiting 20th Film Group
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An interfering micromanager. Na na na na, na na na na, hey hey hey, goodbye.
Great legacy, and an even greater man. I wish him all the best in his future endeavors. This is definitely not the last time Tom will run a studio. Excited to see where he lands next. Fox lost a good one…
I just read this then spit water all over my monitor and keyboard.
ever again. and i mean it
WHAT?!?!?! “…legacy…” please. Thanks god this man is gone. He should have been fired 15 years ago.
What a joke! Maybe now Fox movies will get better.
yeah. like run the studio into the ground like he did with Poor Fox. Folks Pray He Doesn’t Run Any Other Movie Studio Hollywood
In other words go away tom and don’t ever come back to Hollywood. ever
Easily one of the worst studio bosses in the history of this business. He may have had some hits, but they were not his doing.
Couldn’t agree more!!!
He’s a producer now on Spielberg’s big robot movie. I don’t think he has to worry about comments on here. Yes he lucked into the Spielberg gig it was a lifeline from Steven a big personal favor. Is he the most qualified person to produce Robopocalypse? Nope. But that doesn’t matter. Does he deserve to be a producer on it? Nope. The rich get richer that’s how the world works.
Drove so many potentially wonderful franchises into the ground. Meddling, petty, and totally unconcerned with quality.
What TV projects did he bring in? TV is everything. This is just waste of time.
but, did the door, in fact, hit him in the ass on the way out?
I always admired Tom as a business man (not so much creatively) His job was a difficult one in keeping spiraling production costs down and keeping star perks within the realm of normal. He ran FFE for over a decade and that is no small feat. I wish him all the very best, I would def. work for him in the future. I love that he drove the same Lexus all these years. I am not a power player and he also waved to me and said hello on the Lot which is more than I can say for many other studio heads.
If you run anything large the first thing you learn to say is ‘no – too expensive and do you have another idea’?
If Tom wan’t good enough to produce a film with Spielberg, he wouldn’t of been giving the chance at all–period! Just look at the presentations he did for Fox Legacy. They’re fantastic, behind-the-scene, profiles of the history of the films he showcased, that even the most astute film buff wouldn’t have a clue on what transpired on the making of those films. At the very least, Tom should of been nominated for an Emmy on the work he did.
All transmitter no receptor. Pass on Ted? Real creative force. Not.
Like it or not the movie business is a business and Tom remains one of, if not the most, talented creative executives in that business. X Men. Ice Age. Titanic. Avatar. Night at the museum, Taken, Etc! C’mon , WB rides Harry Potter and Batman, period. Sony rides Sipderman, period. But if thats not awide enough range of genres and hits, if thats not “creative ” enough for you, other movies he drove into the ground– master and commander, Juno, and Lincoln and Life of Pi ETC!
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