

UPDATE 4:15 PM: ABC has picked up two more hourlong pilots, thriller Reckless, executive produced by Martin Campbell, and gumshoe dramedy Murder In Manhattan, exec produced by Ryan Reynolds. That brings today’s ABC tally to four, all from sibling ABC Studios. Reckless, written/exec produced by Mad Men co-executive producer Chris Black, centers on a resourceful problem solver who, when his wife is unjustly imprisoned during a political uprising overseas, resorts to entering a world of political intrigue, dangerous alliances and high emotional stakes in order to get her out. This marks the second ABC pilot order for Campbell, who is under a deal at ABC Studios, along with Killer Women. Murder In Manhattan, written by Maria Maggenti, is an hourlong dramedy set in NYC centering on a mother and daughter who team up as amateur sleuths. Ryan Reynolds and Allan Loeb’s DarkFire TV co-produces with ABC Studios. Maggenti, repped by Paradigm and Madhouse, Reynolds, Loeb, Jonathon Komack Martin and Steven Pearl exec produce.
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It is Disney corporate synergy in action today as ABC has given a pilot order to Big Thunder, a drama based on Disney’s Big Thunder Mountain roller-coaster ride at four of its theme parks (California, Florida, Tokyo and Paris). The network also has greenlighted to pilot drama Gothica, executive produced by Mark Gordon. Both hail from ABC Studios.
The Western-themed Big Thunder Mountain ride is set in a mining town amid the gold rush in the American Southwest that gets hit by a natural disaster. The TV project centers on a brilliant, late 19th century New York doctor. He and his family are given a once-in-a-lifetime opportunity to relocate to a frontier mining town run by a powerful, but mysterious tycoon but quickly realize that not everything in Big Thunder is as it seems. The script was written by Jason Fuchs (Ice Age: Continental Drift), with Chris Morgan (Fast Five) supervising. Both executive produce. If it goes to series, Big Thunder Mountain will join another Disney theme parks-friendly ABC series, fairytale drama Once Upon A Time. This marks the first pilot for 26-year-old Fuchs who has been juggling multiple feature assignments following the box-office success of the fourth Ice Age movie. This development season also marked hot feature scribe Morgan’s first foray into television. He also has script Gang Related at Fox, which is zeroing in on a pickup. On the film side, the ICM Partners-repped writer has a deal at Universal where he is writing and producing Fast & Furious 6. Fuchs is with WME and Emily Gerson Saines.
The Matt Lopez-penned Gothica, co-produced by the Mark Gordon Co., is described as a sexy gothic soap set in present day that weaves together a mythology that incorporates the legends of Dracula, Jekyll and Hyde, Frankenstein and Dorian Gray among others. The concept seems similar to ABC’s fairytale drama Once Upon A Time but with characters from classic horror literature. Meanwhile, Penny Dreadful, Showtime’s straight-to-series drama from John Logan and Sam Mendes, features some of the same characters as Gothica – including Dr. Frankenstein and his creature, Dorian Gray and Dracula – but is set in Victorian London. Gordon is with ICM Partners.
TV Editor Nellie Andreeva - tip her here.


Woo-hoo! Another 2 hour commercial for Disneyland – that you have to pay to see! And for an attraction that is closed until next Fall.
Ouch! I just reviewed the article and realized this isn’t just a 2 hour commercial – it’s a full season’s worth of hourlong commercials – but, at least, it will be “free”.
Why is this a surprise, anyone who knows Disney and knows the history of the company from early TV in the early 50′s knows this is nothing new? You are probably too young to know a television series in the 50′s titled “Disneyland” ABC Sunday nights, it was an hour long commercial for Disneyland hosted by Walt, and chronicled the building of Disneyland. When the park, opened viewers already knew what it was.
This is what Disney is all about, the premise is different unlike the cloned dramas that proliferate the networks today AKA CBS. At least it’s different.
That show may have been self serving, but it gave viewers some pretty good shows. What’s wrong with that?
*mother and daughter who team up as amateur sleuths* What an original and creative concept-Geez!
I’d take a chance on it. Network television is almost void of dramedies. It’s sad. There are like 3 (Bones, Body of Proof, Hart of Dixie). There should be more.
You don’t consider “Castle” a dramedy?
Loeb crushing it again and again!!
I want a photo of Loeb!!
Trust me, you don’t. You really, really don’t.
I’m so happy for Dark FIre! Yes. Go Lindsey!
Does anyone know who’s playing the train?
I would really like to know what these star actors actually DO in developing these TV shows. I see all these actors supposedly “Exec producing” but what is it that they DO? Besides lend their names? Take a few meetings? Call their big powered friends in high places? What? I see them “exec producing” tv shows and films and I am confused. Do they really bring anything to the table? Just wondering.
You answered your own questions your instinct is correct.
There goes my “Mr Toad’s Wild Ride” spec.
Gothica -a ripoff of League of Extraordinary Gentlemen meets a ripoff of Dark Shadows.
Congrats to Chris Black! Great guy, great writer. Really looking forward to seeing his show on the air!
Will someone please explain to me why it makes sense for any writers to develop pilots for ABC that are not put pilots or at ABC studios? It seems like if you develop for other studios, you have a terrible chance of getting picked up…
when will it be on air