
CBS seems determined to get a comedy from My Name Is Earl and Raising Hope creator Greg Garcia on the air next season, handing out pilot orders to both of his scripts, one single- and one multi-camera. They were among four CBS pilots ordered tonight as the network kept its odd pilot season tradition of greenlighting a slew of pilots after hours on a Friday night. The other two pickups went to the Will Gluck-produced comedy The McCarthys, from writer Brian Gallivan; and The Ordained, a drama from a novice TV writer, Lisa Takeuchi Cullen, which is produced by Frank Marshall. These mark the first pilot orders for Garcia and Marshall in the first development cycles under their deals at CBS TV Studios, while The McCarthys hails from Sony TV where Gluck’s Olive Bridge Entertainment is based.
Garcia’s single-camera pilot Super Clyde centers on a meek, unassuming fast food worker who decides to become a super hero. The untitled multi-camera one centers on a recently divorced man whose life is complicated when his parents decide to move in with him. Both projects are written and executive produced by CAA-repped Garcia, who moved from long-time home 20th TV to CBS Studios last May in a very rich four-year overall deal. The double pickup almost assures Emmy winner Garcia’s return to CBS’ primetime seven years after the end of the network’s comedy series Yes, Dear, which he co-created. Garcia’s commitment to Fox’s Raising Hope, now in its third season, concludes at the end of this season. The family comedy has done well enough to earn another renewal but Garcia’s departure would certainly reflect on the show’s chances.

The single-camera The McCarthys landed at CBS in October in a competitive situation with a put pilot commitment. Written by Happy Endings staff writer Gallivan, it is loosely inspired by Gallivan’s life. The big family comedy revolves around an Irish-Catholic, sports-crazed Boston clan and the gay son whose greatest sin is not his sexuality but his desire to spend less time with his family. Gluck executive produces and Gallivan and Olive Bridge’s Richie Schwartz co-executive produce. CAA-repped Gallivan grew up in the Boston are where he taught middle school language arts before embarking on a comedy career at Boston’s Improv Asylum, Chicago’s Second City Chicago and now Upright Citizens Brigade.
The drama pilot, Cullen’s The Ordained, is about the son of a Kennedy-esque family who leaves the priesthood and becomes a lawyer to prevent his politician sister from being assassinated. Cullen and Robert Zotnowski co-executive produce, while Marshall, and the Shuman Co.’s Larry Shuman and A.B. Fischer exec produce.
The back story of Cullen’s project is the kind aspiring writers dream of. Cullen, who has no TV credits, lives in New Jersey with her husband, a Broadway composer, and her two young kids. The journalist-turned-author had been pursuing TV writing career but hadn’t been able to get a New York-based staff job, so she had focused on development, landing two blind deals along the way. She originally took out The Ordained as a pitch last season but it didn’t sell. Cullen didn’t give up and wrote it up as a spec, with the essence of the lead character inspired by her late father, a former priest. After developing it with her management company, The Shuman Co, the spec was sent out to TV studios this past summer as a drama for basic cable. But at CBS TV Studios, head of drama Julie McNamara, who oversees both cable development, where the spec first landed, and broadcast, decided to give the script to CBS instead. It was quickly set up at the network, and Marshall was attached as an executive producer. The overall deal the Kennedy/Marshall Co. signed with CBS TV Studios in May included a pilot commitment at CBS, which has now been fulfilled with The Ordained. With Marshall partner Kathleen Kennedy leaving in June to run Lucasfilm, Marshall is spearheading Kennedy/Marshall’s TV efforts alongside the company’s head of TV development Zotnowski. UTA-repped Cullen’s upcoming novel, Pastors’ Wives, also carries the faith theme — it is set in a megachurch.
CBS, traditionally late to the pilot pickup party, has been unusually aggressive this year, especially on the comedy side where it has already ordered six pilots, putting a big emphasis on single-camera comedy. Four of the six pilots are single-camera, Super Clyde, The McCarthys, the Jim Gaffigan/Peter Tolan project starring Gaffigan and the Rob Greenberg project starring Tony Shalhoub, Kal Penn and Jerry O’Connell. On the multi-camera side, the network has Garcia’s untitled comedy as well as Chuck Lorre’s Mom starring Anna Faris. Drama-wise, The Ordained joins Hostages and the NCIS: LA planted spinoff.
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so happy for Brian Gallivan / Olive Bridge — the script’s great! smart & full of heart!
gay themed + cbs = audience won’t watch
Sad but true. It does seem like CBS is trying to re-boot its image with the single cam sitcoms. Also, they did try Partners this year. Even 2 Broke Girls can’t break top 10.
I don’t know why CBS bothers- 25-55 is their demo and it has become far hotter with the recession. Hip and edgy is not part of the CBS brand and they would be better off giving these shows a start on cable.
CBS doesn’t do gay or shows about women except Good Wife. I guess that counts for 51% of the country for one show. CBS flunks the GLAAD TV test every year and the Women in Media test every year. Women on CBS shows have the fewest lines and only age to 35 on average. The older the woman the smaller the part and the fewer the lines. CBS has no interracial relationships on going either. CBS doesn’t want to offend their 47% audience they love so much. It’s quite sad.
Greg is a good guy who produces mediocre Bill Lawrence “Raising Hope Couger Town Yes Dear”
Shows..Though his scripts this year are not quite up to his standard
Steve – Did you have a stroke while writing your comment? So you’re saying Greg’s scripts weren’t up to his mediocre standard? I haven’t read any of your past comments, but I can’t imagine this is your best work.
This is a huge win for the world.
And, this is coming from a girl he put in a bald spot prosthetic at 7 AM this morning.
No one makes me laugh harder.
Congrats, Greg. You deserve it.
(I promised Greg I’d compliment him publicly if he got me introduced to Luke Perry. WORTH IT).
And apparently very few people nobody even noticed it was you, Shannon. Keep up the good work on Raising Hope.
Hurry up and order Danny Strong’s lawyer show already
Brian Gallivan is easy to root for, a funny storyteller with zero showbiz attitude and an appetite for hard work. Sometimes the good people win…
CONGRATS to Brian Gallivan!!! He is a true star and this couldn’t happen to a nicer person.
Best line in any Greg Garcia show ever? “Thanks Kenny” from Raising Hope.
I almost fell off my couch laughing. Go Greg!
I think Frank Marshall and Greg Garcia are a can’t miss team. So smart of CBS to pair those two up. Can’t wait for this show!!
Excited — Hate to break it to you, but Garcia and Marshall aren’t paired together. Two different shows.
Will CBS finally add another hour of comedies in 2013-2014?
Once again CBS only has a single half hour open if they keep “2 & A Half Men”, two if CBS and WB can’t come to terms to keep in one more year. (Are it’s current numbers worth the cost to keep it another year) Either way, I can’t see CBS NOT picking up the MOM.
The most logical place for another hour of sitcoms is Thursday 9-10. PERSON OF INTEREST is strong enough now to be moved, and keep ELEMENTARY at 10pm.
CBS will most likely drop 4 dramas or 3 and “Undercover Boss” this year,so there’s room to play.
I think CBS will probably pick up a bunch of comedies, and give most of them abbreviated seasons. Rules of Engagement is probably ending, Partners was one of the worst shows ever, Friend Me will probably never make it to air. On the drama side, a bunch of stuff probably won’t be back. I think CBS is going to have a major overhaul this year.
Brian Gallivan and I loaded boxes of potato chips onto a truck one summer. Take it from me, he’s a star.
I hope they pick up the superhero comedy. I could see that fitting well with The Big Bang Theory.
Also, I am glad that CBS is being agressive in the comedy front. They would be better of expanding their Thursday comedy hour to two. Their comedies are the best part of their network currently.
Finally, I am glad that CBS is looking at dramas other than bland old procedurals.
CBS hasn’t picked up a successful non-procedural show in 4 seasons, and the one that has lasted, THE GOOD WIFE is borderline “successful”. (“Vegas” won’t last beyond this season, and that sorta is a procedual!)
CBS needs to sick with what works – Proceduals in unique settings or a different spin (NCIS,Criminal Minds,Person of Interest) and three-camera comedies.
I would love to see CBS put females front and center in their dramas. I’m tired of women as accessories to men in charge on their shows. Hawaii 5-O, was hot Asian girl for men, NCIS, CSI, Criminal Minds all have strong men and a hot woman or young woman. Marg Helgenberger was deemed TOO OLD by Les Moonves to have a part on CBS. That is why she as let go. This is true. Not sure why female audiences watch these shows. Elementary and The Mentalist are not much better as Lucy Lui’s character is a guy even with Lui playing it. I think female audiences having been put in binders and told they can just shut pregnancy from rape down by thinking bad thoughts, deserve better from CBS and are willing to be more demanding of an audience.