
EXCLUSIVE: Ken Kwapis and his In Cahoots shingle has teamed with writer/producer Joy Gregory to develop a feature adaptation of the off-Broadway musical The Shaggs: Philosophy Of The World. The musical is based on the real-life story of a trio of sisters whose late-’60s band polarized critics. They were dubbed visionary by some, while others called them the worst band in rock history, whose sound was reminiscent of cats being strangled. Gregory wrote the book for The Shaggs, with music and lyrics by Gunnar Madsen and the band itself. The musical recently played off-Broadway at Playwrights Horizons, where it was nominated this past year for a Lucille Lortel Award and a Drama Desk Award.
Kwapis, Gregory and In Cahoots partner Alexandra Beattie will produce. Kwapis, who last helmed the whale tale Big Miracle, will direct and Gregory is writing the script. Kwapis, Beattie and Gregory secured the band’s life rights from the two surviving members, Betty and Dorthy Wiggin, who’ll be consultants on the picture.
The Shaggs were teenage sisters from rural New Hampshire who formed a band in 1968 at the insistence of their overbearing father, who was convinced their talent would make them stars. Their lone studio album, Philosophy Of The World, was ridiculed and barely released, but it was rediscovered in the early 1980s and hailed as groundbreaking outsider music by the likes of Kurt Cobain and Frank Zappa. Rolling Stone’s Alt-Rock-A-Rama in 1996 ranked it among the 100 most influential alternative LPs ever released, and in 2007 Blender Magazine named it the 100th most important indie rock album of all time.
Kwapis and Beattie first approached Gregory in 2003 after seeing the first production of the musical in Los Angeles. “Most people are startled when they hear The Shaggs for the first time,” Kwapis said. “Their sound is awkward and unpolished, but their songs have a purity of expression that no amount of musical training can give you. And behind the music is a powerful story of three girls who yearn to rise above their meager existence, while under the yoke of demanding father who believes they are destined for greatness.”
Gregory, who is co-exec producer of the ABC Family series Switched At Birth, has written and produced such series as Felicity and Joan Of Arcadia. She wrote the Shaggs story after becoming a devotee of the band and its one album, which she discovered in the late ’90s. Between the LA and NYC productions, she further developed the musical at the Lookingglass Theatre Company in Chicago, of which she’s a co-founder. “I always saw the potential of this story to be a compelling indie film, in the same outsider spirit the Shaggs pioneered in the late ’60s,” she said. “I tried to capture that offbeat tone in the play, and I look forward to bringing it to a broader audience onscreen along with Ken and Alex.”
Kwapis and Beattie are represented by UTA and Code Entertainment. Gregory is represented by ICM and Schachter Entertainment.


Listen to their song “It’s Halloween” and, then, ask “Why?”
Thank you Hollywood, I’ve been dying to see a film about a band “whose sound was reminiscent of cats being strangled.”
Good God, what took so long to adapt their story? Those poor girls and what they had to go through with their father and his dreams of fame and fortune. And what about the music you ask? Just about what you would imagine tone deaf aliens would play for us when they send their greetings of intergalatic peace.
So excited to see this!! Joy Gregory is incredibly talented and her play was amazing!!!
Never having heard of The Shaggs, I just sampled the band on iTunes. Hysterically funny and terrible. I can hardly wait for the movie. Seriously good fun.
My Pal Foot Foot is one of the greatest songs ever written.
Went to Youtube and listened or tried to listen to some of their songs.I take it this is going to be a comedy? Maybe a dramedy, because the moment they start to sing everyone will be laughing and cringing to much to pay attention to the movie.
Tom Cruise had the rights to this for a while. I can’t wait to see this film.
Yup! It was set up at Cruise/Wagner 13 years ago and I was dying for them to make it. Glad to see it’s come back around.
The Los Angeles production was the best of the three that have been produced (LA, Chicago and NYC). Dark and brilliant! The Powerhouse, which produced the original production was a great theatre company in Santa Monica and I believe the show won many awards that year (2003), including LA Weekly’s Award for Best Musical. Former TV Exec, Andrew Barrett-Weiss produced (that’s how I found out about the show), and the cast of that production was the finest of the three!! I hope some of them get credit, ten years after the fact!
This has the potential — key word here being potential — to be another Little Miss Sunshine.
Yes, the music is patently awful, but critics at the time dug them because the music came from an innocent, honest place. That place was a black hole of actual talent, but still.