EXCLUSIVE: Variety Media‘s Chairman/CEO Jay Penske is planning editorial firings at the top-heavy trade in March. He also is overseeing a redesign of Variety’s website for February March. Penske laid off between 20 and 25
employees last November 15th from the circulation, database and conference departments – but not editorial. Variety had about 120 staffers before Penske took over. I hear editorial morale at the struggling entertainment trade is at a low ebb and anxiety is running high. “There is complete editorial disorganization from the top down,” a source complained. “No one knows if Variety is supposed to be a breaking news organization, an analytical publication, or some as yet undetermined hybrid. Tim Gray keeps pontificating to editorial that things are going to change and Variety will go in a new direction. But nobody knows what that means. They’re totally demoralized.” For instance, Penske ‘conceived’ — Variety’s term, not mine — of a special report to replace last Friday’s regular issue. It was an 80-page perfect bound ’Violence & Entertainment’ examination illustrated with a blood-dripping bullet hole on its cover. It arrived to subscribers without fanfare. And it generated no buzz inside Hollywood, indicating that Variety is still not a must read. (A week later, the special report is not even being promoted on Variety.com’s home page.) Penske announced on October 9th that he bought the once $200 million-valued trade, reportedly for the fire-sale price of $25 million after my PMC-owned Deadline Hollywood pretty much put it out of business. Financing for the Variety deal was provided by Third Point, a hedge fund founded by mega-investor Daniel S. Loeb. Variety is being maintained as a separate profit center outside PMC. Penske now maintains an office at Variety’s headquarters at 5900 Wilshire Blvd as well as at PMC’s Inglewood headquarters. (FYI: No matter what my corporate boss wants, Deadline reports the news.)
Editor-in-Chief Nikki Finke - tip her here.
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Applause to Nikki for standing up for what she believes in: reporting what she knows, regardless of who issues her paycheck. The trend to combine companies and departments within one corporation results in a watered-down product, where few people achieve satisfaction in their jobs. More power to you, Nikki!
Nikki does this mean you are going to take over Variety and merge it with this site? If so please fire Peter Bart as soon as possible. Why does he still have a cushy job?
Actually, the Violence and Entertainment issue is perfectly timed and it should be circulated now throughout D.C. where Senators and Congressmen are mulling over what to do on various taskforces and to the Mayors Against Illegal Guns group and the Brady Campaign group and other gun owners and anti-gun violence group.
This is exactly the kind of conversation that needs to take place to reverse the culture of violence.
I, for one, applaud the amount of work that went into it. The viewpoints are varied. I look forward to reading the rest of it tonight.
I thought so too. I think it’s a really smart editorial move, it might be kind of icky to make such a topical special issue (considering all the current gun control issues and tragedies) but at the same time … it needed to happen somewhere. Feelin like a jab at it is maybe nervousness?
The best part of that Violence special issue was the back cover … my colleague turned it into an excellent drawing of a terrier with his back to camera.
I heard that Al Jazeera America is offering to hire reporters and editors.
This may be too ‘inside’ but I find it hard to believe that “no one knows” if ‘Variety’ is supposed to be a breaking news org. Why would anyone get out of bed in the morning if they didn’t want to break news? I’m not saying there aren’t editorial professionals who phone it in, but they’re not the norm.
As for editorial morale everywhere: in the sea change of editorial waves in L.A. over the last 5 years, there’s only so much nail-biting a person can do. I have worked with staff at Variety, DHD, THR and the NYT over the years and I applaud the people who work hard in this constantly changing business. The ‘Violence & Entertainment’ issue was stunning and it’s too bad it got buried on a Friday and a holiday weekend. Once upon a time, those kind of standalone issues were game changers.
The business models are always changing and if you are tough and can navigate the uncertainty, you will always be able to earn a dollar in this business, no matter the case. My advice: people, let the fear-mongering go and do what you love and let the real, like-minded players find you.That’s what Hollywood is built on and that’s for real. Trust!
Great comment, Karl!! Spot on!
Well , Variety has improved since PMC bought it ,and it’s free, which is a good thing .
But Deadline is better ,way better . I still hope there will be good competitors.
I wouldn’t like to see sisterly love between two of them . Don’t hate each other ,but stay true to yourself like you always were.
Variety is free now? I am a paid subscriber. What does that make me?
(Feel free to say it like it is).
I feel your pain, waitaminute. Maybe we should form a support group. “Hi my name’s (Your name here) and I’m a Variety paid subscriber.”
I’m a long time fan and supporter of Variety, having watched sadly over the years how seriously bad self-serving executives smashed it against the rocks, failed to innovate and spot and seize opportunities, threw out good people to save their hides while keeping dead wood and office politicians etc.
PMC needs to and will give Variety a new mission, make it lean and mean, dovetail it with Deadline (I’m guessing, but the latter for news and the former for features and reviews), so here’s hoping the right ones get let out this time round.
Best move Variety could make – bring back “NY to LA – LA to NY.”
As a teen in Buffalo, I looked up at the sky – picturing every plane that flew over as carrying Bette Davis or Clark Gable.