
EXCLUSIVE: The Weinstein Company has set a May production start in Asia on a sequel to Crouching Tiger, Hidden Dragon. There is a script by John Fusco, and TWC is in talks with veteran Chinese director Ronny Yu. Harvey Weinstein is producing.
The new film is derived from the same source material as the Ang Lee-directed 2000 film that won the Oscar for Best Foreign Language Film and three other Academy Awards. Lee isn’t involved in this one, which is based on Silver Vase, Iron Knight. That is the fifth book in the Crane-Iron Pentalogy by Wang Du Lu. Crouching Tiger was the fourth book in the series. Fusco, whose credits include Spirit, Hidalgo and The Forbidden Kingdom, is an avid follower of Wu Sia, the centuries-old genre of Chinese fiction that this series is part of.
“This was an opportunity to explore a lifelong passion I’ve had for Wu Sia, and if there wasn’t continuing source material, I would never have gotten involved,” Fusco told me.
The sequel continues to revolve around Yu Shu Lien, the character played in the original by Michelle Yeoh. It’s not immediately clear yet which actors will reprise, but some likely will. “This introduces a new generation of star-crossed lovers, and a new series of antagonists in a battle of good and evil. It has a Knights Errant quality. There is an alternate universe in the books, a martial forest that exists alongside the real world, full of wandering sword fighters, medicine men, defrocked priests, poets, sorcerers and Shaolin renegades. It’s so vast and rich, and I found characters from the second and third books in the series to create a most interesting stew while being as true to the source material as I could be.”
TWC and Sony had battled several years ago over the rights to the books left behind by the author, who died in 1977. Reports quoted his son, Hong Wang, saying his family made very little money from the original film, and that they went out to make another deal. TWC feels it walked away with those theatrical rights and is going ahead with its film, which has a budget north of $20 million.
Casting will get underway after the director signs, and for his part Fusco expects a return from Wo Ping Yuen, the legendary fight choreographer responsible from the high wire action work in the original. They worked together on Forbidden Kingdom (pictured). Fusco separately scripted Marco Polo for Electus/Weinstein Co and Starz, as well as the feature Highwaymen, which has John Lee Hancock attached to direct a retelling of the Bonnie & Clyde story from the vantage point of Texas Ranger Frank Hamer, who was called out of retirement to head the manhunt. Liam Neeson is eyeing that role. He also adapted the rise of Elvis Presley pic Last Train To Memphis for Fox 2000 and Steve Bing, based on the Peter Guralnick novel. Fusco’s repped by UTA.


“Lee isn’t involved in this one”
Read: This will suck.
It had to happen . . . but NOW?
Who even cares, 13 years later?
I was unimpressed with the extremely overrated original, so I won’t be holding my breath for this one.
“Who even cares, 13 years later?”
I keep saying the same thing about Sin City!
This will be total garbage. Purposeless.
What the hell took them so long?
Never really understood the hype around the first one – found myself pretending I liked it, but deep down wondering what was with all the flying people….
The “flying people” is FANTASY.
And none of that is new, despite those who like “real” kung fun films not knowing as much as they believe they do.
The “flying people” began in the original written stories.
Chinese film began in the silent era — but made entirely by women, because the men considered film beneath them. The “flying people” also began in the silent era. See the documentary “Lights! Camera! Action!” which provides the history, and clips from sielent fiulm showing “flying people”.
What stupifies is the belief that “real” martial arts films actually deepict “real” kung fu, when all of it is staged and coreographed; and even in the “Real” kung fu there is wire work — “flying people”.
Somehow those who enjoy hating on films that are popular and well reviewed, in effort to feel “original” and “intellectual,” have to get with the program and learn about the aesthetics of film. There is more to the original “Crouching Tiger Hidden Dragon” than “flying people”; as with all Ang Lee’s films, there are complex, three-dimensional characters — it is cahraacter-driven — in complex, three-dimensional relationships. In a word: his work isn’t aimed at children; it is for the mature.
The original was amazing. It makes very little sense calling this one a sequel with no Lee or Ziyi involved. Anyway I’m gonna see it for sure.
Original film is not overrated — it continues to have power, grace and subtlety in its expression of complex emotions in a changing world. But that’s Ang Lee for ya.
I could see this being done for a HK/Asian audience, but as a Hollywood co-production? I suspect this will end up much more like ‘Forbidden Kingdom’ than Lee’s film. And maybe that’s what Weinstein wants…
Ronny Yu’s cool, but…hmmm.
I also find it hard to believe that they’ll get Yeoh or Chow back for this.
I echo the first commenter: no Ang Lee, not interested.
Oh my gosh, thank you for saying that CTHD is a fantastic film. Lot of internet hate over it which is totally undeserved.
If we get the Ronny Yu who directed THE BRIDE WITH WHITE HAIR, this sequel could be pretty darn good.
Problem is, there was a 13 year dry spell between The Bride with White Hair and Fearless with nothing remotely watchable by Ronny Yu. Crouching Tiger was one of the most understated/subtle wuxia films I’ve seen but Yu seems more in the vein of the slapstick early 90s wuxia films.
And The Forbidden Kingdom wasn’t exactly gold.
My favorite film of 2000, but a sequel without Lee and Ziyi? Not looking good…
Jade Fox killed Chow Yun Fat’s character and didn’t Ziyi jump off the mountain into the freakin’ ocean at the end? (It’s been a while but I think I remember the visual).
If this is a sequel only Yeoh’s character can come back.
Without Lee though, doubtful any good. Loved CROUCHING TIGER!!!
Make it in China and call it domestic. It’ll make money…
That’s very true, but it’ll take ANOTHER 13 years to pull it off. It’s tricky business, and then you throw in TWC and… good luck.
Boy the cynics are working overtime at the Coffee (Unemployment) Bean today. What’s the matter, did they run out of caffeinated?
The original was great, Ronny is a brilliant director. Yo Ping Yuen is the best in the business. Love him or hate him Harvey is the most notable producer of his time and Fusco has written some great movies.
I for one can’t wait to see it!
You people are more bitter than that bad coffee you drink all day instead of finding a job. I know I know, an assistant at Innovative really likes your script so it is practically a go picture so why BOTHER getting a real job.
Well at least we know for a fact that you have a job — with The Weinstein Company marketing department…
Why bother?!?
The original is a profound film. If the sequel is half as beautiful and dark and wise, it will be one of the great movies of our time.
It’s WU XIA btw.
Asian audiences see stuff like that on a weekly basis on their small screens – Crouching was for western audiences, Eastern audiences like it for its authenticity but most people laughed at the wirework and kungfu, which paled in comparison to what was showing on their small screens (many TVB productions from the 90s are way better, and have a better story). However, credit to Ang Lee for being brave enough to make it.
They would be better off making Louis Cha stories.
I disagree. The fight scenes involving Michelle Yeoh was superbly choreographed and I dare say they are better than the ones depicted in the 90′s TVB production.
There’s one major difference between “Crouching Tiger, Hidden Dragon,” one one hand, and 99.99 wu xia film: “Crouching Tiger, Hidden Dragon” has an actual story, rather than snippets of undeveloped musings tying fights together.
That the fights in “Crouching Tiger” aren’t as elaborate “or even more fantastical — impossible; see “True Legend”) is a matter of balancing those with the story, and keeping them within the context of the story, instead of choreographing and filming a bunch of wire-fu, then at the last minute coming up with a single-threaded “storyline” on which to string them.
Purism in an impure world is uninformed fantasy: and those are the folks who complain about “flying people” in kung fu films, unless that’s all there is, plus buckets of blood.
Less ridiculous wire-fu this time, please.
if michel yeoh and ronny yuh are associated in this movie, i’ll be watchin
As long as it has Michelle Yeoh and Yuan Wo-Ping, who cares about the story?
I think we should not take the ‘flying’ scenes in Crouching Tiger too seriously. In wuxia, a true master reaches a level at which they are capable and powerful enough to use ‘qinggong’ to perform such feats. The moves are exaggerated at best so I sincerely urge the viewers out there to keep an open mind!
I love Michelle Yeoh,,,love love love