
CBS has given pilot orders to two more dramas, Anatomy Of Violence, from the Homeland trio of executive producers Howard Gordon, Alex Gansa and Alex Cary, and Intelligence, from writer Michael Seitzman. The network also has made official the pilot order to David E. Kelley’s comedy pilot Crazy Ones starring Robin Williams.

As one of the highest wattage comedy packages this season, the David E. Kelley-written workplace comedy starring Robin Williams has had an informal pilot order ever since the project landed at CBS in August. It has already hired a director, Jason Winer, and has been actively casting the other parts. Now that order has been formalized by CBS. 20th Century Fox TV, where Kelley was based for 22 years before moving to Warner Bros. TV in 2008, is producing.
Even without the big commitment, giving the project a production order was a no brainer. Let’s face it, you can’t judge a Robin Williams-starring vehicle without seeing it as he rarely sticks to the script. His improvisations on his previous TV series, Mork & Mindy, were so hard to contain, Garry Marshall added a fourth camera to the three-camera format for him, thus ushering in the multi-camera comedy setup that is used til this day. Williams will go with one for the single-camera David E. Kelley comedy, written by The Practice and Ally McBeal creator. It is set in the world of advertising and would star Williams as a brilliant ad executive working alongside his daughter. As he often does, Kelley wrote the script on spec. He is executive producing with frequent collaborator Bill D’Elia, Winer, Dean Lorey, John Montgomery and Mark Teitelbaum. With its timing, CBS’ official green light for Crazy Ones comes on the same day Kelley’s new TNT medical drama series Monday Mornings premieres. Kelley and Williams are with WME, Kelley is with attorney Michael Gendler.
Seitzman’s Intelligence hails from ABC Studios where the North Country writer is under an overall deal. The project’s prospects got a boost late last week when David Semel came on to direct and executive produce. Semel had been attached to NBC’s Ironside remake. He is no longer involved in that project, which remains in serious contention at NBC with Blair Underwood, who is under a development deal at NBC, potentially playing the lead. Based on unpublished book Dissident by John Dixon, Intelligence is centered at US Cyber Command, and focuses on a unit that has been created around one agent with a very special gift, a microchip that has been implanted in his brain that allows him to access the entire electromagnetic spectrum. The premise of Intelligence, which has a procedural element, is reminiscent of CBS’ Person Of Interest, in which a duo tries to prevent crimes with the help of a top-notch computer program. Coincidentally (or probably not), the pilot for Person Of Interest was also directed by Semel who most recently helmed the TNT drama pilot Legends. Semel executive produces Intelligence with Seitzman and feature producer Tripp Vinson (Red Dawn). This marks the second consecutive pilot for Seitzman who had drama Americana in contention at ABC last year and the second ABC Studios pilot at another broadcast network, joining Hatfields & McCoys at NBC. (The studio pulled out of Alice In Wonderland when it was recently picked up by NBC). Seitzman and Semel are with WME.
Anatomy Of Violence, from 20th Century Fox TV and Gordon’s studio-based Teakwood Lane, already had a hefty pilot production commitment. Inspired by the non-fiction book The Anatomy Of Violence: The Biological Roots Of Crime by Adrian Raine, it was written/executive produced by Gordon, Gansa and Cary. Cary joined the project after Gordon and Gansa originally sold it. The drama centers on a criminal psychologist with an expertise in sociopaths who partners with a young female detective with whom he shares a conflicted past. Teakwood’s Hugh Fitzpatrick is co-executive producing. Anatomy Of Violence is one of three pilots Gordon is exec producing, along with FX’s Tyrant and TNT’s Legends. Gordon and Gansa are repped by WME and attorney Michael Gendler.
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Go Seitzman!
Seitzman continues to dazzle me with this ridiculous concepts — which will work brilliantly on CBS. Congrats!
Wasn’t this called Chuck? Or was it Jake 2.0?
A brainless procedural on CBS?!?! How delightfully unexpected!!!
I’m glad Seitzman’s got a pilot! Not only because of his great talent and how richly he deserves his own show, but because lately he’s been just sitting around the house playing with a Chris Matthews doll, and it’s starting to become unhealthy.
why michael seitzman – and why abc studios?
These sounds both rather inhuman and gross. All the network picks ups feel very male driven in every way and darkly violent. I was hoping there would be some bright lights here.
These feel so heavily male driven as well in every way. I thought after women were making progress in the world. I guess just not at Fox, CBS, NBC or ABC. Next to no female writers with drama pilots picked up either or producing or directing. What’s that about? Anyone like to speculate?
It’s about talent, not sex organs or skin color or anything else…
A what planted in his head?
These pick ups sound terrible.
No hope, no heart, no brains to most of them.
Such commitment to violence or stopping violence (which means you have to show more violence).
It feels like such a downer.
Is that really what people want to watch all the time on CBS?
Yes.
Did CBS pick up any pilots written by women? Did NBC or Fox?
CBS is lucky to be in bed with Gansa and Howard…
Seitzman not so much.
Seitzman’s script was distributed today. Just read. It’s fantastic!
Does the success of Downton Abbey, Scandal, Grey’s, Nashville mean anything to these network heads?
Or do they want to alienate all women not just women of a certain age?
The only women CBS wants to attract are young ones who they believe they can ghetto-ize to the CW.
I work in marketing and the networks are behind the curve and sealing their own fate with their fare. Did they not watch the election unfold, the shootings, the mobilization of women of all ages fighting for their reproductive rights? The Golden Globes with Amy and Tina?
By alienating the female audience to this degree they are kissing their futures good bye. Lucy Liu is a woman playing a man just like a man on Elementary. There is a woman on Hawaii 5-0. She doesn’t say much. Is that all the female audience is going to get on CBS?
you’re forgetting about the good wife
I’m a guy and I’m proud to say I love The Good Wife. The rest of CBS is too macho for it’s own good. They want women to watch the CW. Their shows used to have a smart balance. Women have faded into the woodwork in every way at CBS. Tina Fey wouldn’t be welcomed on CBS. Overall deals for women are in the toilet. It’s gender bias at its most obvious. Do the agents or guilds care? No. They are happy to let their male clients get work and female clients starve.
Marketer:
Nashville is a success?
By the way, have you missed The Good Wife? Pretty good lead female there. J. Marguiles has won a few awards for that role. You should check it out.
Unforgettable had a strong female lead, and yes it was taken off the air, but it is also returning.
CBS also has a show called 2 BROKE GIRLS– I believe it has two women leading it.
NCIS’ Pauley Perette is one of the most popular actresses on TV.
I could go on, but this site isn’t kind to someone who shills.
I think the poster is referring to one hour. It’s turned dark on CBS for female characters, writers, directors and producers. Maybe 1 out of 15. Men lead the way on every one hour but The Good Wife.
It’s like Mad Men on that network.
Dear One Who Knows,
Unforgettable is really cancelled. But you’re right The Good Wife and Two Broke Girls is enough women for an entire network. Women are 51% of the population and it’s almost 1993. All this demanding equal job opportunities in show business and equal pay for equal work is so embarrassing.
Hey “One Who Knows,”
I’ve got your pipe and slippers here for you and some blinders to wear while you read the newspaper.
CBS, Fox, NBC, ABC seem pretty light on female writers and female stories. But when all men run the networks and women working beneath them just want to keep their jobs that’s how it’s going to be.
Oh God, shut up. Please. You sound so pathetic.
Go accomplish something and stop whining about non-issues.
I’ll bet the creators of “Alphas” are not exactly happy that the “picks up the whole electromagnetic spectrum” concept they created quite brilliantly for their just-cancelled series just got lifted, well, picked up for a big series on CBS.
Congrats Michael, well deserved!
I’ve liked most of David Kelley’s shows, but isn’t he yesterday’s mashed potatoes? His last few shows seemed awfully repetitive, like he’s creatively tapped out.
the elecromagnetic spectrum implanted in his head? seriously? this doesn’t mean anything. this is an incoherent sentence, let alone premise. I know it is an attempt to rip of POI, and imitation is the sincerest form of flattery, but wouldn’t it have been possible with an intelligible concept? embarrassing.
Do you even know what the electromagnetic spectrum is? Incoherent? Sounds like an idea full of potential to me.
Seeing Robin regularly on TV again where he’s not doing something serious and dark? Somehow, that says to me, life’s getting better. Maybe Kelley will be back to must watch TV.
how the mighty have fallen
If you check out Seitzman’s credits over the last few years you’ll find they run high in the HACK spectrum.
If imitation is the sincerest form of flattery, than the new CBS pilot, Intelligence, flatters myself and two other authors who wrote a book about a black hat hacker who works for US Cyber Command. And, by the way, she has a special chip implanted in her ear that gives her special powers. If you want to read our book and compare it to this plot line Cyber Styletto is available at Amazon books http://alturl.com/cxazk. Thanks for ripping us off.
Mike Brennan