
It looks like we may have already seen the final episode of NBC’s comedy series Up All Night. The network’s plans to revamp the modestly rated single-camera sophomore as a multi-camera were dealt a major blow late last week when star Christina Applegate departed the project. After originally planning five multi-camera episodes to close out the season, NBC early this week trimmed that scenario to one episode, without Applegate, to be helmed by uber multi-camera director James Burrows. Now I hear that episode is being scrapped too. Sources point to problems with the talent — I hear at least one of Up All Night‘s two remaining stars, Will Arnett and Maya Rudolph, told the network they were uncomfortable going forward with the series which, in addition to Applegate, recently lost its creator, Emily Spivey. The talk about a possible replacement for Applegate (Lisa Kudrow was a name that emerged early on) never went anywhere.
But as crucial for the demise of the show if not even more so were problems with the concept. When production on the single-camera version was shut down after 11 episodes the first week of November, it was supposed to be for a three-month hiatus, followed by the taping of five multi-camera episodes. But as speculation swirled last month about what the new Up All Night might look like, NBC had not settled on a concept yet. As of mid-February, the show’s writing team is still working on scripts and the concept is still being tinkered with. With The Office, Parks & Recreation and Community performing the best among NBC’s comedies and at least two, The Office and 30 Rock, departing this season, the rumor was that Up All Night, originally a show about parenting, would transform into a workplace comedy. The show’s search for a new identity certainly was not helped by the heavy behind-the-scenes turnover. Linda Wallem, who oversees the multi-camera version, is Up All Night’s third showrunner following Jon Pollack and Tucker Cawley. Up All Night creator/executive producer Spivey left the show last month. While I hear Up All Night is not officially dead and NBC is still mulling potential scenarios while holding the cast, the hopes of continuing it are fading quickly. In a sign that the show is likely over, I hear NBC offered Rudolph a part in one of its highest-profile pilots for next year, the Victor Fresco comedy starring Sean Hayes, which is directed by Burrows. It is one of four muti-camera pilots Burrows is directing this season, along with three at CBS (Friends With Better Lives and untitled Greg Garcia and Tad Quill). Arnett too has been getting a ton of interest for pilots over the past week, mostly from CBS and ABC as well as cable networks. He is said to have started talks for CBS’ untitled Greg Garcia project that would dovetail with Arnett’s real life as it centers on a recently divorced man.
TV Editor Nellie Andreeva - tip her here.


This was inevitable and completely predictable. No way Lisa Kudrow would jump onto this sinking ship. It’s typical of NBC to screw this show up so badly that it becomes impossible to salvage it. Perhaps they can combine this with Smash and turn it into a musical comedy with The Munsters as special guest stars. A crazy idea but no worse than their other ideas for programming. Comcast should fire Greenblatt and his entire team as soon as possible, they could bring back Warren Littlefield and let him choose the new shows and hire his own team. He’d be a good choice because he’s so old and off the grid he doesn’t owe anyone any favors.
Love the idea of bringing in littlefield. Greatest and smartest guy around.
I couldn’t agree more on Littlefield….at this point, what does the network have to lose? It’s practically hugging 5th place let alone 4th…an absolute embarrassment compared to the old days. I get that there are more choices now but even when Littlefield ran NBC, cable was going and was as much of a threat as it is now. Littlefield would reshape that network and bring it back by not letting quality shows go elsewhere and is willing to be patient to have the audience come to the show. Cheers was a LAST PLACE show in its first season and was. A powerhouse by the time it was over….it CAN be done, just ask CBS.
Good point, Warren. I mean, Walter.
Um…NBC was #1 through December. Wildly successful? Hardly. But not even close to “hugging 5th place”.
Yeah, that’s two months of #1 ratings because of football….MAYBE “revolution”, but name the eye catching shows over there? Now to be fair, its not all Greenblatt’s fault – a lot of the stinkers came from the Jeff Zucker/Ben Silverman era, and that mess is still not fully cleaned up yet. I agree on giving Greenblatt more time, as he did have a hand in revamping Showtime into a premium powerhouse….its very likely he can do the same w/ NBC.
I think Greenblatt’s got at least one more season in him. NBC’s had a bad spring season so far, but it’s fall season was pretty good. It will have “The Voice” and “Revolution” back on soon enough, which will give “Go On” and “The New Norma” a boost. And while I don’t watch it, “Chicago Fire” is doing reasonably well.
It was never likely that all of the network’s problems would be erased in one season. This season was like one step in the process of rebuilding. It had a lot of older shows that needed to end, which has been the case, and it needed to find at least one new hit show, which has also been the case. A lot of its new shows are struggling and the hold overs need to end. It will have a lot of open slots next season, and Greenblatt ordered a ton of pilots to fill the gaps.
What’s Greenblatt’s fault?
Someone should be fired for their horrible comedy season.
NBC had 5 awful new comedies, wrecked Community by firing the showrunner, and the less said about Up All Night the better.
NBC’s great comedy hope is Parks and Recreation and frickin’ Whitney.
When TMZ is making jokes about a series (Whitney) saying it’s the worst thing on TV…let me make this clear, when something like TMZ (!) can — rightfully — claim superiority over a show…it NEEDS. TO. GO.
Whitney.
It actually makes me wish Yes, Dear would come back.
Sony fired Harmon, not NBC. And again, was it Spivey or NBC that made the changes from the original “UAN” pilot?
Littlefield? Really? He may not have killed the golden goose that was NBC, but he gave it cancer.
The logic behind NBC thinking that switching from single-cam to multi-cam, going through three showrunners, losing the show’s main star (and arguably its main draw), and losing its creator and EP was somehow going to miraculously work out in the end is nothing short of amazing to me.
Most of that happened to HAPPY DAYS…..
Professor Falken
Not true, Prof.
Happy Days changed its focus, but it never lost its creators, did not lose its star when it went to multi-cam — although the focus changed from Richie & Potsie to Richie & The Fonz — and it didn’t lose its main star until season 9 or 10…when the show tanked in the ratings.
Also, you’re comparing today’s TV landscape to the ’70s TV landscape?
Egads!
Thank you! I DO NOT understand why networks do not come to reality and realize that multi-cam network comedies are DEAD! They are anachronistic and have no place in modern television. Good for Christina Applegate for leaving. Why on earth should she subject herself to a live audience when it wasn’t necessary in the first place! Pure ‘suit-thinking’ idiocy.
How can multi-cams be anachronistic when they are still more popular with the public than single-cams? You don’t get to decide what’s modern. Single-cam comedy predates multi-cam comedy in TV, anyway, so it doesn’t even make sense.
Anyway, this retool was a bad idea, but this show should have been multi-cam from the beginning, as many shows should be. Christina Applegate is not an interesting actor without a live audience, and a live audience would have forced the writers to write actual funny material. Which is why viewers continue to prefer multi-cams: the bad ones may be bad (but no worse than “Up All Night”) but the good ones are better than the canned, slow, low-energy style of modern single-cam.
Great comment, T’Rank. I totally agree!
“multi-cam network comedies are DEAD!” — except for everything on CBS, and they seems to be doing just fine, so forget what I said.
“multi-cam network comedies are DEAD!”
…. except for Big Bang Theory. And Two and a Half Men. And 2 Broke Girls. And How I Met Your Mother. And Mike and Molly. And Rules of Engagement.
Except for all of those (that were in the top 25 ratings last week), the multi-cam network comedy is *definitely* dead.
This ‘multicam sitcoms are dead’ comment has to win some kind of record for stupid statement on this website for a while. American audiences prefer multicam sitcoms. Middle America especially prefers the multicam. In fact there is a whole argument as to why a lot of people prefer multicam – the sense of a staged play can be both comfortable and comforting, you know you’re in an unreal environment, but you’re happy with that, with the familiarity. Single cam shows can work, and have their own advantages, but too many of these NBC single-cam shows are antic and annoying. And every time I encounter someone who says that single cams are somehow more sophisticated, fresher or edgier than multicam, I want to shake some sense into them. In short: Few things are worse than a bad single-came sitcom, and few things are better than a good multi-cam sitcom.
Multicams are dead? That’s right up there with your other sentiment of stupidity that soap operas are somehow more enlightened dramas than prodcedurals. We know who you are. You’re THAT IDIOT! The one that is always in complete denial of the facts.
Not all of those things happened at the same time.
I never saw the original pilot, but I heard it was good. Was it Spivey or the network that changed the original focus?
The bigger question is, if NBC was so determined to keep everyone, why not just sign them to a new deal? Hell, bring back the original concept and just change the name or something.
Just put the show out of it’s misery and let the cast go free. A classic case of network meddling and bizarre executive decisions.
It’s = it is.
I remember when NBC was must watch television. Those days certainly are long over. What a train wreck of a network.
From everthing you mentioned Nellie-it definitely doesn’t look good. I hope everyone brought their appetites because this show is almost done.
There was nothing wrong with it from Season One. They should never have changed it.
Such a shame too cuz all 3 leads are so talented. I wish Christina and Maya nothing but the best.
I stopped watching during Season Two because they changed everything I liked about the show from Season One. I don’t think I’ve ever seen a show receive such a massive retooling when it didn’t need one.
Finally!
The problem wasn’t that it was a family comedy, the issue is that it wasn’t funny and never quite figured out what it wanted to be despite (or because of) endless retooling.
What NBC should learn from this debacle is that major retooling does not work and just alienates your existing audience. NBC needs to stop firing showrunners and retooling shows, and there needs to be less executive interference.
Oh, and scheduling still matters. Why was it renewed despite dismal ratings after The Office? Why was UAN wedged between The Office and 30 Rock?
Less network interference? Ha . You can bet NBC executives are sitting around wishing they had got more involved, thinking if they had just gotten rid of all the talent what a great show this would have been.
Yeah, again, I have to wonder who messed with the original pilot.
NBC UNDERLING: (proudly) “This show is somewhat successful.”
NBC EXECUTIVE: “Well, we can fix that.”
Up All Night was successful for half of last season. It certainly wasn’t successful this season.
This show is a mess.
At some point NBC might as well start turning over some primetime hours to affiliates. Tonight at 10 they are rerunning last week’s horrible SNL with Justin Beiber. Unbelievable.
Remember Nbc’s Motto-We can take something bad and make it even worse with our constant meddling. Our micro-management skills are amazing! Not everyone can fuck up like we do-OUR LEVEL OF FUCK-UP TAKES SKILL!!!
Why don’t NBC mash Up All Night with 1600 Penn? That would be fantastic. You’re welcome Bob & Tal.
A better headline would be Is NBC Over? Has any network ever plunged from first to fourth in such a short amount of time?
Season 1 was a lot of fun. Applegate was pretty good, Rudolph was a real hoot, Arnett was surprisingly excellent as a stay at home dad, great guest stars, etc. Then they took everything that was great and did a 180 with it. The reverse Honeymooners thing was a lot of fun, and they got rid of that. Chris’ hockey obsession was gone, the Ava/Kevin story was never resolved, Scott was fun for like 5 seconds before he became a poor man’s Nat Faxon, the show was just put in the garbage. Also, they did 2 episodes with Chris’ family, but Dean Winters never showed up again. So stupid.
I totally concur. Season 1 had a lot of bright spots. Then all of the concepts that fueled those bright spots were left behind as Season 2 began. It’s as if they took everything that was working and abandoned it. You could smell the desperation while you watched. Textbook example of over thinking and not allowing something that ‘could have been’ to take root and grow (organically) in Season 2.
Of course Maya and Will are uncomfortable going forward. There’s no show without them or Applegate. Maya and Will should jump ship NOW, rather than wait it out. There’s no salvaging this STINKER! Comcast really does need to FIRE GREENBLATT AND all of his crownies NOW. The failings of NBC in recent decades is simply embarrassing. If there were a Fred Friendly equivalent at the Peacock network he’d be rolling over in his grave over this spectacle.
It is very sad that the creative community is longing for the respectful days of Jeff Zucker and Ben Silverman. Dump the Bob and Jen show ASAP and get some real programmers in there. This was a disaster in the making and sure enough…
I’m honestly disappointed. I wasn’t particularly interested in the show continuing, but I was morbidly curious as to how they were going to pull this off.
You can blame NBC all you want but the problem was that virtually no one watched it, even from the beginning. Mis-guided as if may seem, they just wanted to keep a great cast together
This is a shame really. Up All Night wasn’t a bad little show and the 3 leads were excellent. I believe it could have worked as a multi-cam and they should all show patience and try to work things out.
I actually believe that multi-cams when done good and with good talent can be very funny and very relevant, contemporary shows. I have seen just as many dud single cams as multi cams over recent years and while I agree that New Girl is funnier than 2 Broke Girls, I also think that Malibu Country is a gazillion times funnier than Community …
And no I am not an old dinosaur, I am actually 33 years old, so multi-cams don’t just appeal to the elderly.
I agree Malibu Country is much, much better than Community, but then again an old black and white test pattern would be better the Community. What a waste.
This show was a suck fest from day 1. The perfect storm of hacky writing, over the top acting and a brutal comic premise. That it is even being discussed shows how low the NBC bar keeps sinking.
I love the television industry, and I want every network to succeed; hence, it must seem like I pick on NBC more than the other networks, but that’s not by design. It is just increasingly difficult for me to watch NBC self-destruct.
I read that one line in Nellie’s article and I was shaking my head – “With The Office, Parks & Recreation and Community performing the best among NBC’s comedies and at least two, The Office and 30 Rock, departing this season, the rumor was that Up All Night, originally a show about parenting, would transform into a workplace comedy.”
Why would NBC need to spend their time trying to change an existing show into a different format/workplace comedy to fill the gap of the loss of The Office and 30 Rock? This is pilot season for goodness sake – why not just look for that type of show in their long list of new pilots that they/NBC just ordered? They’ve known [we've all known] for some time now that both The Office and 30 Rock would be wrapping up their series this year. NBC needed to be planning for this scenario.
And yet, I just looked at that NBC pilot list – it contains approx. seventeen comedies [yes, 17!], of which I count only two [Assistance and the Michael J Fox comedy] that look to be a typical workplace comedy. Why is that? If NBC wants/needs more workplace comedies [and they may indeed], why not just order more of those comedies now during pilot season? They ordered almost none.
Then I looked at that pilot list and found eight (almost 50%) of the pilots are about parenting, the very topic that NBC has been trying to alter regarding Up All Night from almost day one of the show.
NBC’s problem (in my humble opinion) is that they are trying too hard to ‘brand’ themselves – the ole Jeff Zucker mantra – the Littlefield ‘Must See TV’ byline. That success can become a prison. When things are going well, any ‘brand’ looks like magic; when things are not going well, no brand can save you.
Forget the ‘brand’ – NBC needs to focus on quality, quality, quality – the old Grant Tinker/Brandon Tartikoff mindset. One quality show at a time, one quality night at a time. If a quality show is a workplace comedy, terrific. If it is about parenting, great. As long as the show is quality, you have chance.
NBC has some heavy lifting ahead of itself as it gets ready for creating the Fall 2013 schedule. I wish them the best – I wish I could help them, but what they really need is the right mindset, and that starts with looking for and demanding nothing short of quality in everything they do. Just like they did during the Tinker/Tartikoff-Littlefield era.
They have tons of pilots for next season already ordered…
NBC screwed this show from the very beginning, it should of always been a multi-cam. But thats over. Then it should of never moved to Thursday nights, the single-cam snobbery caught up with them and the show got lost in the niche flux of shows. Had NBC been patient and left it on Wednesday nights & given it some post-Voice exposure, it may have carved out an audience for itself.
No way they trot out Greenblatt at the upfronts to announce the new schedule. He’s toast and he’ll be gone before April most likely by the end of March. He put all his money and credibility on Smash so he’s done.
Whoever they hire to replace Bob will need all of April and most of May to put together a schedule. Even if the pilots Bob ordered are the greatest pilots in history he won’t be around to introduce them to the advertisers.
Bob has to go the sooner the better and all the other execs at NBC and Universal TV who are responsible for this disaster have to be fired as well Comcast needs to clean house at the studio and at the network.
He’ll get one more season.
Only one thing left to do…just cancel it…this was a stupid concept for a show to begin with and then the switching around of camera angles and the main cast members departing doomed this show, so this is now the next best thing to do and save fate.
I loved it!! not enough publicity– no one I asked had heard of it.