Donald Richie, an American writer best known for his analyses of Japanese cinema and its postwar directors, died today at a Tokyo hospital. He was 88. Richie and Joseph Anderson published in 1959 what is considered the first English-language book on Japanese movies, The Japanese Film: Art And Industry. In his memoir, the New York Times reports Richie paid his first visit to a Japanese studio in the 1940s, where where he met a director in a white floppy hat and “someone I guessed was a star … in a loose Hawaii-shirt.” Thus began Richie’s decades-long relationship with Academy Award-winning director Akira Kurosawa and actor Toshiro Mifune. Richie went on to write several books on Kurosawa and also wrote English subtitles for several of Kurosawa’s films including Kagemusha (1980). Richie also has written analyses of the work of Japanese director Yasujiro Ozu (Tokyo Story) and provided audio commentaries for The Criterion Collection on DVDs of various classic Japanese films, notably those of Ozu (A Story of Floating Weeds and Early Summer). Richie’s other audio commentaries include the work of Mikio Naruse (When A Woman Ascends The Stairs), and Kurosawa (Drunken Angel, Rashomon, The Lower Depths, and The Bad Sleep Well).


fascinating man. fascinating life.
Thank you, Donald, for your efforts to educate others on Japanese film. If anyone is out there reading these boards who knew him, I hope you know that his work does not go unnoticed by younger people interested in filmmaking.
Anyone who loves Japanese culture, especially Japanese cinema, knows Donald Richie’s name and contributions to Japanese film criticism and appreciation. Thank you for your wonderful writing and insights. You will be missed.
Donald Richie made some interesting experimental films of his own and wrote excellent books on Japanese culture, especially The Inland Sea, which was turned into a documentary film he narrated. He really is responsible for opening the door to Japanese cinema for Western filmmakers.