
EXCLUSIVE: Tom Shadyac, once a prolific director of blockbuster comedies before a near-death experience sent him on a life-changing journey chronicled in his feature documentary I Am, is returning to laffer mode. Shadyac is in talks with The Weinstein Company to helm its remake of the Olivier Nakache/Eric Toledano French sensation The Intouchables.
TWC has a script by Paul Feig, and Colin Firth has been circling to star, though casting is not locked. The picture seems primed for remake — it grossed $416 million overseas, and only $10 million domestic. That is a decent number for a foreign film but leaves a lot of room for an American audience to discover the story. TWC released it here and got remake rights as part of the bargain. Feig was once going to make it his directorial follow-up to Bridesmaids but he left the project after writing the screenplay about an aristocrat who, after being paralyzed in a hang-gliding accident, hires a young man from the projects to be his caretaker. TWC’s Dylan Sellers has been shepherding the redo.
Firth, who won the Academy Award playing such a character in The King’s Speech for TWC, seems a natural to play the role originated by Francois Cluzet (Omar Sy played the caretaker), but some other actors have been chasing the role as well. The surprise here is Shadyac, in his first directing assignment in a narrative feature since 2007′s Evan Almighty. That film was pretty much the first Shadyac effort that didn’t work after a dizzying list of hits that include Bruce Almighty, Liar, Liar, Ace Ventura: Pet Detective, The Nutty Professor and Patch Adams. These Intouchables talks have taken awhile, and part of that was a director at the top of the pay scale returning to a business that just doesn’t pay as well as it once did. They seem to be in synch now, as Shadyac’s deal is being made by WME’s Dan Aloni.
By all accounts, Evan Almighty was an arduous experience, but Shadyac’s had plenty of time to recharge his batteries. After suffering post-concussion syndrome following a bicycle accident that left him hyper-sensitive to light and noise, Shadyac changed his life dramatically. He gave away much of the money he made for causes that included opening a homeless shelter in Virginia, and he simplified his life by selling his Hollywood mansion and moving into a trailer park in Malibu. He chronicled much of this in the documentary, which also showed him meeting with intellectual and spiritual leaders to seek answers to what ails the world. Now he seems ready to dive back into comedy.
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I don’t understand why they need to remake this movie. It is perfect as is.
I loved the original, but you have to be able to speak French or read in order to understand it, which means that it needs an ‘American’ version.
I agree. I loved this movie .They were charming. They should get back Omay Sy , he speaks English .
Yeah TOM- the smartest and kindest man in Hollywood.
We can all learn how to behave through his I AM doc –
Good luck Tom !!!!
Just launch a cleverly-marketed re-release campaign; people would show up.
WHY RE-MAKE A PERFECTLY RENDERED MOVIE?
Make Americans read subtitles, goddammit.
Go spend some money developing a NEW ORIGINAL SCRIPT.
Enough re-hashing re-makes, sequels, threequels, and “re-imaginings.”
“Enough re-hashing re-makes, sequels, threequels, and “re-imaginings.”
That’s like asking McDonald’s to stop selling Big Macs.
You forgot “re-boot.”
The original release advertising was tepid at best. I only knew about it from having been in France. Here It was a hard to find movie
Working with him pre-concussion, I found him to be a phony, hippie egomaniac of modest talent who seemed to take great pleasure out of booting Ivan Reitman from his building at Universal. Haven’t seen his doc, but hoping the smarminess went the way of the mansion.
Tom is one of the best, most caring guys I’ve ever met in this business. The fact that you refer to him as a hippie probably says more about you than it does about him… “…who seemed to take pleasure out of booting Ivan Reitman from his building.” Man, you’re just shootin from the hip on this one, aren’t you.
This may sound like sucking up-I didn’t know him before his accident, but about two years ago had the pleasure of working with him when he volunteered his time to direct a PSA for Joining Forces, a White House campaign championed by Mrs. Obama and Dr. Biden, designed to assist Military Families.
It was only a few days, but he could not have been more pleasant, gracious and engaging with everyone from the volunteer PAs to the military liaison to the producers.
I have decided to remake “Amour.”
WHY REMAKE A BRILLIANT MOVIE? It’s pathetic. But then again it is TWC. Such little originality in Hollywood these days/years/decades. Please bring back the 40s or the 70s when movies were bold and daring, and audiences were challenged to be critical thinkers rather than idiotic consumers. Brains = beauty!
You should probably remove those rose tinted glasses you’re wearing. Bad movies, be it a remake or original, have always been around. For every good movie from the 40s to the 70s, there were at least a dozen bad movies. You just don’t remember them.
And since you just called the original Intouchables “brilliant”, doesn’t that sort of undermine your entire argument about the state of films? Why is it so important that it come from Hollywood? Isn’t simply seeing a new brilliant film good enough?
First off… kudos to Olivier Nakache and Éric Toledano for doing what no other creative team could do – get the rights – and then dream of – make a movie that grossed more than 30 times the budget of the film. It’s one of the best films of 2012… in any language. Secondly… it’s a smart acquisition play by Weinstein who probably never had any intent on doing anything more than a specialty release here with basically no Oscar push due to the buzz of AMOUR for best foreign early on.
Omar Sy was magnificent in the original, yet I’m sure we’ll probably find someone more like a Chris Tucker playing that role. He executed a nice performance in SILVER LININGS which was a winner for Harvey and Co. and it’s potentially opened the door for stepping into this wonderful role. We all know that translating a U.S. version of a foreign hit can go either way, especially from something so well made. It didn’t work as well as it could have for LET THE RIGHT ONE IN / LET ME IN for example, yet this is certainly a more marketable film with a wider demographic reach.
No need to worry. It will be another ‘Girl with the Dragon Tatoo’, where audiences won’t give a damn about the remake of a perfectly good film.
But the Fincher directed Tattoo made more than twice the amount of the first Tattoo. How is that not giving a damn?
And remember – The Departed was a remake of Infernal Affairs and that seemed to do pretty well also – winning the Oscar for Best Picture.
Gotta add in my pennies worth
The original is a perfect movie and my favourite of 2012
The remake is totally uncalled for. With $400m from cinemas worldwide I doubt there is a massive market for it aside from america. And look how Dragon Tatoo or even Let the Right One In panned out… While both were good films, neither left any mark and if you want to get zen like our director is on this one… why waste a year of your life and a year of 100′s of other people to remake something uncalled for when there are so many other stories worth telling
Not to be off-topic, but everyone in our industry should boycott IMDB.
Have you noticed how unbelievably unfair the movie ratings are at IMDB?
The most worthy indie films are all at the 5-6 range. IMDB does this purposefully by placing a higher value on the ’1′s than the ’10′s.
Everyone in the industry knows this.
Just saw the film on DVD over the weekend and thoroughly enjoyed it. However, my first comment to her after the film was, “I can hardly wait for the American version with Chris Tucker and Robert Deniro. Or maybe Eddie Murphy playing both roles. Or a chick version with Queen Latifah and Tina Fey.”
Not excited by a remake, but the fact that Shadyac is involved, and Firth’s name is tied in makes me hopeful.