The data in the MPAA‘s Theatrical Market Statistics report for 2012 are striking: China accounted for $2.7B in box office sales last year, up from $2.0B in 2011. That vaults the country past Japan at $2.4B, a slight increase from 2011′s $2.3B. “China is building 10 screens a day,” MPAA chief Chris Dodd says. “There’s a voracious appetite for product and our films have done well.” He cited recent agreements that enable Hollywood studios to show 30 films a year in China, up from 14. But he says what’s more important is that “there is no restriction on joint ventures which can allow for greater opportunity for product to get in.” Dodd says he just met with the head of the Wanda Group, a major theater owner there (and here, since its acquisition last year of AMC Entertainment). “He’s trying to fill seats and knows that American product draws a terrific audience in China.”
Related: Kids And Young Adults Drive Uptick In 2012 Movie Attendance: MPAA
Some studios were frustrated last year when some of their biggest hits were pitted against each other in China. For example, Warner Bros’ The Dark Knight Rises, Sony’s The Amazing Spider-Man, and Fox’ Prometheus opened within a week of each other. “Ironically, they all did very well,” Dodd says, although he acknowledges that he considers the release schedules a problem. He also pointed to “the blackout periods when you can’t get anything into a theater. And we’ve certainly raised our concerns about that at the very highest authorities we have access to.” He calls the relationship “vastly improved” over the last few years “despite these bumps in the road.”
For more estimates listed by title, see box office results here...


“Ironically, they all did very well.”
That’s not even close to being irony, Mr. Dodd. Perhaps you meant to say “unexpectedly.”
Each of those films left at least $50M on the table by not getting day and date releases. MPAA needs to step up their game. And what up with Dodd hanging out with Bo Xilai’s best friend? Not really the best guy to be associating with for Hollywood’s top lobbyist.
Why is the guy who lobbys for studios hanging with Bo Xilai’s biggest beneficiary? Bad idea.
The performance in China becomes the minus number later and appears
China would probably be number one if it wasn’t for the vast amount of illegal downloading by huge numbers of their citizens.
Soon enough, China will be number one (officially) and production, post work, and many jobs will move to the new “Empire.”
Why? Maybe it has something to do with our lawmakers who become lobbyists (aka Dodd) and lobbyists who become policy makers. There’s something wrong with that picture, I just hope most aren’t too blind to notice.
Attagirl, China-Mom.