Jaroslav “Jerry” Gebr, longtime head of the Scenic Arts Department at Universal Studios and perhaps best known as the artist who created the paintings featured in the pilot episode of Rod Serling’s Night Gallery, has died. Gebr passed away last month in Tarzana, CA after a long illness, according to his family. He was 86. Gebr worked for some of the biggest names in directing including Steven Spielberg, Clint Eastwood, Alfred Hitchcock and George Roy Hill during his career, and also sidelined in painting portraits and copies of artworks for stars’ collections. “They’d put the originals in safe storage and hang Jerry’s versions on the wall. Nobody could ever tell the difference”, his son-in-law Kevin McMahon said.
The bulk of his work was original paintings and fine art copies for movies and TV, typically large assignments such as a full-scale reproduction of Michelangelo’s Sistine Chapel frescoes for 1968′s The Shoes Of The Fisherman. His paintings also appeared in films including My Fair Lady, Camelot, The Sound Of Music, Xanadu, Scarface, Batman, Star Trek, and The Princess Diaries, and he created the distinctive chapter title cards for The Sting and Dune. His TV work includes The Wild Wild West, Amazing Stories, Columbo and 24. He remained in demand as a freelancer after retiring from Universal. His commissions included portraits of stars such as Kim Novak, Orson Welles, and Julie Andrews, as well as works for the U.S. military that hang in the Pentagon.
Gebr was a decades-long member of the Academy of Motion Picture Arts & Sciences and IATSE Local 816/850.
A native of Czechoslovakia, Gebr trained as a painter and sculptor at the Prague Academy just after World War II. He escaped the country following the 1949 Communist coup, crossing the border into Bavaria, eventually moving to Bogota, Colombia, where he painted portraits and murals on commission from the government and the Catholic Church. He came to the U.S. in the 1950s, initially creating album covers for Capitol Records artists Nat King Cole, Peggy Lee, Joan Baez and others. He then moved on to become a scenic designer at the Hollywood studios, based first at MGM and later at Universal.


The paintings mentioned in his obit – the ones for the pilot of NIGHT GALLERY – i still remember them as if it was yesterday. They were brilliant!!!!
Thank you for posting this. Masters like these rarely get the recognition they deserve.
Worked with the man for many years. Amazing talent. RIP Jerry.
I too remember Jaroslav at Universal, when I was there in the late 70′s to late 80′s. He was always busy with some project, and always gave it his all!
RIP “Jerry’…
It warms my heart to see that his legacy will live on in those who knew him. As art was a part of his being, he never stopped creating. It is good to see his work touched so many.
I found this article while I was relating my experience of working as a temp secretary to Bill DeCinces during the Universal secretary strike (1982?). I asked Mr. DeCinces if he could help me find a job with the scenic artists. Mr. DeCinces called Jerry Gebr and sent me to his studio to meet him. I got to see his paintings for “The Sting,” “Night Gallery,” “Columbo.” I haven’t thought about this for years. The story is a nice tribute to Jerry. He was a charming man.
To have a painting by “Gebr” is truly a sacred gift !
Working with Jerry, since 1979, he delivèred portraits, always, on schedule. For Arthur on the Rocks 2, Liza Minnelli thought her arms and waist were too fat. The full length portrait was based and copied from a Sargeant masterpiece, hanging in the NY Metropolitan! Jerry refined the specified points Liza objected about! Incidentally, Liza only wants the left profile for her photo stills. The photo still had to be copied, printed in reverse, for Jerry to paint the right profile required in the portrait. After the set had been shot, the portrait was given to Liza! She cut the face out of the canvas! A burly grip carried the canvas off the Warner lot as his trophy!