
EXCLUSIVE: Disney is in talks with Miguel Arteta to replace Lisa Cholodenko as the director of its live-action adaptation of the Judith Viorst children’s book Alexander And The Terrible, Horrible, No Good, Very Bad Day. You might recall that late last month, The Kids Are All Right helmer Cholodenko stepped out as director. She wrote the script with Rob Lieber, and Disney has Steve Carell attached to play Alexander’s dad. Shawn Levy is producing through his 21 Laps banner along with Lisa Henson and Dan Levine. Production will begin in the fall.
On the feature side, WME and Management 360-repped Arteta most recently helmed Cedar Rapids and Youth In Revolt.
Alexander is the key character, and he starts a wretched day with the realization that the gum he fell asleep chewing is now hopelessly tangled in his hair. Things get worse from there, to the point he threatens to chuck it all and move to Australia.


I’m happy for Judith Viorst if she’s in favor of this. I hope she got a good payday and wish her all the best. But this will end up being an embarrassing mess like the various attempts to translate Dr. Seuss to film.
Does it matter at all to anyone that there’s no translatable story here? That you have a book which, reduced to its text, is not a page long? There’s no movie here.
Perhaps the movie starts with Alexander setting off for Australia?
I read the script that went around about 6 months ago and liked it– there’s definitely a translatable story here and the writing was better than expected. If done inexpensively — the only thing jacking up the costs is the talent — this could be a WIMPY KID-style hit. Still don’t get why Fox dumped this.
Fox remembers ‘Where the Wild Things Are.’
The movie hipsters couldn’t quite save.
It’s translatable if by that you mean plugging in weary tropes and set pieces featuring a kid named Alexander. Slapstick chase scenes, some stunt-cast teacher drawing focus to justify their salary, a cute dog, an insufferable Hollywood tyke spouting overly knowing lines a 28 year-old screenwriter thinks he would have said when he was that age. Oy.
In the end a fun and beloved book becomes factory-produced dreck like the Lemony Snicket movie and the Seuss movies and Cloudy With a Chance of Meatballs. When there’s no story they substitute lots of noise and hyperactivity and try to open big using some star who ends up murdering the thin material.
Book Guy,
Explain to me which beloved part of the book for Cloudy did Phil and Chris leave out? Was it Grampa’s pancake landing on his grandson’s head?
Carell needs a hit. Hard to justify that $15m price tag these days.