
Sony Pictures Entertainment has closed a deal with Nancy Meyers to direct an untitled film to be produced by Matt Tolmach and Nancy Meyers, it was announced today by Doug Belgrad, president of Columbia Pictures, and Hannah Minghella, president of Production for the studio. Meyers rewrote a screenplay that was originally written by Scott Neustadter and Michael Weber.
The deal returns Meyers to Columbia Pictures, where she previously made The Holiday and Something’s Gotta Give.
In the new film, the life of an American young woman gets turned upside down when she begins dating a very unlikely young man. The complexities that follow are bigger than both of them. The comedy is set entirely in the UK, the film will have an all British cast with the exception of the female lead.
Commenting on the announcement, Belgrad said, “We are thrilled with the way this project has turned out and we’re especially excited that Nancy intends to make it her next film. This is the kind of movie that Nancy does better than anyone else and we can’t wait to share this new movie with audiences all over the world.”
NANCY MEYERS co-wrote and directed The Parent Trap, produced and directed What Women Want, and wrote, directed and produced Something’s Gotta Give, The Holiday, and It’s Complicated. Meyers’ first film as a writer/producer was Private Benjamin, which she produced and co-wrote with Charles Shyer and Harvey Miller; she was honored with the Writers Guild of America Award for Best Comedy Written Directly for the Screen, as well as an Academy Award® nomination for Best Original Screenplay. She then co-wrote and produced Irreconcilable Differences, followed by Baby Boom and the box office hits Father of the Bride andFather of the Bride Part II.



Goldie hawn please!
Stay golden, Jake.
This is the “royal wedding” concept is it not?
Funny that this was originally announced two years ago as a romantic comedy about an outsider romanced by the prince of the Royal Family (sold during the time of the Royal Wedding) but now they aren’t mentioning that when announcing that it’ll be helmed by Nancy Meyers.
Is Nancy Meyers the only filmmaker allowed to do rom-coms now?
Good ones, yes. All the crappy ones are being made by everybody else.
Nancy Myers is always rewriting other writers to find her opportunity. She should just write her own screenplays rather than prey on others.
The project was half-baked from the start, sold solely on concept, but not that audience-friendly for who might actually be the audience for it. Going with Meyers will make it that much down the middle, but at least it won’t be a pastiche.
Nancy Myers often uses others ideas to make her movies. Parent Trap and Father of the Bride were remakes. Somethings Gotta Give was based on underlying material that was not credited. It was a play. What Women Want also had a history under a different title, Head Games, before it was redeveloped under her. Her movies make money and employ great actresses in great parts.
Let’s not give Ms. Meyers all the credit for the movies mentioned. Her best work was with her ex-partner, Charles Shyer. As a director, Ms. Meyers is a better writer. She should leave the directing to someone else IMO.
What happened to THE INTERN (she had attached Tina Fey to star) and THE CHELSEA (written by her daughter)?
Michelle Pfeiffer please.
This sounds soooooooooooo WHITE!
Also interesting, perhaps, is that Meyers wanted a ridiculous amount of money – somewhere between 60-80M – to make this film and the studio offered 40M, I think, and Meyers turned up her nose at this ‘ridiculous’ offer… to make a romcom. Curious what the actual budget now is. Could this be How Do You Know 2?
Sony hasn’t learned its lesson? Wow.
The lesson being that her movies make money?
Not in this new world.
African warlords sending child laborers into hazardous mines also make money– though in a far less morally reprehensible manner.
One thing we know for sure is that everyone’s apartments in the film are going to be huge and gorgeous.
Bring back Charles Shyer!!!!!
So you’re that Charles Shyer fan.
He has more than one. I’ve worked with both of them. He was a pleasure, she was a nightmare.
He’s a much better director, a fact that she is well aware of so she tries to overcompensate with “decorations”. Good for the studio who said no to her lavish overstuffed custom couches and cashmere throws that no doubt end up in a guest house she owns somewhere. Try Pottery Barn Nancy and pay your crew a little better.
I wonder if more distasteful stereotypical jokes about middle easterners will be used in this film.
there are no distasteful stereotypical jokes about middle easterners.
Nancy’s budgets are HUUUUUGE. Holiday was 92 million!
The Professor
Um, the press release says it’s about a YOUNG American woman. Goldie Hawn and Michelle Pfeiffer are seniors. I am sure she wants Emma Stone or Jennifer Lawrence.
Nancy, repeat after me: No rom com should ever cost more than $40M to make. Focus more on telling a great story and less on the sets and audiences will come out in droves.
Don’t mess the with the sets, buddy. Woody has his gorgeous exteriors, and Nancy does fabulous interiors.
I think Sony just wanted a movie with 100 days of principle photography to occupy their empty soundstages.
The best bit of news is that she will be out of the country for a long time. Can’t hardly wait till she has a classically trained British actress come in for five callbacks for a one line part that eventually gets cast with someone forty years different in age. Knows just what she wants down to the last detail. Nightmare.
Just as curious about the Tina Fey as anybody else.
I don’t wanna watch Tina Fey in a romcom. I’m already annoyed by the promos for her cynical college administrator with a heart of gold dreck.
Watching her movies is like eating a bag of Splenda. Empty and not even quite sweet in the right way.
Love the Meyers. Everybody’s rich, have beautiful homes, and have non-problem problems! Why Nick and Nora Charles were appealing.
I once went out to lunch with a book editor who mainly edited Harlequin romances. Cynically I said something like, it seems like “Rebecca” by Daphne du Maurier is the template for this stuff. (The estate “Manderley” etc.) She said she thought it was more “The Virginian” by Owen Wister.
But she pointed out something very specific : there’s often property or real estate involved or at stake.
With Nancy Meyers the director luxuriant expansiveness seems key. And yes she would be great with Tina Fey, Jennifer Lawrence, Emma Stone – any or all of the above. All her works are glamorous old-fashioned flattering showcases with a modern tilt for female movie stars of the highest caliber.
I think that’s great.
the worst thing about her films are the scenes in SGG and TH when keaton/diaz do this really weird sobbing thing. what was that about?
the best thing is the escapism (yes the architectural digest settings and aspirational candy floss careers) and the happy endings – rom coms are hard to get right and she gets them almost right most of the time – that’s close to genius in a world where the mantra is “no-one knows anything”.
good for her! great for her audience!
This sounds like a perfect role for Cameron Diaz. Nancy should work with her again.
You must have no idea of the magnitude of worshipers of ALL Nancy Meyers sets!!
Perfection!…love SGG! My fav movie & set!!