
EXCLUSIVE: When We Need To Talk About Kevin helmer Lynne Ramsay pulled a no-show and dropped out of helming Jane Got A Gun on the first day of shooting, producer and financier Scott Steindorff said they were determined to set a new director quickly and keep the picture from falling apart. Well, it looks like they’ve gotten themselves a good one. A deal is closing with Gavin O’Connor, the writer-director of Warrior, Pride And Glory, Miracle and Tumbleweeds. O’Connor will get the picture underway Thursday.
Related: More Fallout On ‘Jane Got A Gun:’ Jude Law Exits Picture
Considering how fragile independently financed productions can be, this is fairly remarkable that Steindorff and his fellow producers including Natalie Portman and Aleen Keshishian have managed to keep this picture from falling apart, and prevent the cast and crew from leaving the Sante Fe set and scattering to the winds.
As Deadline revealed exclusively yesterday, the production endured what has to go down as the worst first day of shooting in movie history, when Steindorff was forced to gather the crew and castmembers Portman, Joel Edgerton, Jude Law and Rodrigo Santoro to tell them that after nine months of developing the project, the director wasn’t showing up after a series of negotiating twists and turns took place over the weekend.
Related: SHOCKER: ‘Jane Got A Gun’ Loses Director Lynne Ramsay On First Day
Her exit was the talk of the town yesterday and no one I spoke with could recall an example of a helmer dropping out in similar circumstances, as this was akin to being stood up at the altar. Steindorff told me yesterday Ramsay was pay or play and that he’d retained litigator Marty Singer to keep his legal options open. I’m sure this one isn’t over. Repeated attempts to get comment from Ramsay’s side were unavailing yesterday.
“I have millions of dollars invested, we’re ready to shoot, we have a great script, crew and cast,” Steindorff told me yesterday. “I’m shocked and so disappointed someone would do this to 150 crew members who devoted so much time, energy, commitment and loyalty to a project, and then have the director not show up. It is insane somebody would do this to other people. I feel more for the crew and their families, but we are keeping the show going on, directors are flying in, and a replacement is imminent.”
I wondered at the time whether some of this was bluster, and maybe he got lucky in landing an accomplished helmer who happened to be available. O’Connor is exec producer and directed the pilot of the FX series The Americans, and has done gritty dramas before. In this Brian Duffield-scripted Jane Got A Gun, Portman plays the title character, a woman whose outlaw husband returns home riddled with bullets. Convinced his gang will return to finish him off and destroy her farm, the woman turns to an ex-lover she hasn’t seen in a decade to help her defend the farm.


Really? Still no comment from Ramsay? PR 101 tells us that she is still working on her story if she had a legit excuse for bailing out she’d have already called Mike to give her side of the story.
Not everyone gives a shit what Deadline has to say. If the Ramsay had her reasons, she may not feel it’s necessary to explain to anyone other than the people directly involved.
Yeah – the only reason for Ramsey to keep quiet is if your attorney is telling you to keep your mouth shut as your legal team preps your side of the inevitable lawsuit over any payments made to date. For every wonderful person working in this business there are 100 a-holes – this is the sad reality of this (and ANY high stakes) business. If you can’t take it, get out. The ONLY excuse for bailing on day one is if you got fired (and that still does not absolve the director from blame). Right now we are only hearing one side, but the longer Ramsey waits, the harder it will be for her to convince people that she can be trusted.
there was a day and age when artistic integrity was expected of our geniuses. Now, the masses are so outraged by it.
WHAT HAS BECOME OF US?
Yeah, you do understand that ARTISTIC INTEGRITY and COMMON COURTESY are not mutually exclusive, right?
Oh Please. Artistic Integrity? Then why Ramsay did not leave the movie before? To come down to such a heavy decision at the last minute, things must have gone bad for a while. This decision smells of panic and despair, not Artistic Integrity.
Congrats to this production…no doubt in my mind this guy will bring out every moment from each actor and make this film what it should be, this is a huge light at the end of a dark tunnel with ramsay, but let the past be the past. Moving forward and what a great name to move forward with.
Loved Loved Loved Warrior and how great that Joel is already comfortable with this name. So happy that this was tied up at the end of the day. Steindorff does magic what a great producer.
Now we are talkin’ and now I will go see this movie. Gavin is a guy who is a jack of all trades on sets. He is nothing short of an asset to any film.
Gavin is not only credible but is ego-free unlike some. Ta Ta Lynne Crazey and hello talent. Congrats Steindorff and Portman and production.
Out with the bad in with the good, great news! =)
I love this director and such a humble guy as well, cannot wait to see this film…wonderful news
As other people here have said, and as anyone who’s ever worked in this business knows – If you think the whole story here is Lynne Ramsey just randomly deciding not to show up for first day of shooting, you’re naive.
Amazing choice… With barely any time lost! This movie is going to be amazing!!!
Wow, great save by Natalie and the producers! When life gives you lemons make lemonade…very excited for this movie. Finally a modern western with a great female lead.
Anyone who has spent a minute actually working in the film industry knows that no director would be willing and able to just walk onto someone else’s project and start directing it within 48 hours. The amount of preparation necessary to direct a film, even a low-ish budget one like this, is overwhelming. So either Gavin is so ego-free and confident to step in at the last minute and just shoot exactly what’s on the page and let the actors and crew make their own choices, or this has been lined up secretly for a long time. The fact that both Law and the heads of department have walked along with Ramsay suggests that there’s a lot more to this story than just a director just getting cold feet.
What I keep coming back to is that O’Connor is an actor, too. If anyone knows how to just come in and start afresh, pull in his own department heads, and defuse a hostile situation, it’s this guy. Is it last minute? Sure. Is it the first time somebody’s had to do something like this? Absolutely not (look at Broadway!).
All I’m saying is that they found the right guy for what – to many – would be an untenable situation.
… right, but they found him two months ago.
So now you’re just making shit up? OK …
The fact that Steindorf can turn things around and save this movie is very impressive. Ramsey is rumored to be very difficult and has been causing a lot of problems on this from day 1. I’m sure it’s gonna turn out better.
Warrior was a great movie. Definitely think he is a way better choice for a director than Ramsay.
HUGE FAN of the Warrior….everything about it, actually. Can’t wait to see what O’Connor does with Jane Got a Gun. So much potential here.
Ironically, all this controversy is probably helping the film get more butts in theater seats.
Ramsay may be (or may have been) a talented director, however I don’t care how the fuck talented you are — you still gotta show up to work. She’ll never be one of the greats, because they would have still shown up the first day if shooting regardless of whatever drama that was happening behind the curtains. Gavin O’Conner has proved to be a talented great director to work with his past films and I’m excited to see his take on Jane Got A Gun. Blessing in disguise, if you ask me.
Having worked on many an Independent film with stars throughout the years, I have seen this scenario played out several times over. It’s not uncommon where the Director has signed on to direct a modestly budgeted Indie with big stars where they are promised X number of days to shoot the film. The Producers head to market to sell the film Internationally and find that the expected pre-sales come up short. The Director begins prep and is then told the number of shoot days has been reduced to less than X, while the LP furiously tries to slash the budget to hit the strike price, which does not happen. The Director tries to hold out hope and travels to location where they are hit with, “I’m sorry, You only have this many days to shoot” and unless you are a seasoned TV Director and not a quirky indie Director you get really nervous (freaked) and find it almost impossible to pull it off and make the film you want. So the schedule gets crushed, Indie Director can’t figure out how to make a movie in that few days, freaks and bails AND then an established Producer like Scott and a Movie Star/Producer such as Natalie, call in every favor they’ve ever had (themselves AND from their agents) and are able (freakin’ lucky) to get a really cool and Amazing Director in Gavin (who obviously believes in karma and loyalty) to “Save the Day”. That’s how it works!! I’ve seen it happen. Having said that, I’ve never had a Director BAIL. They usually just cast the check and bite the bullet. Those are the financial realities of our business in this climate. Everyone else just wants a sensational story.
I have trouble believing that in 24 hours they could find a director to replace someone. No director signs on to a film without reading a script, which means they had lead time before getting someone signed. I could bet they could even scrap the cost of a couple days filming (its called warming up the crew) and use poorly shot dailies as a reason to fire the director without her realizing she’s really been axed long before the first frame was shot.
I hope for her sake, she has good legal representation.
Agreed. The producer clearly forced her out and has had Gavin in his back pocket for weeks,
So they replaced Ramsay with a generic director? This indicates the direction the producers probably wanted to steer the project towards. Ramsay is one of the best directors around today, with a truly original vision, something Hollywood is apparently uneasy with.
“Steindorff was forced to gather the crew and cast members… to tell them… the director wasn’t showing up after a series of negotiating twists and turns took place over the weekend.”
So at what point in these twists and turns did Steindorff’s daughter stop being Ramsey’s agent?
Why isn’t anybody asking who is going to replace Jude Law? Who are they gonna get now, Donnie Wahlberg? What male actor with any value is gonna take this part now?
Replace the Jude Law role with:
Bradley James (King Arthur – BBC’s Merlin) – living in the USA currently, looking for work. Great actor, great voice. Great looking.
Laurence Fox (James Hathaway – BBC “Inspector Lewis” show). Living in the USA, looking for work. Great actor. Handsome, classy.
Hire both of them, I would.
What a boring awful choice. I suppose this mediocre director is the best they could get on short notice.
This movie is going to flop, Natalie Portman is old news. And the title sucks.
Don’t bore you? I’m already bored just reading you telling me what to say. This film is obviously crap if it can’t even hold Jude Law’s interests.