The Writers Guild of America West has demanded a $3 million bond from Nickelodeon because of “chronically late residuals payment and inadequate reporting practices.” In a March 8 dated letter I have obtained, the WGA West tells the Viacom-owned network that if the multi-million dollar bond is not posted by March 25, the guild could take further action. That action could include instructing “writers to withhold their services from any signatory Company for which Nickelodeon is the residuals payer.” Invoking Article 42 of the guild’s Minimum Basic Agreement, the bond demand came in a letter earlier this month from the WGA West’s director of Legal
Services Katherine Shannon Christovisch sent to Nickelodeon’s lawyers at LA firm Mitchell, Silberberg & Knupp. Stating that “Nickelodeon pays haphazardly, often only after the Guild initiates an arbitration claim” and “scores of writers have had to wait years to get the residuals due,” Christovisch notes that the company is falls under Article 42’s definition of not being “reliable or financially responsible residuals payers.” She adds “we have determined the adequacy of the bond by projecting, based on recent reuse history, the residuals that we project will become due in 2013.”
Sources tell me that WGA president Chris Keyser decided to act on the long simmering situation earlier thus year after members complained of increasing economic hardship because of the late or unforthcoming payments from Nickelodeon. In the past 18 months, the Guild has had up to 20 different suits against Nickelodeon for late or unpaid residuals, an insider says. “Frequently these claims resolve on the eve of hearing, forcing the Guild to expend time and resources getting from the Companies what the MBA plainly requires,” Christovisch notes in her letter. Frustration with the network on the administrative level is also reflected in the March 8 letter. “It is imperative that Nickelodeon enhance its ability to report on time, whether by hiring a third party administrator or implementing an internal residuals system, hiring additional staff, etc. In no circumstance will the Guild take this burden on itself,” the WGA West’s director of Legal Services writes.
Deadline's Dominic Patten - tip him here.


Good for the WGA, Nick and other Viacom owned companies are a hassle to get money from.
WGA if you’re reading this please hire what’s called a forensic accountant to make sure your members get their full payment. It’s really easy, you could probably just google “best forensic accountant los angeles” or “forensic accountant 90046″. I say this because for the last 10 years every time you’ve managed to get Nick to fork over what’s owed to their writers, you’ve never once gotten the penalty. Nor have you ever once given your writers a written breakdown of each episode and what was paid and what the penalty was. So this time, please, if you’re going to go so far as to threaten a strike and leak it to Deadline, go all the way and finish your jobs. (pep talk voice) C’mon guys! You can do it! (then) Or maybe not, who knows.
What? A union that stands up for itself? SAG, take note.
Good for the WGA, and shame on Nickelodeon.
I can honestly say that EVERY time I have had the WGA look into a payment that I am due — or residuals that I feel are very late — they find that I was correct and the studio simply has not paid. Not that the studio made a mistake and didn’t realize they owed it. Not that they felt they didn’t have to pay and it was somehow in dispute. No … they had money that was owed to me and when confronted they said … “Ok, here it is now.” …. This is rampant in the business — writers create worlds, ideas, concepts, characters, story arcs, spinoffs and entire franchises and are more often than not paid substantially less than non-writing executive producers who show up at two meetings at the beginning of the season and then never show up again (to those not in the business – this is not an exaggeration — most of them don’t even have offices on the show because they literally do nothing) … So when a writer is looking for a miniscule fraction of a fraction of a percent that is contractually owed to them, SHAME on the studios for making them jump through multiple hoops and many years of hassle to get it. There is word for taking what is not yours — it is called STEALING —- if the WGA can show a planned, systematic, cognizant effort on the part of studio personnel to do this as a strategy to bump up their bottom line, then it rises to the level of a criminal act. It is called racketeering. Perhaps if some federal subpoenas are dropped on some business affairs/accounting execs they will suddenly remember how to send checks on time.
Well put, and I completely agree. The studios are shameful in their practice of withholding payment until it is forcibly dragged out of them by lawyers or the WGA or both.
Nickelodeon is the worst run company in the business. It’s amateur hour.
Actually, worst by far is ABC Family. Ask around. The “creative” execs are clueless, the pay sucks, and the whole operation is the dictionary definition of cheesy.
I’m glad this is being addressed. Chris is awesome. Nick have also received fines from the Editors Guild for all kinds of violations. Directors Guild is next.
Go WGA! It’s about time they went after Nickelodeon. And while they’re at it… how about looking into the “paper partner” situation at Disney, where they pair two independent writers and call them a team, making them share one salary?
AMEN. Disney Channel shows ZERO respect to writers. Ever try to pitch to Adam Bonnett? He’s texting, playing with his phone, picking at his shoes… behavior confirmed by all my writer friends. Shameful. And I have had to open cases with the WGA three times to get paid residuals by Disney so they’re no better than Nick.
It’s about time. Nickelodeon has stonewalled as a strategy on every one of their shows that I know of. Their incredible excuse has been that they have no mechanism in place to calculate and distribute residuals. Are they aware that they’re part of Viacom?
I wrote on a Nick show and just last week I received my first residual check from them. I guess this must’ve lit a fire under their asses.
Shame on Nickelodeon. They have actually claimed that they either have no mechanism in place to calculate residuals or that it would be too much work to track them. Neither is a legitimate excuse, and they should be raked over the coals for clearly violating the WGA MBA. If, as many suspect, that they are withholding residuals to bump up their bottom line, then I hope that a criminal investigation ensues. Nick is one of the worst run companies out there… and this is further proof that they they are either irresponsible, incompetent, negligent, corrupt, or all of the above.
I am one of the writers that Nick has been shafting re: residuals. Yes, they claim they have no dedicated staff for residuals and can’t afford it. And yet it’s an 18% late fee when they don’t pay residuals on time. Which they could better spend toward administrative costs. BUT in the end, Nick “wins”. Because they finally paid me some of my back residuals but did NOT pay the late fee and I’ll probably have to sue (via the WGA) to collect that money.
Reason #43 that Nick is quickly nosediving in the ratings. Talented writers are wary of working for the channel. Some advice… you want to attract (and keep) good writers, then don’t Nickel-and-dime-alodeon them.
Disney Channel pays their residuals on time, no drama. Ergo, no competition where children’s TV writers want to work.
Also, Disney channel hasn’t been cancelling shows on a spree lately like Nickelodeon has recently.
The WGA is right! Viacom deliberately not paying/delaying payments to its employees is outrageous.
I wrote for Nickelodeon last year, had numerous produced episodes of television, and have thus far received ZERO dollars in residuals. Really glad to see the Guild on top of this!
I could have sworn that writers have been withholding their services from Nickelodeon for at least 10 years.
“chronically late residuals payment and inadequate reporting practices.”
Welcome to Viacom and MTV Networks in general…
What a stunt shit move by the WGA president. Guess this guy needs his name in the trades, huh? This guy is no Patric Verrone. As far as I’m concerned there has only been one WGA president and that’s Mr. Verrone, the guy who told the companies where to put it.
Good. Our union is imperfect but without it, we’d be toast.
I’ve been paid late on several projects with different producers and studios. I remember once Fox’s excuse (among many for many, many months) was that their business affairs was moving offices! This is FOX! Took some particular talent and chutzpah to come up with that one.
Quite sad, frustrating, and pathetic that late payments (and the interest generated for the companies) are par for the course.
At least they have the crack team of Marjie and Cima at the top of the organization. This crack team is responsible for such great hits as Marvin, Marvin, See Spot Run, and How to Rock. Their next show should be “how to destroy a network in three easy steps. ‘
Now, “How To Rock” was a decent show, just on the wrong network. Such a shame a good show went to waste on a once good turned awful network.
This is a great move, and long overdue. But if the WGA wants to be truly relevant to its membership, it must now address the reality that it chronically ignores: that late pay isn’t an abberation, to be addressed on a case-by-case basis, but is instead the invariable condition everywhere in town. INVARIABLE. EVERYWHERE. The WGA’s “Minimum Basic Agreement” with the producers guild–our enforceable contract–demands that writers be paid for all stages (story approval, 1st draft, etc) WITHIN 24 hours of submission, and in no case later than SEVEN DAYS of submission. I would like WGA members to weigh in here: Have you ever–even once–been paid on such a schedule? Of course not. So that’s the real problem Keyser would tackle if he had a pair.
Disney Channel: six weeks MINIMUM after turning in a draft, and that’s with three naggy phone calls from the lawyer.
According to our enforceable MBA, WGA members are owed a penalty payment of an additional 1.5% of any script amount not paid on time–that is, not paid within a week of submission. But of course this is never enforced, because many writers don’t know about it, and there’s not an agent in town who would dare risk his relationship with a studio or network simply to secure what a mere client is entitled to.
So WGA members, here’s my modest proposal: The next time you are paid late–and remember, ALL payments in this town are late because they ALWAYS arrive more than a week after submission–demand that extra 1.5%. Do it in writing, copies to your attorney and the WGA (like they give a shit, but still), and then don’t back down. If we all did that, might send a message. Plus, that extra 1.5 would buy a nice dinner out.
I spoke with DGA members on Nick shows, who have the same complaints. And according to ASCAP, required cue sheets for music used in NIck shows have not been filed, or filed correctly, for music royalties. This is their (unstated) policy.
The thing is, I had no idea this was true when I started working at Nickelodeon. I would not have taken the job had I known (I had other options, but Nick seemed like fun). It’s good that this is finally becoming public.
As someone who knows nothing about the business but is trying to start her career I’d like to ask: would you recommend young writers NOT do the Nickelodeon Fellowship? Just wondering because I applied and was excited about it but now, not so much…
Oh, @ox, you poor thing. Keyser didn’t like your spec script, huh?
Do they ever fail to pay Phillip Dauman on time? Even when the stock tanks?
It’s about time the. Wga did something. It’s thw only way for us to get the respect we deserve. But hey, we only create the projects all these people make their livings on.
Oh boo hoo play some more violin music for me. You cowardly writers guilders should go on strike again and this time make it a real strike for at least one year or longer. You caved in the last time and got nothing for your efforts. You made things worse for yourselves with such a namby pamby strike. We take advantage of you because we can get away with it. So you can sue us or go on strike for real next time. But you won’t because all of you collectively are the personification of weaklings. We are laughing at your suffering because you don’t have the guts to wage a strong and longterm strike. You are an incredibly weak union. The blue collar union workers are much stronger and braver than you writers.
Nice try.
Never forget that in 2001, Nickelodeon illegally fired and otherwise laid off 30 animation writers who dared to sign their WGA cards and ask for their federally protected right to unionize. Then they blacklisted the 4 guys they decided were the ringleaders. Nickelodeon is still run by the same winners who made those decisions, Cyma Zharghami and Margie Cohen… small mystery that they’re playing the same games with their live action writers. Those $50 million bonuses for Phillippe Dauman, the CEO of Viacom have to come from somewhere, and they’re not coming from ad sales… Not with Nick’s ratings down 25% over the last five years. Dirtbag company run by dirtbags with a dirtbag main shareholder.