EXCLUSIVE: There’s a ton of curiosity and criticism about Universal‘s Scarface reboot since both the 1932 Chicago bootlegging film and 1983 Miami cocaine-dealing versions were so iconic. Understanding that, the studio according to my sources has …
Paramount Animation Plans ‘Monster Trucks’ Live Action-Toon Franchise: In Final Talks With Blue Sky’s Chris Wedge To Direct
Global Showbiz Briefs: Dominique Lavant Set For ‘Le Petit Nicolas’ Sequel, JK Rowling Prevails In ‘Cuckoo’s Calling’ Case, Heightened Police Presence In Cannes
Dominique Lavanant Takes Over Role Following Lafont Death
Dominique Lavanant has replaced the late Bernadette Lafont in Les Vacances Du Petit Nicolas, Laurent Tirard’s sequel to his 2009 French hit comedy Le Petit Nicolas. Lafont, a veteran of some 120 films, passed away last week. She was to have played the grandmother of the titular tyke. Lavanant, Le Parisien reports, is taking over the role for the film which is currently shooting. Lavanant and Lafont previously starred together in Paulette in 2012. Lavanant is also known for her role in Patrice Leconte’s classic comedy franchise Les Bronzés, Jean-Marie Poiré’s 1983 comedy Papy Fait De La Resistance and for Agent Trouble, which won her a César in 1998. Les Vacances Du Petit Nicolas releases in France in July next year.
Diane Haithman contributes to Deadline’s TCA coverage.
At today’s TCA panel on Frank Darabont’s new TNT series Lost Angels, Michael Wright, President, Head of Programming for TNT, TBS and Turner Classic Movies, said he hopes the period noir crime series will return after its 6-episode first season, but never for more than, say, 12 episodes at a time.
After the late afternoon panel at Red Studios in Hollywood, the executive joked “never say never,” but said he would like to see the series return to TNT for limited runs each December. He called the project a hybrid between an old-school miniseries and traditional longer season of episodes. He said some limited series seem perfect for summer but for this one “we would want to keep it in December.” Wright said the 6 first season episodes complete a story but “set up a beautiful Season 2.” During the session, he did not provide details but said the first 6 episodes will establish a “fantastic mystery established in the pilot that will invest you in the outcome.”
Diane Haithman contributes to Deadline’s TCA coverage.
At today’s TCA conference on the Sony lot introducing her new daytme talk show, Queen Latifah said she had “already invited the Prez and Mrs.” to be guests on the show during a visit to the White House. Latifah did not say whether POTUS and the first lady had agreed or declined to make an appearance on The Queen Latifah Show, which makes its debut September 16. The new talk host added bluntly when asked if she could see herself tapping her friends in show biz as guests: “Yes, I can picture myself doing that. I just know this is going to be the place where they want to come.”
EXCLUSIVE: When I saw him in Cannes while he and Jim Toback were unveiling their hilarious documentary Seduced And Abandoned, Alec Baldwin made it clear that any roles he takes in the near future would have to square …
Ryan Kwanten & ‘Knights Of Badassdom’ Director Team For Marvel Fan Film ‘Truth In Journalism’: Video
First unveiled at Comic-Con, the 17-minute short Truth in Journalism is scoring with the geek crowd after debuting online today with a Marvel-ous twist. Filmmaker Joe Lynch (Wrong Turn 2) tapped his Knights of Badassdom star Ryan Kwanten (True Blood) for the faux cinema verite pic, which is shot through the lens of a foreign docu crew shadowing a reporter from crime scene to crime scene a la 1992′s Man Bites Dog. That reporter is Eddie Brock, a name that should perk up comic book fanatics’ ears. (Hint: Topher Grace played the fan fave Venom in Sony’s Spider-Man 3.)
The original concept was conceived by producer Adi Shankar (The Grey, Dredd), then fleshed out by writer-director Lynch to include painstaking details from the Marvel comics universe. Those include crafting a NYC circa 1988 setting with a fan’s scrutiny for details, including references from “Amazing Spider Man #299-300 and some very iconic buildings in the background if you look very closely,” Lynch tells me. He shot with DP Will Barratt on the RED recreating the 16mm look and feel of Man Bites Dog. “This was totally for fun, a way to just do ‘one for us’ with little to no interference,” says Lynch, whose Knights of Badassdom is being released by EOne – without his involvement – after languishing in post/distribution hell for two years.
Hulu came to the press tour today to preach New Model and show off some of its new programming. TV critics showed up in dribs and drabs. Those who came stuck around until the final session — but that’s only because it included Seth Meyers and they wanted to ask him about — NBC’s Saturday Night Live. This morning, Hulu was pitching:
*The Wrong Mans – a comedy/thriller from James Corden and Matthew Baynton about two lowly office workers who become caught in a deadly criminal conspiracy when one of them finds a ringing cell phone at the scene of a horrific car crash.
*Behind The Mask – a documentary about sports mascots.
*Quickdraw — a half hour Western/CSI spoof about a Harvard-educated sheriff trying to introduce the emerging science of forensics to an unruly Kansas town in the late 19th century.
More than two months after former union president Ed Asner and over a dozen others filed suit claiming the union had not properly disbursed $110 million in foreign residuals, SAG-AFTRA today took formal aim at their case. In motions filed Wednesday in federal court (read it here), SAG-AFTRA argues that most of the suit should be dismissed. “What plaintiffs fail to mention in the 52 pages of their complaint is that much of the challenges they raise to SAG-AFTRA’s residuals collection and distribution programs has already been resolved in a judicially approved settlement of virtually identical allegations in a class action lawsuit,” says the nearly 30-page filing. “The instant lawsuit is a virtual verbatim restatement of the settled Osmond litigation,” it adds. That 2007 action by Ken Osmond of Leave It To Beaver fame and other actors was resolved back in 2010. They had accused SAG at the time of not properly paying out $8.1 million in overseas royalties.