Ray Richmond contributes to Deadline’s TCA coverage.

Television writers and producers aren’t supposed to treasure directors, generally viewing them instead as a necessary evil. But Greg Berlanti evidently failed to receive that memo this morning as he positively gushed during a TCA session about Danny Cannon‘s directorial contributions to his new CW series The Tomorrow People. Berlanti referred to Cannon, who directed both the pilot and second episode of the SFX-rich series, as “the unsung hero” of the effects. Berlanti stressed, “The art of pilot directing is, I think, even more challenging than feature directing in that (the director) has to create an entire world and an entire aesthetic and tell a story in a much short period of time, and with a lot less money. They also have to make a lot of creative decisions themselves.” He emphasized that all TV directors should get “a tremendous amount more credit” that they do. “As someone who has written a number of pilots, you really begin to worship the people who are experts at this art form,” Berlanti continued. “I’ve been blessed to work with people like David Nutter and Danny (Cannon), who really achieve a feature look and style.”

Related: TCA: “Good Time” To Be Director In TV, Says DGA Prez & FX Series Helmers

After the session, the producer raved about Cannon’s talents a little bit more. “He does what he does on time, and on budget, and with a whole production value”, he said. Berlanti said he believes that casting and the choice of director are the two most important decisions a producer makes prior to shooting a pilot. “If you make those decisions right,” he stressed, “it infinitely increases your odds of getting on the air.”

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