agfaAs celluloid gives way to the digital era, filmmakers Paul Thomas Anderson (The Master) and Nicolas Winding Refn (Drive) are some of the names lending their support to a new crowdfunding campaign to save and restore 35mm film prints. The campaign was launched today by the American Genre Film Archive (AGFA), a non-profit org whose mission it is to undertake high-resolution 2K digital transfers to preserve film prints too fragile for active circulation. Older and rare prints are an increasingly endangered treat on the repertory/art house exhibition scene and unless restored or digitally archived, frequently deteriorate too far to be screened and can be lost forever. AGFA specializes in horror, sleaze, action, independent regional film, and international genre cinema and has over 3,200 film prints in its archive. Organizers are looking to raise $15K by May 30 to fund AGFA’s first digital restoration, of Craig Denney’s 1975 sci-fi pic The Astrologer, which real life psychic Denney self-financed and stars in as a fortune teller who discovers psychic abilities and rises to fame by advising the President of the United States. Refn and Anderson have recently joined the AGFA advisory board which also includes Alamo Drafthouse founders Tim and Karrie League. “By any means necessary, we need to watch movies on film, because that’s why God created cinema,” said Refn. “The American Genre Film Archive has begun a mission to preserve what I consider the greatest art form God has given us.”