Eccho Rights has sold popular Turkish drama The End into further markets. It’s already being remade in the U.S. by Sander/Moses Prods at Fox, and now Germany’s UFA will develop a local version for broadcaster SAT1 while Shine France has also taken an option on the series. Further, Netflix has signed a non-exclusive agreement for the original in Sweden and the UK. The story is about a woman navigating a web of lies and intrigue as she searches for her husband whom she presumed dead following a plane crash. But it turns out he never boarded the plane. Produced by Ay Yapim in Turkey, the show is also getting a Russian version.
Global Showbiz Briefs: ‘The End’ Gets German Remake; Turkish Censors Ban ‘Nymphomaniac’; Berlin Fest Dates; BBC3 Moving To Web?; Oz’s Animal Logic; More
OSCARS: A Selfie-Important Academy Awards Honors Our Past And Our Future And Hits Just The Right Notes
In the end the Academy Awards fell right into place with every other awards show this season. Gravity got LOTS of love but it ended with 12 Years A Slave‘s Steve McQueen making the big acceptance speech of the night for Best Picture — just like it went at the Golden Globes, Critics Choice Movie Awards, BAFTA, PGA and others. It’s a weird year when a blockbuster picture like Gravity can win seven Oscars including Best Director yet lose the big one. But science fiction is not a category the Oscars have ever embraced in that way, and this year was no exception. In 1977 Star Wars also won seven Oscars yet lost in the end to Best Pic winner Annie Hall, which only picked up four awards overall much like Slave’s haul of three nods this year. The record still stands though with 1972′s Cabaret winning eight Oscars but losing ultimately to The Godfather which won only three including Best Picture.
How do you explain it? It’s called spreading the wealth but wanting to save your most important award for a movie that has real gravitas, one that breaks barriers over what the Academy has ever done before. A movie directed by a black person has never before won nor has a film that so harrowingly details one aspect of the black experience. 12 Years A Slave may have depicted the dark side of this country in a way Oscar had never before recognized, but the Academy wanted to spotlight that and reward it with its highest prize in a year of great films about the black experience. In fact the whole show was full of diversity including numerous black presenters and the Best Director award to Mexican filmmaker Alfonso Cuaron.
Monica Corcoran Harel is contributing to Deadline’s Oscars coverage.
Clearly, God loves a red carpet. How else to explain how the torrential rain miraculously ceased by noon today so we wouldn’t have to see actresses with frizzy hair and streaked mascara in belted trench coats? Instead, this year’s Oscar red carpet brought us a bevy of gold beaded dresses, dozens of bare shoulders, an al fresco Jennifer Lawrence pratfall and many leading men in blue.
That red carpet also brought about $2.3M to our local economy, according to a recent study from a Los Angeles consulting firm that tallied wardrobe expenses for women attending the Academy Awards. (Of course, nominees and presenters don’t have to buy anything — all is custom designed or borrowed.) Celebrity stylists, however, can earn up to $10,000 per day for prepping, pulling looks and fitting clients. (Having co-written a book with Rachel Zoe last year, I can attest to stress of the task. However, any monthlong job that earns enough money to buy a Tesla is no crap gig, eh? )
Related: Oscars Winners List
This year, beaded metallics reigned. Cate Blanchett in pale gold Armani Prive, Angelina Jolie in sparkly Elie Saab Couture, Sally Hawkins in Valentino and Lady Gaga wearing Atelier Versace were reflective. With barely any sunlight, the flashes of paparazzi made these women sparkle. Bare shoulders also were a major trend, and the ones who did it right opted for dramatic bodices and necklines, including Charlize Theron in Christian Dior, Sandra Bullock in navy Alexander McQueen and Amy Adams in Gucci Couture. The lack of straps also makes a great canvas for diamond necklaces, as we saw on Lawrence in $2 million worth of Neal Lane sparklers.
Related: Backstage At The Oscars
Here we are again after the Golden Globes, Mike Fleming and Anita Busch taking on the task of play by play during the most wide-open Oscar race we can remember. Even on the party circuit, industry insiders who usually have a grasp of who’ll walk away with Oscars were evenly torn between Alfonso Cuaron’s 3D masterpiece Gravity and Steve McQueen’s 12 Years A Slave. Then again, there were so many terrific films that got Best Picture nominations, and all of them have at least a puncher’s chance at an upset.
That includes American Hustle, where David O Russell co-wrote the Best Original Script nominee with Eric Warren Singer and got tour de force performances and nominations for Christian Bale, Amy Adams, Bradley Cooper and Jennifer Lawrence. Perfs so strong there was no room on the nomination roster for perennial Oscar nominee Jeremy Renner. The film is up for 10 awards, and has grossed over $240 million on a $40 million budget.
Then there is The Wolf Of Wall Street, with Leonardo DiCaprio giving the most emphatic and complete performance of a great career, and Jonah Hill right there with him as his crazy con man sidekick. The film is up for five nominations, including Martin Scorsese for directing a terrific adaptation from The Sopranos and Boardwalk Empire vet Terence Winter.
They knew what they had was dynamic. They were smart, did their research and worked hard — and the result was the Son Of God big-screen version that is expected to gross anywhere from $25.7M to $26.7M in its debut weekend. People in this world achieve great success for a reason, but not all get the reason why — whether it be George Clooney, who has used his celebrity to bring well-needed attention to the horrors of Darfur, or Angelina Jolie, whose humanitarian work is also well needed and appreciated, or Mel Gibson, whose The Passion Of The Christ brought the word of God beyond borders anyone had ever seen before ($611M worldwide — that’s a lot of eyes). These are the kings of charity, who understand their responsibility in the world. Mark Burnett — the reality TV entrepreneur behind such phenoms Survivor, The Voice, Shark Tank, and The Apprentice — understands the reason why, too. He and wife Roma Downey know in their core that they are on that path now — to spread the word to as many people as possible, he said.
On the wings of angels (and butterflies) and in many languages — the marketing behind this film is very interesting: The team wisely dubbed a Spanish version for this weekend’s movie debut, and it was put in 200 theaters; they also did a subtitled Korean-language version and placed it in 15 select theaters. “Because we are a small organization, we don’t have to ask permission — we just do it,” Burnett said. The theaters playing Spanish-language Son Of God grew in a just few days as they were booking theaters and 4% of the gross came from those theaters; 22% of the audience was Hispanic. In addition, the film had a phenomenal 91% rating on PostTrak and was heavily weighted to excellent with an impressive 72%. In addition, it has an incredible 80% recommend and played 62% female to 38% male with 82% of moviegoers over age 25.
Related: Hot Trailer: Fox’s ‘Son Of God’
The Stateside phone hacking-scandal suit that a former body double for Angelina Jolie filed against News Corp last summer looks likely to end up in the U.K. if a federal judge doesn’t change his mind. Before a hearing Monday on the company’s motion to dismiss, Judge Michael Fitzgerald said in a tentative ruling that Eunice Huthart‘s case belonged in “the courts of England and Wales” not the U.S.
Alleging that her phone was tampered with in 2004 while living with Jolie in L.A., Huthart’s initial complaint on June 13 was the first hacking scandal suit filed against News Corp and its UK Press arm in the U.S. Back in September of last year, News Corp and News International filed their motion to toss the case or have it move to Britain. After issuing his tentative and hearing arguments from lawyers representing the English-born stuntwoman and the media corporation, Judge Fitzgerald said he would take the matter under submission (read it here). Though it happens, it is very unusual for a judge to reverse himself after issuing such a clear tentative.
BEVERLY HILLS, CA – Oscar producers Craig Zadan and Neil Meron today announced the complete slate of stars who will present Oscars at the ceremony. The Oscars®, hosted by Ellen DeGeneres, will air on Oscar Sunday, March 2, live on ABC.
The presenters, including several past Oscar winners and nominees, will be:
Robert De Niro
Samuel L. Jackson
Michael B. Jordan
“We are very excited that the Hollywood community will be turning out in force for Sunday’s Oscar ceremony,” said Zadan and Meron. “We sought to include a tremendous diversity of stars to represent not only this year’s nominees, but the legacy of the motion picture business as well.”
Jack O’Connell is in final negotiations to star in the thriller Section 6 for Universal Pictures. This is the pic for which the studio won a bidding war in October 2013 for the spec script written by Aaron Berg, picking it up for seven figures in a late-night deal with no attachments. It revolves around the origins of MI6, the British intelligence agency founded during World War I. Marc Platt is producing alongside Adam Siegel for Marc Platt Productions, and Lawrence Grey will produce for Grey Matter Productions. Universal’s EVP Production Jon Mone and director of development Sara Scott will oversee for the studio. O’Connell just wrapped production on Unbroken, in which he starred as Olympics hero and WWII POW Louis Zamperini for Angelina Jolie. He’s next up in 300: Rise Of An Empire and the indie Starred Up. He also starred in 71, the thriller based on the troubles in Ireland that just screened in competition at Berlin. He is repped by CAA and attorney Robert Offer and Conway van Gelder Grant in the UK. The Wrap reported the story first.
The casting for one of the key characters in Paramount and Skydance Productions’ Terminator: Genesis is almost complete — but not finalized. What’s true is that Jai Courtney has been offered the role of Kyle Reese, a gig that figures to span at least two movies that will end the story of Skynet’s battle with the resistance that began with James Cameron’s two films and two more that followed. As we told you last week, it was down to Courtney and Boyd Holbrook to land the Reese role originated by Michael Beihn in the first pic. If the Courtney deal makes, he will join Arnold Schwarzenegger as the signature cyborg, Game Of Thrones‘ Emilia Clarke as Sara Connor and Zero Dark Thirty’s Jason Clarke as her son John Connor in the time-travel saga that will be directed by Alan Taylor. The film has a July 1, 2015 released date.
Angelina Jolie‘s Unbroken got a first-look tease today during the Olympics in an extended preview profiling Louis Zamperini, the Olympian-turned-WWII POW whose life story gets the big screen treatment this Christmas. Jack O’Connell plays the younger Zamperini with Japan’s Miyavi, Garrett Hedlund, Domhnall Gleeson, and Jai Courtney in supporting roles. The Universal release marks Jolie’s second feature as helmer following 2011′s In the Land Of Blood And Honey. Check it out:
EXCLUSIVE: Paramount Pictures and Skydance are down to the wire on the final piece of iconic casting on Terminator: Genesis. I’m hearing that it’s between Jai Courtney and Boyd Holbrook to play Kyle Reese, the role originated by Michael Biehn in the James Cameron-directed original. Now, they could throw someone else into the mix, but it sounds like they are focused on these guys. The winner will join Arnold Schwarzenegger as the signature cyborg, Game Of Thrones‘ Emilia Clarke as Sara Connor and Zero Dark Thirty’s Jason Clarke as her son John Connor in the time travel saga that will be directed by Thor: The Dark World helmer Alan Taylor. The film will be released July 1, 2015.
It’s a big job, as it figures to span at least two movies that will end the story of Skynet’s battle with the resistance that began with Cameron’s two films with two more that followed. The films are being financed one-third by Paramount, and two-thirds by David Ellison’s Skydance, who bought out the stake held by his sister, Annapurna’s Megan Ellison. She was the one who originally bought the rights to continue the franchise for about $20 million. She decided to focus on tastemaker fare but this movie is right in the wheelhouse of the popcorn pics made by Skydance, which partners with Paramount on Mission: Impossible, Star Trek and World War Z.
UPDATE: A spokesperson for Millennium Films said that the log line has changed. Here is their new one: The Expendables universe has a new team. An elite group of highly trained female mercenaries are brought together for a covert hostage rescue mission. Once they are behind enemy lines, the women discover that they will also need to topple an evil dictator bent on world domination. It becomes clear there there is no such thing as the right man for the job. The Expendabelles is the ultimate story of female empowerment and kick-ass teamwork. So, there you go.
PREVIOUS EXCLUSIVE, 6:18 AM: Robert Luketic has come aboard to direct The ExpendaBelles, the estrogen-powered equivalent of the testosterone-fueled Millennium Films franchise The Expendables. The move re-teams Luketic with his Legally Blonde scribes Kirsten “Kiwi” Smith and Karen McCullah, who wrote the original screenplay for the female action comedy spinoff. The film will begin shooting this summer and Luketic will soon begin casting the gals.
EXCLUSIVE: Yann Demange’s Berlin Competition entry ’71 has a lot of heat on it going into the festival. The anti-war parable centers on a young British soldier who is accidentally abandoned by his unit following a riot on the streets of Belfast in 1971. Unable to tell friend from foe, and increasingly wary of his own comrades, he must survive the night alone and find his way to safety through a disorientating, alien and deadly landscape. Starred Up and Skins’ Jack O’Connell stars. He’ll next be seen in 300: Rise Of An Empire and Angelina Jolie’s Unbroken. Paul Anderson, Richard Dormer, Sean Harris, Martin McCann, Charlie Murphy, Sam Reid, Killian Scott, David Wilmot, Jack Lowden and Jim Sturgeon round out the cast. Written by Gregory Burke, ‘71 is Demange’s feature debut after directing TV series including the award-winning Top Boy for Channel 4. Robin Gutch of Warp Films and Angus Lamont of Crab Apple are producers. Protagonist Pictures is selling in Berlin where it debuts Friday. Here’s a clip:
Super Bowl XLVIII: total bust as a game, middling year for ads – though outrage was tearing up Twitter by the time the game sputtered to a close over a Coke commercial in which “America the Beautiful” was sung in many languages over images of people of many ethnic and religious backgrounds spending quality time with family and friends. Rants ranged from :
“Nice to see that Coke likes to sing an AMERICAN song in the terrorist’s language. Way to go Coke. You can leave America”
“Glad to see the that #boycottcoke thing. That way we can clearly spot every bigot, racist and moron in the country & keep them from our kids.”
The ad, ironically, called “It’s Beautiful,” also marked the first time a gay couple had been included in a Super Bowl ad, according to GLAAD, but that kind of got drowned out in all the mud-slinging under the banners #SpeakAmerican and #BoycottCoke.
The game started strong with Joe Namath, in a fly 70′s fur coat, botching the coin toss, which we didn’t think could be done. Namath’s coat went on to bigger and better things, becoming a hashtag phenomenon on Twitter. Despite high prices paid for A-list celebrity endorsements, it was Rob Riggle who seemed to get the most career mileage out of this year’s crop of game ads — including screen time in both a faux movie trailer, Escape to East Rutherford, and a Ford Fusion …
Disney scored during tonight Grammys with a new trailer for Maleficent that featured a haunting cover of the Sleeping Beauty classic ditty “Once Upon A Dream,” crooned with a touch of menace by Lana Del Rey. The fairytale twister opens May 30 and stars Angelina Jolie as the eponymous evil sorceress who tangles with young Princess Aurora (Elle Fanning) in Disney’s live-action dark fantasy:
Universal Pictures Chairman Donna Langley Re-Ups To 2017, Adds Oversight Of International And Marketing Divisions
BREAKING: After coming through a major fall restructure and flying out of the gate with two box office hits in 2014 and overhauling Fast & Furious 7 so it can resume production in March, Universal Pictures chairman Donna Langley has extended her contract through 2017. Langley, who oversaw the production businesses of Universal Pictures and Focus Features, is adding oversight of international production and international and domestic marketing to her duties.
Marketing president Josh Goldstine and International president David Kosse will now report to Langley. Like Langley, they will also report to Universal Filmed Entertainment chairman Jeff Shell, whom Comcast installed as head of Universal Studios last September as part of a shakeup that saw Universal Pictures chairman Adam Fogelson ousted and co-chairman Langley upped to sole chairman while Ron Meyer was named NBC Universal vice chairman of NBC Universal.
While Universal released the pricey holiday bomb 47 Ronin, the studio has been on a good run with The Best Man Holiday, the surprisingly strong Lone Survivor (director Peter Berg agreed to direct Battleship on condition Universal make the military drama), and Ride Along, a sleeper buddy comedy which Langley plucked …
66th Annual DGA Awards: Alfonso Cuarón Wins Best Feature Film Director For ‘Gravity’, TV Winners Include Vince Gilligan ‘Breaking Bad’, Steven Soderbergh ‘Behind The Candelabra’, Beth McCarthy-Miller ’30 Rock’, Glenn Weiss ‘Tony Awards’ Don Roy King ‘Saturday Night Live’
UPDATED WITH ALL WINNERS AND SPEECHES: The 66th annual DGA Awards was held tonight at the Hyatt Regency Century Plaza in Los Angeles, hosted by Jane Lynch. The DGA Award for Outstanding Directorial Achievement in Feature Film went to Alfonso Cuaron for Gravity. This was his first DGA nomination. Cuaron reflected on his research for the film, which in many ways, focuses on Gravity‘s philosophical commentary on humanity. “We saw all these photographs of earth from space, and it’s absolutely beautiful; hues of greens and blues,” explained Cuaron, “Everything seems so organic (from space). Those silly lines and boundaries we put on political maps, you can’t see that from space. It’s a bizarre experiment of nature, that is the human experience. And it’s what we as directors try to sort out as filmmakers.” It’s worth recalling that while cuaron hasn’t made a bad movie, getting Gravity made was very difficult. Universal kicked it to the curb after Angelina Jolie dropped out. Warner bros took it in, but it was in peril after Robert Downey Jr. decided not to play the role George Clooney wound up playing. the studio looked at several actresses including Natalie Portman, before deciding on Sandra Bullock. It was a real show of faith by Warner Bros, whose movie chief Jeff Robinov championed the project. It has become an outsized global hit, following in the footsteps of Life Of Pi and Avatar. It was this movie that inspired TriStar’s Tom Rothman to want to make his first film To Reach The Clouds, the Robert Zemeckis directed film about Philippe Petit’s groundbreaking high wire walk from the North to South Tower of the World Trade Center in 1974. They are hoping Joseph Gordon Levitt will play him and that production will begin by summer. In the other major film award, Jehane Noujaim was honored as Best Documentary Director for The Square. TV winners included Vince Gilligan for Breaking Bad’s “Felina” episode, Steven Soderbergh for Behind The Candelabra and Beth McCarthy-Miller for the 30 Rock finale.
Sundance Awards: ‘Whiplash’ & ‘Rich Hill’ Win Grand Jury Prizes; Dramatic Directing Goes To Cutter Hodierne For ‘Fishing Without Nets’
It was the first major deal of the 2014 Sundance Film Festival and tonight Whiplash was the big winner at the fest’s Awards Ceremony. The Damien Chazelle-directed film about a young drummer, played by Miles Teller, and his demanding teacher, played by JK Simmons, took both the U.S. Dramatic Grand Jury prize and the Audience Award. “This is awesome, thanks so much,” said Chazelle accepting the pic’s Audience Award earlier in the evening. Little did he know the fest hit would go on to win Sundance’s top dramatic prize. The U.S. Documentary Award went to the Andrew Droz Palermo and Tracy Droz Tragos-directed Rich Hill, about three small town Missouri boys seeking better from their sometimes bleak environment. Also making waves with buzzy Sundance awards tonight were first-time director Justin Simien, whose conversation-sparking Dear White People nabbed a Special Jury Prize for Breakthrough Talent; the Ethiopian World Cinema Dramatic Audience Award winner Difret, exec produced by Angelina Jolie; and the Nick Cave docu 20,000 Days On Earth which snagged both Best Directing and Best Editing in the World Cinema Documentary category.
Hosted by Nick Offerman and Megan Mullally, this year’s Awards started over 30 minutes later than its scheduled 6PM PT kick-off time. Once things got going, after a lurid but lame routine by the hosts, it moved fast. Like last year when Joseph Gordon-Levitt, who had his own directorial feature debut Don Jon premiere at Sundance 2013, hosted the awards ceremony, Offerman and Mullally both have films at the festival. The Parks & Recreation star fronted Nick Offerman: American Ham, which premiered on January 23 in Salt Lake City, and Mullally is one of the voices in the English-language version of the animated pic Ernest & Celestine, which was screened January 18 as part of the new Sundance Kids selection. Offerman and Mullally opened with a monologue that centered more on their sex life than indie film. “In short, we have seen your movies and we have found them arousing,” deadpanned Offerman.
EXCLUSIVE: Garrett Hedlund has come away with the offer to play the lead role of Hook in Pan, the new take on the J.M. Barrie classic that Joe Wright is directing for Warner Bros. This was a coveted role and it came down to Hedlund and Boardwalk Empire‘s Jack Huston (currently in American Hustle), with Ezra Miller from The Perks Of Being A Wallflower also in the mix. The script is by Jason Fuchs, and Greg Berlanti is producing under his Berlanti Productions banner, and Sarah Schechter is overseeing for Warners. In Fuchs’ script, an orphan is taken to the magical world of Neverland, where he becomes the savior of the natives and leads a rebellion against evil pirates. Hugh Jackman reportedly will play Blackbeard, the captain of the bad guys, and Javier Bardem has also been mentioned for that role. Warner Bros has set a July 17, 2015, release date for the 3D-shot film.
Hedlund starred in Tron Legacy, and more recently in Inside Llewyn Davis and plays a big role in the Angelina Jolie-directed Unbroken for Universal Pictures. He’s repped by WME and Brillstein.