Cannes Briefs: Radiant Films Goes ‘Wild’; Image Acquires ‘ ZoZo’; ‘November Man’ Firms Cast; ‘Heat’ Sales Hot; ‘Oh Boy’ & ‘Child’s Pose’; Spike Lee Finds ‘Gold;’ Image Feels Domestic ‘Shiver’; More

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Radiant Films International has acquired international rights to the comedy drama Wild. Written and directed by Vivienne DeCourcy, the movie stars Ella Greenwell and Tom Hughes. It tells the story of Mary Reynolds, a visionary young garden designer who puts everything on the line in order to compete in the Chelsea Flower show. Hughes stars as Christy, an idealistic environmentalist, whom Mary enlists to help her compete at the Chelsea, the Olympics of gardening. Wild is funded by Green Earth, the Irish Film Board, RTE and the Broadcasting Authority of Ireland. It will shoot in Ireland and Ethiopia over the coming months. Pic is produced by Treasure Entertainment and Crowe’s Nest in Ireland, together with Green Earth in the US. Rebecca O’Flanagan and Rob Walpole will produce from Treasure, with Sarah Johnson and Chloe Kassis Crowe exec-producing. Jay Cohen from the Gersh Agency is handling U.S. rights. Read More »

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Participant PanAmerica Backing ‘El Ardor’ With Gael Garcia Bernal And Alice Braga

Participant Media launched Participant PanAmerica to develop and co-finance 10-12 Spanish-language films a year with Mexico’s Canana, Chile’s Fabula and Colombia’s Dynamo, at the Berlin Film Festival in February. The entity has now identified its first project with El Ardor. Directed by Pablo Fendrik (Blood Appears, The Mugger), the film is currently shooting in Argentina and stars Gael García Bernal and Alice Braga. Fendrik, whose previous features were both Cannes Critics’ Week selections, wrote the screenplay about a mysterious man who emerges from the Argentinian rainforest to rescue the kidnapped daughter of a poor farmer after mercenaries murder her father and take over his property. Read More »

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Global Showbiz Briefs: Twitter Trouble In Cairo Over ‘Daily Show’ Link, WB’s Mexican Comedy Hit, Image Unit In China & More

U.S. Embassy In Cairo In Twitter Trouble Over ‘Daily Show’ Link
The U.S. Embassy in Cairo temporarily shut down its Twitter feed on Wednesday, deleting a missive it had sent linking to video of The Daily Show in which Jon Stewart defended Egyptian TV host Bassem Youssef. Youssef, aka “The Jon Stewart of the Arab World,” was called in for questioning by the public prosecutor over the weekend to face allegations of insulting Egyptian president Mohamed Morsi. The embassy tweeted a link to the video, but when Egyptian authorities said it was “inappropriate for a diplomatic mission to engage in such negative political propaganda,” the entire account was deleted then restored sans the offending link, The Associated Press reported. U.S. State Department spokeswoman Victoria Nuland scolded the embassy as well: “Embassies and consulates and their senior leadership manage the content that is on their feeds and they are expected to use good policy judgment in doing that. Earlier this week, Nuland said the warrant for Youssef’s arrest was “evidence of a disturbing trend of growing restrictions on the freedom of expression.” Egypt’s Freedom and Justice Party then condemned her “imprudent” remarks. Read More »

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Global Showbiz Briefs: Helen Mirren, BBC & ‘Pompidou’, Cannes Critics’ Week President Named, World Cup Windfall

Helen Mirren’s Sam Mendes Quotes Misquoted
Helen Mirren is never shy of a making a bold statement or two. But stories circulating in the British press following her appearance at Sunday night’s Empire Awards have misquoted the actress as criticizing director Sam Mendes for naming an all-male list of his inspirations. In a speech earlier in the evening, Mendes had praised inspirational moments from the likes of Stanley Kubrick, Billy Wilder and Akira Kurosawa, which Mirren highlighted when she stepped up to receive a lifetime achievement prize. But far from tearing down Mendes, she used his list to illustrate how much attitudes had changed since she started. “When I first came into the film industry it was a really bloke-y world,” she said. “Nowadays, that’s really changed and it’s great to see women in cinematography, in sound, and obviously in producing and writing.” She said she was certain that in “five or ten years” a successor to Mendes would include female directors on their list of inspirations as a result. “Nothing against Sam, absolutely,” she insisted. “They were great, great moments he chose.” Given the press fervor that greeted her misrepresented comments, it’s no wonder she earlier joked, “The critics bloody well piss me off. What do they know, honestly?” – Joe Utichi Read More »

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UPDATE: Lawyer For Iran Said Seeking Suit Over More Than Just ‘Argo’

By NANCY TARTAGLIONE, International Editor | Wednesday, 13 March 2013 10:51 UK

UPDATE, 3:51 AM: It turns out that French lawyer Isabelle Coutant-Peyre, wife and defender of Carlos the Jackal, is not only angling to sue Hollywood over Ben Affleck‘s Oscar-winning Argo, she’s attempting to mount a case against a series of U.S. films that Iran believes have portrayed it in a distorted and unrealistic manner. Coutant-Peyre, according to local media, is looking to bring suit in international court against directors and producers who local officials believe have promoted “Iranophobia,” The Guardian reports today. The attorney is quoted by the semi-official ISNA news agency as saying, “I’ll be defending Iran against films that have been made by Hollywood to distort the country’s image, such as Argo.” Other films that have gotten under the skin of Iranians are understood to include 2006′s 300, 1991′s Sally Field-starrer Not Without My Daughter, and Darren Aronofsky’s Oscar-nominated The Wrestler. An attendee at Monday night’s “Hoax Of Hollywood” conference in Tehran, Mohammad Lesani, is reported to have said the gathering was intended to “unify all cultural communities in Iran against the attacks of the West, particularly Hollywood.” The real possibility of a lawsuit is thought dubious, but if brought, it would not be in the U.S., New York defense attorney Stuart Slotnick tells Deadline. “Perhaps those in power in Iran will decide to bring a lawsuit in another country where the movie received distribution”, he said. Iran and the U.S. severed diplomatic ties after the 1979 hostage crisis which is the focal point of Argo. Warner Bros. had no comment on the matter. Read More »

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Women In Film Taking Applications For Finishing Fund Grants

By MIKE FLEMING JR | Wednesday March 6, 2013 @ 9:18am PST
Mike Fleming

Applications are now being accepted for the Women In Film Foundation’s 2013 Film Finishing Fund grants, it was announced today by FFF Committee Co-Chairs Betsy Pollock and Nancy Rae Stone. The application period continues until April 29, 2013, and the winners will be announced in October, 2013. Since its inception 28 years ago, the Fund has awarded more than $2 million worth of grants to over 170 films from all over the world.

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Iran Protests Berlin Win For Jafar Panahi’s ‘Closed Curtain’; Festival Says It Would “Regret Any Legal Consequences”

Banned Iranian filmmaker Jafar Panahi won the Best Script Silver Bear at the Berlin Film Festival on Saturday for his competition entry Closed Curtain. Since then, Iran has complained to fest organizers over the award, Iran’s Student News Agency reported, according to Reuters. The head of the country’s national cinema body, Javad Shamaqdari, said Berlin officials “should amend their behavior” and noted, “Everyone knows that a license is needed to make films in our country and send them abroad, but there are a small number who make films and send them out without a license. This is an offense… but so far the Islamic Republic has been patient with such behavior.” In a statement to Deadline, the festival said: “We would very much regret if the the screening of Pardé (Closed Curtain) would have any legal consequences for the filmmakers.”

Related: Jafar Panahi Faces Six-Year Stretch After Sentence Upheld Read More »

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Global Showbiz Briefs: Cinemark To Sell Mexico Screens, Ireland Boosts Film-TV Incentive & More

By THE DEADLINE TEAM | Saturday February 16, 2013 @ 7:30pm PST

Cinemark To Sell Theaters In Mexico
Texas-based Cinemark Holdings will sell its Mexico theaters to Grupo Cinemex and Cadena Mexicana de Exhibicion, the company announced. The Mexico circuit encompasses 290 screens in 31 theaters. Cinemark CEO Tim Warner said the sale would allow Cinemark to concentrate on its remaining Latin American theaters in Central and South America. Cinemark said its Mexico operation’s unaudited revenues for the 12 months ending September 30, 2012 were $73.7 million from 12.9 million admissions with a net income of $7.9 million. Sale of the Mexico theaters is subject to closing conditions and regulatory approval.

Ireland Reauthorizes Film & TV Incentive With 4% Increase
Ireland’s film and TV tax incentive has been signed into law and extended through to 2020. Value of the incentive commonly known as Section 481 will increase to 32% of qualifying expenditures from 28% from 2015. Minister for Arts Heritage and the Gaeltacht Jimmy Deenihan acknolwedged the new law during a visit to the set of Frank, which he described “an example of the excellent work the Irish film industry is producing.” Michael Fassbinder stars in Frank with Domhnall Gleeson and Maggie Gyllenhaal. The project centers on a band fronted by an eccentric leader Frank, played by Fassbender. Currently shooting in Dublin and Wicklow, it’s directed by Lenny Abrahamson and co-produced by Ireland’s Element Pictures and the UK’s Runaway Fridge Productions. Other big-budget projects to benefit from the incentive include The History Channel’s Vikings and BBC’s Ripper Street.
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Hot Clip: ‘The Croods’

By THE DEADLINE TEAM | Saturday February 16, 2013 @ 2:17pm PST

Here’s a clip from DreamWorks Animation‘s latest pic that just screened out of competition at the Berlin Film Festival. The prehistoric adventure is written and directed by Kirk De Micco and Chris Sanders (co-director of How To Train Your Dragon and Lilo & Stitch) and the voice cast includes Ryan Reynolds, Emma Stone, Nicolas Cage, Catherine Keener, Cloris Leachman and Clark Duke. The Croods opens March 22nd:

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Berlin: ‘Child’s Pose’ Wins Golden Bear; David Gordon Green Named Best Director

Wong Kar Wai’s jury gave Romanian film Child’s Pose the top prize Golden Bear at the Berlin Film Festival this evening. The story follows a mother trying to save her son from prison. In accepting the award, director Călin Peter Netzer spoke of “commercial censorhip against arthouse cinema” and thanked the Berlinale, sales agents and distributors for “bringing arthouse cinema to the public.” David Gordon Green was named Best Director for the well-received Prince Avalanche, a film he remade from the Icelandic movie Either Way, transporting the action to Texas. Magnolia acquired the film in Sundance. The hotly-tipped Paulina Garcia took the Best Actress prize for her turn in Gloria which Roadside Attractions acquired earlier in the festival. And, Nazif Mujic was named Best Actor for Danis Tanovic’s Jury Grand Prix winner An Episode In The Life Of An Iron Picker.

While the competition roster at this year’s Berlin Film Festival left some cold, the last two years have produced a foreign language Oscar winner (2011′s A Separation) and two foreign language Oscar nominees (this year’s A Royal Affair and War Witch). And another film that won a prize in 2012, Sister, was also shortlisted for the foreign language Oscar this year. So, it will be interesting to watch the international careers of this year’s winners to see if the trend continues. Below is a list of the main winners along with the various sidebar and independent jury prizes which were announced earlier today: Read More »

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Global Showbiz Briefs: Rogers Seeks CEO, Senator-Silver Reel Deal, Europa Prize

Rogers Communications Looking For New CEO
Canadian cable-TV-wireless-broadband provider Rogers Communications CEO Nadir Mohamed plans to retire next January. The board will appoint a search firm and begin looking internationally for a replacement, the Toronto-based company announced. Neither Ed Rogers nor Melinda Rogers, children of founder Ted Rogers, will put their names forward for the top job. Rogers is controlled by a family trust through a dual-class stock structure. While Mohamed’s decision was unexpected, the fact the Rogers children aren’t in the running signals the move wasn’t forced on him, said Maher Yaghi, an analyst at Desjardins Securities in Montreal. Read More »

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Hot Featurette: Best Foreign Language Film Oscar Nominee ‘War Witch’

By PETE HAMMOND | Friday February 15, 2013 @ 9:55am PST
Pete Hammond

EXCLUSIVE: Although Amour, which is also one of the rare Foreign Language nominees also to be simultaneously nominated for Best Picture, is a heavy betting favorite to be named this year’s Best Foreign Language Film, the field is a rich one with the final five coming from a record 71 entries from around the world. Norway’s Kon-Tiki, Chile’s first-ever nominee No, Denmark’s A Royal Affair and Canada’s War Witch also provide for a varied and exciting blend of some of the best international cinema 2012 had to offer. Standing out as perhaps the most unique entry is War Witch because there is hardly anything on the surface that is obviously Canadian about it. From Quebec-based director Kim Nguyen, it tells the story of a young 12-year-old girl who is kidnapped by African rebels, forced to kill her parents at gunpoint and then fight as a child soldier against the government. With an extraordinary central performance  by Rachel  Mwanza that won her the Silver Bear for Best Actress at the 62nd Berlin Film Festival, the film will open in NY on March 1st through Tribeca Films and expand after that. First, it is going to the Oscars. Here’s an exclusive featurette.

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Berlin: River Phoenix’s ‘Dark Blood’ Screens; Will It Ever Get A Theatrical Release?

The last film that River Phoenix ever made, Dark Blood, screened today out of competition at the Berlin Film Festival. The existential Western, originally shot in 1993 but uncompleted at the time of Phoenix’s death in October that year, is still tangled up in a rights conundrum, but sources close to the project believe it will eventually see a commercial release.

The film has a storied history. About 80% of it was shot before Phoenix died of a drug overdose outside the Viper Room in West Hollywood. At the time, the unfinished product reverted to the film’s insurance company before director George Sluizer (The Vanishing) recovered it and sequestered it away. At a press conference in Berlin today, Sluizer explained that in 1999 he learned the footage was going to be destroyed and within two days was able to save it and take it back to Holland. Sluizer said the material “laid in my care for many years waiting for something to happen with it. I was making other films at the time and it was safe.” But when he learned he had a life-threatening aneurism in 2007, he decided, “Before I die I want to put Dark Blood together as best I can.” For the scenes that were not completed at the time of Phoenix’s death, Sluizer provides his own voice-over. Read More »

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Berlin: Studio-Produced Local-Language Comedies Tickle Germany’s Funny Bone; Fox Eyes Remake Of ‘The Break-Up Man’

The Berlin Film Festival may be heavy on art-house fare this year, but over at the multiplex, two German-language comedies are burning up the box office. And, they’re both produced by the local arms of a pair of Hollywood majors in a reteam with multi-hyphenate German talent. I’ve learned that Fox is in development on a U.S. remake of its locally-made Schlussmacher (The Break-Up Man), starring and directed by Matthias Schweighöfer, which opened in Germany on January 10 and has taken about $21M to date. After five weeks of release, the film that was made for about $5M, was number three at the box office this past weekend, selling more than 2M tickets so far. It’s a rare film that crosses the 2M admissions threshold – when one does, it’s often a U.S. blockbuster. Schweighöfer also wrote and produced The Break-Up Man about a guy who specializes in helping couples separate. He previously had a role in Valkyrie and starred in Fox’s 2011 German hit What A Man, which he also wrote and directed.

Also making waves is Warner Bros.’ family comedy, Kokowääh 2, starring and directed by Til Schweiger. It was number one in its debut last weekend, selling about 600,000 tickets and landing it ahead of Django Unchained. The … Read More »

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BAFTA: ‘Argo’ Wins Best Film And Best Director, Daniel Day-Lewis Lead Actor, Emmanuelle Riva Lead Actress, Anne Hathaway Supporting Actress, Christoph Waltz Supporting Actor, ‘Django Unchained’ & ‘Silver Linings Playbook’ Screenplays, ‘Brave’ Animation, ‘Amour’ Foreign, ‘Skyfall’ Best British Film

By NANCY TARTAGLIONE, International Editor | Sunday, 10 February 2013 18:53 UK

Coverage by Deadline’s International Editor Nancy Tartaglione and London correspondent Joe Utichi with Editor-in-Chief Nikki Finke writing and editing:

LONDON: Refresh For Latest… The 2013 BAFTA Film Awards did its best to spread out its British Academy of Film and Television Arts honors to many films tonight, no doubt paving the way for the Academy Awards to do the same. Warner Bros’ Argo won 3 categories including the evening’s big prize, Best Film, as well as Director for Ben Affleck and Editing for William Goldenberg. The dramatic thriller now is the solid favorite for Best Picture Oscar after winning what’s known as the British Oscars in an uninterrupted string of prestigious awards wins. Lincoln‘s Daniel Day-Lewis was the expected winner in Leading Actor for DreamWorks. But Amour‘s Emmanuelle Riva scored an upset for Leading Actress at the impressive age of 85 while the Sony Classics Pictures film won Foreign Language. Quentin Tarantino won for Django Unchained‘s Original Screenplay and David O. Russell for Silver Linings Playbook‘s Adapted Screenplay, making it a big night for The Weinstein Company which took home 3 prizes in all including Supporting Actor for Christoph Waltz. Working Title/Universal’s Les Misérables received the most awards – 4 -  including Supporting Actress for Anne Hathaway. Fox’s Life Of Pi garnered 2. Pixar/Disney’s Brave won Animated Film. The first award – for Outstanding British Film – went to James Bond #23, Eon Productions/MGM/Sony Pictures’ Skyfall which also won for Original Music.

About 10 minutes before the lights went up in the Royal Opera House tonight, guests were treated to a montage of 100 years of British film. Outside, pouring rain has turned to snow and traffic is snarled all over central London. It’s in part due to the awards arrivals but also because of Chinese New Year celebrations in nearby Trafalgar Square. At least the massive storm that hit New York over the weekend did not impact A-listers getting here. But Meryl Streep has been replaced by Sarah Jessica Parker to present the Leading Actor award.

Stephen Fry, hosting again this year, welcomes the crowd and apologizes for his own facial hair: ”I have a strong feeling I’m not the only actor who’s come here this evening with a beard.” He notes how Working Title/Universal’s Les Miserables is a British film despite its Australian and American cast and that it was extraordinary to have Helena Bonham Carter burst into song without even having a drink. “I’m joking, of course. She was drunk every day on set.” Fry muses on the many films being eked out of JR Tolkien’s The Hobbit. Says, “You can expect to see me in the Hobbit 9: Are We Home Yet Gandalf?” Fry asks Jennifer Lawrence to blow a kiss to the audience, and she obliges.

Singer Paloma Faith takes the stage to sing a medley over images of the nominated films – Argo, Les Misérables, Life Of Pi, Lincoln, and Zero Dark Thirty – and others.

The ‘In Memoriam’ montage began with Marvin Hamlisch and ended with Tony Scott.

The 2013 BAFTA Awards

BEST FILM
ARGO – Grant Heslov, Ben Affleck, George Clooney

Producer George Clooney, who was supposed to direct Argo but then turned it over to Ben Affleck, accepts saying, “Ben, if this is your second act, I don’t know what in hell you do for your third. You are remarkable. I can’t tell you what an honor it’s been to work with you.” Clooney then introduces his producing partner Grant Heslov (“the best producer I’ve ever worked with”) who thanks BAFTA and “all the folks at Warner Bros”. Then he addresses Affleck: “To Ben, I want to say thank you for coming aboard and thank you for taking us on this journey. It’s been amazing.” Finally Affleck takes the podium. “Every single person here has been so nice…” Then he pokes fun at Warner Bros: “The people from the studio said, ‘You know what? We never win.’” He thanks BAFTA again.

LEADING ACTOR
DANIEL DAY-LEWIS - Lincoln

Daniel Day-Lewis onstage laughed: “On the chance I might one day have to speak on an occasion as this, I’ve actually stayed in character as myself for the last 55 years.” He noted that “I had BAFTA sets put in every house I’ve ever lived in. When I get up from a chair, it simultaneously unleashes a chorus of applause, with a few boos and some drunken hecklers.” Then he became serious. “I’m so grateful to BAFTA. My fellow nominees, I don’t know if I deserve this. But I do know every one of you deserves it at least as much as I do.” And to his Lincoln team, he said, “My colleagues, I miss you. I wish we were still on this expedition together.” He called filmmaker Steven Spielberg “the rudder of the boat” they sailed on.

LEADING ACTRESS
EMMANUELLE RIVA - Amour

In the awards show audience as well as among the media backstage, there were audible gasps when Emmanuelle Riva’s name was announced. She was indeed a surprise winner given BAFTA’s tendency to pick the marquee contenders. She was not present to accept the award.

DIRECTOR
ARGO – Ben Affleck

SUPPORTING ACTRESS
ANNE HATHAWAY - Les Misérables

Anne Hathaway ascended the stage and took the BAFTA mask from presenter George Clooney – and then turned back around to hug the actor. “What am I thinking? I almost walked past George Clooney without hugging him. That’s just stupid,” she explained. She thanked the cast, noting to Hugh Jackman: “I’ve run out of superlatives for you, man”, as well as the crew, Working Title, Universal, and especially Victor Hugo “without whom none of us would be here”. Also she gave a shout-out to co-star Eddie Redmayne who had food poisoning. “I’d be holding your hair back.” Backstage, Anne scolded herself in front of the media. “I’m coming down with laryngitis. Shut up, Hathaway.” But she added, “I’m overjoyed and I’m such an airhead right now, but that’s not really new. I’m still collecting myself.” She noted that “the biggest surprise of the entire experience was how much of a sweetie pie Russell Crowe is. He was integral to cast bonding.”

SUPPORTING ACTOR
CHRISTOPH WALTZ - Django Unchained

Onstage, an obviously emotional Christoph Waltz explained that, “Why I get to stand here is really no mystery because it says so at the beginning of our movie: ‘written and directed by Quentin Tarantino’.” He thanks by name Harvey Weinstein and Amy Pascal “for their attention. But it all starts with Quentin. Behind everything, I need and want to thank you for the thing that touches me the most, your unconditional trust… You silver-penned devil, you.” Backstage, Waltz was asked how it feels now that he’s two for two: “Like four,” says Waltz. “With Quentin, it’s trust and respect and, on my part, admiration for this master storyteller. I am completely and utterly at ease and convinced that what he writes is something I can say.”

ORIGINAL SCREENPLAY
DJANGO UNCHAINED - Quentin Tarantino

Onstage, Quentin Tarantino called the award “really really nice, really cool. I want to thank my actors for doing a bang up job with my dialogue.” He has always said he felt British audiences responded to his films in a special way, starting with Reservoir Dogs. Tonight he thanked BAFTA, calling it “a very terrific organization. I’m kind of famous for not joining organizations but I’m proud to be part of yours.” He thanked by name Harvey Weinstein of The Weinstein Company and Amy Pascal of Sony Pictures (which owned foreign). “This was a pretty hot potato script, and to take this and go out and make a lot of money with it, that’s pretty damn impressive. Thanks guys.” Backstage, QT said: “I thought, if I win, do I put it next to the other BAFTA or find a place on the other side?” About writing, he mused, “About 90% of my lines come out of the material. I get the characters talking to each other and suddenly someone says something clever. Every once in a while there’ll be a cool line that I’m holding onto for decades. But it doesn’t happen that often.” Tarantino took one last question from an Aussie journalist and went off on a long dialogue screed in his Django Australian accent. (“John Jarratt helped me get it down.”)

ADAPTED SCREENPLAY
SILVER LININGS PLAYBOOK - David O. Russell

David O. Russell onstage accepted saying, “It’s a wonderful year for film and for writers.” He thanked his son for his inspiration. This was the film’s first prize of the evening, and it was presented by Jennifer Garner, wife of Ben Affleck whose Argo also was nominated for Adapted Screenplay. Awkward? Not to winner Russell who told the media why he was late, “I was backstage talking to Jennifer Garner about pre-schools in Boston.” He said: “I love our film, and I believe in the heart and soul of our film, because I made it for personal reasons. Apart from enjoying it as a movie, if you can connect to the things in there, that’s everything.”

ANIMATED FILM
BRAVE – Mark Andrews, Brenda Chapman

Brave co-director Mark Andrews accepted saying: “To me, being brave is about being true to yourself and allowing our loved ones the same freedom.” Backstage, Andrews noted: “No matter how many times you make these films [at Pixar], you’re making this film for the very first time. So the success is a dream come true. There’s that validation that comes with not just audiences, but your peers recognizing the work.”

FILM NOT IN THE ENGLISH LANGUAGE
AMOUR – Michael Haneke, Margaret Ménégoz

Neither filmmaker Michael Haneke nor producer Margaret Ménégoz were in attendance to accept the award.

OUTSTANDING BRITISH FILM
SKYFALL – Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan

Bradley Cooper and Ben Affleck presented the prize. Producer Michael G Wilson noted it’s a first for the Bond films. Director Sam Mendes said the prize is “icing on the cake” thanks Daniel Craig “around whom we built this movie” for his bravery, brilliance and “sheer bloody-mindedness”. This category always looked to be a two-film race between Skyfall and Les Miserables. Changes to the voting system – cutting it down to a 2-round system – suggested the pics leading the nominations might end up taking home prizes in the big categories – which are voted on by the entire membership. Skyfall‘s win may well reflect the number of BAFTA-voting Brit practitioners who’ve had a hand in Bond over the years with the franchise celebrating its 50th anniversary.
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Weinstein Co Acquires U.S. Distribution On ‘Blood Sisters: Vampire Academy’

By MIKE FLEMING JR. AND NANCY TARTAGLIONE | Sunday February 10, 2013 @ 9:54am EST

BREAKING: Well that didn’t take long. Days after Deadline broke the story that Mean Girls hemer Mark Waters would direct his Heathers writer brother Daniel Waters’ script adaptation of a new film franchise based on the six-volume Richelle Mead young adult novel series Vampire Academy: Blood Sisters, The Weinstein Company has sewn up a domestic rights deal at Berlin. Zoey Deutch (Beautiful Creatures) and Australian newcomer Lucy Fry will play the title characters, and Russian star Danila Kozlovski will play the male lead. Here’s the official announcement, but click on the link from Deadline’s original break to really get a feel for the subject matter. Rights are being sold by IM Global, which is financing with Reliance Entertainment.

Berlin – February 10, 2013 – The Weinstein Company (TWC) has acquired the U.S. Distribution rights to BLOOD SISTERS, the first feature film installment of the highly successful VAMPIRE ACADEMY series of young adult books from financiers Reliance Entertainment and IM Global.

BLOOD SISTERS, to be directed by Mark Waters (“Mean Girls”, “Spiderwick Chronicles”), is based on the first book in author Richelle Mead’s hugely successful series of books, with the screenplay written by Dan Waters (“Batman Returns”, “Heathers”). The VAMPIRE ACADEMY book series is a worldwide phenomenon, with over 8 million copies in print across 35 countries. To date there are 6 books in the series, with the last 4 on the NY Times Best Sellers list.

The deal was negotiated over

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Kino Lorber Acquires Sundance Pic ‘Computer Chess’

By THE DEADLINE TEAM | Friday February 8, 2013 @ 9:10am PST

New York, NY – February 8, 2013 – Kino Lorber is pleased to announce that it has acquired all U.S. rights to Andrew Bujalski’s Computer Chess, which premiered last month at the Sundance Film Festival. This fourth film from acclaimed indie auteur Andrew Bujalski (Funny Ha Ha, Mutual Appreciation, Beeswax) is an exceptionally inventive comedy that won the prestigious Alfred P. Sloan Award honoring a film whose theme is science or technology. It was also previously awarded a Tribeca Film Institute Sloan grant in 2012. Computer Chess will have its International Premiere next week at the Berlin Film Festival and will also be presented in the U.S. at the upcoming South by Southwest Film Festival in Austin. A national theatrical release is planned for mid summer or early fall.

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Berlin: Running Down The Competition

By NANCY TARTAGLIONE, International Editor | Friday, 8 February 2013 08:43 UK

The Berlin Film Festival‘s competition begins its official screenings today after Wong Kar Wai’s The Grandmaster opened out of competition last night. The main section has taken on increasing importance over the past few years. In 2011, Asghar Farhadi’s A Separation won four prizes here and went on to win the Oscar for Best Foreign Language Film; it was also nominated for Original Screenplay. Two films that won prizes here in 2012, Nikolaj Arcel’s A Royal Affair and Kim Nguyen’s War Witch, are in the running for the Foreign Language Oscar later this month.

Folks this year say the competition is “hardcore art house” which might turn off domestic buyers. At first glance, the movies do appear a little less sexy than last year when Jeff Lipsky and Tim Grady’s Adopt Films picked up four titles. They recently told me, “The magical thing about Berlin is that we didn’t go there last year with any phenomenal expectations. We had a certain degree of skepticism. You have to approach it that way.” The movies they picked up each won prizes at the fest. This year, they say they’re mildly disappointed that the English-language movies in the lineup are already spoken for and that the festival “hasn’t gone to look for a discovery.”

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Berlin: Stefan Ruzowitzky In Talks To Direct ‘Caught Stealing’, Alec Baldwin Stars

By DOMINIC PATTEN | Thursday February 7, 2013 @ 4:37pm PST

Oscar winner Stefan Ruzowitzky is in deep negotiations with Myriad Pictures to come on board to helm Caught Stealing, the company announced today. The director won the Academy Award for Best Foreign Language Film back in 2008 for The Counterfeiters. More recently he directed Deadfall, starring Eric Bana and Olivia Wilde. Based on Charlie Huston’s novel of the same name, Caught Stealing is written by David Hayter who did X-Men, X2 and The Watchmen. Alec Baldwin and Patrick Wilson are signed on to star in the thriller about a man lost in a bloody treasure hunt through New York City. Lost Rhino Films’ Marcus Chait, James Carpinello, and Wilson will produce. Paula Wagner is executive producing alongside Myriad’s Kirk D’Amico. Myriad Pictures is pre-selling the film at the Berlin Film Festival and working with APA on U.S. sales.

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