In this week’s podcast, Deadline International Editor Nancy Tartaglione and host David Bloom wrap up the overseas perspective on the last big awards shows of the 2013-14 season, beginning with Foreign-Language Oscar winner The Great Beauty, which lifted spirits throughout home country Italy even as director Paolo Sorrentino called for more investment in Italian cinema.
Related: Italian Exhibitors Blast TV Airing Of ‘The Great Beauty’; More
At France’s Cesar Awards, the big winner was Les Garcons et Guillaume a Table, though the potential scandale around one nominee proved far more muted than the French press or awards show broadcaster Canal Plus might have hoped. Nancy and David also take a look at the potential global bump in box office for Oscar’s two biggest champs, Best Picture 12 Years a Slave and seven-time winner Gravity.
Related: OSCARS: The Complete Winners List
Read More »
Gemma Arterton Coming To West End With ‘Made In Dagenham’
Former Bond girl Gemma Arterton is set to star in a West End musical version of 2010 film Made In Dagenham. She’ll play Rita O’Grady, a role originated by Sally Hawkins in the Nigel Cole-directed movie. The show is a musical comedy about women who battled for equal rights at a Ford factory in Essex, England, in 1968. The BBC reports that Richard Bean, who wrote One Man, Two Guvnors, is penning the script for the show, which opens November 5 at the Adelphi Theater. Rupert Goold (Enron, American Psycho) is directing. Arterton recently starred onstage in The Duchess Of Malfi. Read More »
UPDATE, 3:00 PM PT: This was a big night for Guillaume Gallienne’s Les Garçons Et Guillaume, A Table! The Gaumont-backed comedy led the night with 10 nominations coming in and picked up five key prizes: Best Film, Best Debut Feature, Best Actor, Best Adapted Screenplay and Best Editing. It was heavily favored, but that doesn’t mean there weren’t a bunch of surprises in the mix. Blue Is The Warmest Color walked away nearly empty-handed, taking only the Best Female Newcomer prize for Adèle Exarchopoulos. On accepting, she thanked director Abdellatif Kechiche, who was not present at the ceremony. She also called co-star Léa Seydoux, “My most beautiful love story… on film.” Seydoux ultimately lost out on the Best Actress trophy to 9 Mois Ferme‘s Sandrine Kiberlain. That film won one other prize, for director and co-star Albert Dupontel’s original screenplay. Also notable is Roman Polanski‘s win as Best Director for Venus In Fur. The helmer was visibly surprised, “I really, really didn’t expect this,” he said in his very concise thank yous.
Gallienne’s Les Garçons is a virtual one-man show that also stars and is written by the director. In the autobiographical coming-of-age tale, he plays the two lead roles — himself and his mother, a woman for whom his love is boundless and by whom he has always … Read More »
‘X Factor’ Musical ‘I Can’t Sing’ Delays Previews By Two Days
Previews of Simon Cowell‘s The X Factor musical, I Can’t Sing, have been postponed by two days at the London Palladium. Stage Entertainment and Syco Entertainment are producing the show and say they’ve decided to start previews on March 1 as opposed to February 27 due to “technical issues caused by the ambitious staging of the new musical comedy.” Rebecca Quigley, producer for Stage Entertainment, said, “As audiences will soon see, the production is hugely ambitious, and the volume of installation and scale of the set means that technical work has taken slightly longer than could have been anticipated to make the show audience-ready.” Nigel Harman (EastEnders, Downton Abbey) is playing a character based on Cowell in the musical that’s directed by Olivier Award-winner and Tony nominee Sean Foley. British comedian Harry Hill wrote the show.
Quentin Tarantino To Present Scarlett Johansson’s Honorary Cesar
Quentin Tarantino has been enlisted by France’s Académie des Arts et Techniques du Cinéma to present Scarlett Johansson with this year’s honorary César Award. The director will hand the award to Johansson this Friday at the 39th César Awards ceremony in Paris. Tarantino himself received the prize in 2011. Read More »
A keynote session with The Amazing Spider-Man 2 helmer Marc Webb leads the final lineup for the 2014 SXSW Film Conference slate which also includes chats with filmmakers Jason Bateman (Bad Words), Mike Myers (Supermensch) moderated by Jon Favreau, Ralph Steadman (For No Good Reason), and actors Robert Duvall and Tilda Swinton. The SXSW Film Festival runs March 7-15:
SXSW 2014 Features Lineup, New TV Section Unveiled
SXSW Midnighters & Full Shorts Slate Unveiled
Read More »
UPDATE: 7:01 PM: Michelle Obama could have turned to the guy seated next to her at the head table during tonight’s White House State Dinner and asked if he’s heard any good jokes lately. That would be none other than The Colbert Report host Stephen Colbert. Could it be that French-sounding surname earned him some juice with the protocol folks? Meanwhile, according to the White House pool report, Bradley Cooper was seen chatting with Secretary of State John Kerry, and Julia Louis-Dreyfus was asked her what her favorite part of the dinner was. “Look who I’m sitting next to,” she said, pointing to Vice President Joe Biden. The real veep swiftly jumped in with: “Hey, stop screwin’ around, she’s my date!” He promptly burst out laughing and said, “Just kidding.” Meanwhile, Mindy Kaling was tweeting and Instagraming her evening.
PREVIOUSLY: We knew a good grasp of French would come in handy for Bradley Cooper one day. The American Hustle actor will be one of the many Hollywood guests attending the State Dinner tonight at the White House that President Obama and the First Lady are hosting for French President Francois Hollande. Among the cabinet members and government officials joining the sparkling gathering on the South Lawn will also be CNN chief Jeff Zucker, HBO’s Veep star Julia Louis-Dreyfus, HBO CEO Richard Plepler, Viacom CEO Philippe Dauman, and Star Wars director JJ Abrams and … Read More »
There are strong debuts and holds for Hollywood in the international marketplace this week, despite a drop of about 25% from the similar frame last year when Django Unchained was the top film overseas. (Last week, international box office was off about 50%, so that’s an improvement of sorts.) Still, a fair few movies are making, and breaking records — especially in China. While Monday-morning quarterbacks have been gearing up for today’s Super Bowl, in the rest of the world where football is played without shoulder pads and where the Big Game isn’t due til this July, audiences flocked to movies in such diverse places as China, Russia, Germany, Korea and France. Notably, the Chinese New Year began on January 31 and with it came The Monkey King. The film took $46M in seven territories, and broke records at home, while TV reality series transfer Dad, Where Are We Going? grossed $34M (more below).
The only new studio entry on the international scene this week was MGM and Columbia Pictures’ Robocop which blasted its way into three territories in Asia. The movie, starring Joel Kinnaman, strategically bowed in Malaysia, Taiwan and Singapore – taking advantage of the Chinese Lunar New Year – and scored a strong opening with $5.5M and a No. 1 trifecta. Robocop does not yet have a China date, although that’s expected to be clarified shortly. … Read More »
This morning’s César Award nominations set Twitter and the media ablaze in France, but not for the usual who’s in/who’s out debate. The reason for today’s increased gusto was that listed amongst the noms for the Césars, the local equivalent to the Oscars, is a supporting turn for Julie Gayet in Bertrand Tavernier’s political satire Quai D’Orsay. The accomplished actress and producer has famously been linked to an alleged affair with France’s president, François Hollande, since earlier this year. That alone, it’s been suggested, could give Canal Plus its best-ever ratings for the César ceremony when the kudofest airs February 28. Last year’s César ceremony drew 2.58M viewers, one of Canal’s top three scores since it started broadcasting the show in 1994. But let’s be honest, the Césars are usually a snoozefest, and even sometimes an embarrassment. I’ve been attending or following the show for more than 15 years and there have been plenty of groan-worthy moments including fumbling attempts to “Oscarize” the proceedings with the host being inserted into clips of the nominated films à la Billy Crystal. One French exec I spoke with today said of Gayet’s nomination, “Well in that case, I’ll definitely watch!”
Here’s some background on why: The French are soaking up a sort of delicious ironie of Gayet picking up her first ever César nomination for a role in a politically themed movie set inside the Foreign Affairs Ministry (see the trailer here). What’s more, as France’s Premiere magazine pointed out this morning and, as Twitter keeps tweeting, her character’s name is Valérie — the first name of President Hollande’s longtime companion, Valérie Trierweiler, who moved into the Elysée Palace with him post-election and from whom he has now split. Read More »
UK pay-TV giant BSkyB announced better-than-expected half-year operating profits this morning in London — and a major deal to expand its existing relationship with HBO. The pair has been cozy since 2010 when the Sky Atlantic channel became the “home of HBO” series. That exclusive first-run output deal will now be extended through 2020, giving Sky customers continued access to the entire HBO catalog including such shows as Game Of Thrones and Girls, as well as new series like True Detective and Looking. The extension of the pact could be worth up to £275M over five years. The partners have also committed to co-develop and produce what BSkyB CEO Jeremy Darroch calls, “epic drama of a truly spectacular scale.” The partners say they will make original drama series for broadcast on their respective networks and are looking at projects with the potential to run for multiple seasons. The high-end TV tax credit now flourishing in the UK has already brought American shows to shoot locally and this deal will likely see the Sky/HBO co-pros taking advantage of the incentives. The two companies will jointly finance the projects.
Related: Will BSkyB’s Soccer Rights Loss Be A Win For British TV Producers?
The moves come as the 21st Century Fox-controlled BSkyB has been fending off aggressive rival BT which has been muscling in on sports rights usually held by Sky. Movies and entertainment programming are the other key draws for Sky subscribers and today’s deal will see that offer bolstered. Sky has been on a drive to invest £600M a year in original British content and has committed to more than 100 hours of original drama this year. Sky Atlantic has already partnered with Canal Plus on The Tunnel, with BBC America on Fleming, and with Showtime on John Logan’s Penny Dreadful. Sky Living co-produces NBC series Dracula while Sky Arts has the Jon Hamm/Daniel Radcliffe series A Young Doctor’s Notebook. Click over for full details of the new HBO pact: Read More »
Netflix Execs Headed Back To France For More Expansion Talks
Last week, Netflix CEO Reed Hastings said the company was eyeing “substantial” European expansion in 2014. His comments came a little more than a month after execs from the streaming service met with staff of French President François Hollande to discuss an entry into France. According to local media reports, Netflix execs now are due to return to France to meet with industry folk within the next week. Pascal Rogard, head of authors’ rights group the SACD, told Le Figaro that the situation is coming into focus with a possible launch later this year. Netflix is available in 41 countries including France’s neighbors to the north such as the UK, the Netherlands and the Nordic region. A French launch has been rumored over the years, but moving into the fiercely protected territory is ornery in part due to a complex film-windows chronology that prohibits movies from appearing on monthly SVOD services until three years after a theatrical release. There is no such protection for TV series, but Netflix’s House Of Cards already airs on local pay-TV leader Canal Plus, which would see the service’s arrival as competition. In a conversation with analysts, Netflix Chief Content Officer Ted Sarandos was asked last week whether the service would be out of certain markets with its key originals because it had already sold them to local providers. “It depends,” he said. “There’s multiple windows, and we’ll continue to have those negotiations as we get closer to those launches.” It’s expected that should Netflix enter France, it would have to adhere to obligations to invest in local content. Culture Minister Aurélie Filippetti told Le Journal du Dimanche this weekend, “Netflix should be an additional player, not a stowaway.” It’s also believed that Netflix is eyeing a move into Germany. With regard to expansion, MoffettNathanson Research’s Michael Nathanson said last week that “it remains difficult to figure out the ultimate size and value of Netflix’s international opportunity” due to the company’s “undisclosed new market entries, minimal transparency and continual reinvestment.” Read More »
Colombia Paging ‘ER’ With 60-Episode Order
ER is going Latino. Warner Bros International Television Production today announced the first Latin American format deal for the seminal medical series. RCN, Fox International Channels and TC have commissioned a local-language version for Colombia with a 60-episode order. Colombia’s Resonant is producing for air this spring. Originally produced in the U.S. by Constant c Productions and Amblin Television in association with Warner Bros Television, the series premiered on NBC in 1994 and ran for 15 seasons. It is the most Emmy-nominated series in history with 124 and notably helped kickstart the careers of George Clooney and Julianna Margulies. “Even though ER is a fundamental American series, its characters and situations are so strong, moving and universal that will surely find a place in the hearts of Latin American audiences,” said Fernando Gaitan, RCN’s VP Content and Production. “We are eager to have it on our screen.”
‘Tbilisi, I Love You’ Opening Next Month In Georgia
Tbilisi, I Love You, part of Emmanuel Benbihy’s Cities Of Love franchise that started with Paris Je T’Aime and New York, I Love You, has set a February 20 release date in Georgia. The movie is a series of 10 short films that are written and directed by natives of Georgia and take on a personal narrative about the republic’s capital city. Malcolm McDowell and Ron Perlman both feature. McDowell’s vignette centers on an actor who reluctantly agrees to a one-month shoot in Tbilisi and develops a love affair with the city. Perlman’s short sees him as a nameless American motorcyclist who rides through Tbilisi’s remote areas with a woman named Freedom. Tbilisi, I Love You is produced by Storyman Pictures David and Nika Agiashvili. Credo Cinema’s Jason Speer, Ever So Close’s Benbihy, as well as Paata Trapaidze are exec producers. A festival schedule is being determined. In the meantime, here’s a trailer:
Read More »
Deadline International Editor Nancy Tartaglione and host David Bloom discuss the latest enticement to film Britain, a marketing and distribution incentive package from the British Film Institute designed to give UK indie movies a better chance at a Sundance deal; why BAFTA thinks Gravity is a British film; prominent new roles for veteran media execs Pierre Lescure and James Schamus at two of Europe’s biggest film festivals and a Despicable villain’s big Chinese debut, half a year after his U.S. run.
Global Showbiz Watch podcast 22 (.MP3 version)
Global Showbiz Watch podcast 22 (.M4A version)
Read More »
Pierre Lescure is back. After weeks of speculation, the former Canal Plus chief has been officially named to succeed Gilles Jacob as president of the Cannes Film Festival. Announcing the news, French Culture Minister Aurélie Filippetti congratulated Lescure on her Twitter account today with a “Bravo.” Lescure will take over from Jacob who is stepping down after the 2014 fest. The role of the president is largely to represent the festival and comes with some administrative power. Industry insiders believe Lescure is very complementary to Cannes executive and general delegate Thierry Frémaux who is responsible for the artistic content of the festival — he chooses all the movies in the Official Selection — and also has other managerial responsibilities. A major producer told me this week, “If they do it right, they would be a really great tandem.”
Lescure is a very popular choice with deep ties to the French and global industries, both in film and television. He was a co-founder of Canal Plus in 1984 and ran the pay-TV group as its highly-regarded president from 1994. (Full disclosure: I co-hosted a film review/talk show on a Canal Plus-owned channel in 2000/01.) Lescure’s tenure at Canal saw the creation of Studiocanal, whose execs and founders included Vincent Grimond, Vincent Maraval, … Read More »
The European Commission has opened formal antitrust proceedings to examine certain provisions in licensing agreements between several major U.S. film studios and Europe’s biggest pay-TV groups. The EC said today that it’s looking into whether certain deal clauses covering satellite and online streaming transmissions prevent broadcasters from providing their services across Eurpean Union borders. The studios mentioned in an EC press release today include 20th Century Fox, Warner Bros, Sony, NBCUniversal and Paramount. The broadcasters in question include BSkyB, Sky Italia and Sky Deutschland (Fox has controlling stakes in each), France’s Canal Plus and Spain’s DTS.
In essence, the Commission is looking at whether the practice of selling film rights for one country at a time infringes on EU antitrust rules that prohibit anticompetitive agreements. The Commission says that deals between the studios and the broadcasters grant the latter “absolute territorial protection” and mean that films cannot be made available outside that member state, even in response to requests from potential subscribers in another EU country. According to the Associated Press, EC antitrust chief Joaquin Almunia told reporters today in Brussles that the question is whether a subscriber to, say, a German pay-TV channel should be able to stream content online while in another EU country. “Or if you live in Belgium … Read More »
Canal Plus’s The Returned (Les Revenants) is probably the hottest global drama format at the moment. The stylish zombie series, a breakout hit in France and number of international territories, just won an International Emmy for Best Drama series and has a high-profile remake in the works at A&E with Carlton Cuse. Now Sundance Channel, which had acquired the first eight-episode season of the series, launching it this past Halloween, has picked up The Returned‘s upcoming second season, which is about to go into production, in a deal with Zodiak Rights. It will debut in the US in late 2014. “The Returned has proven to be an incredible addition to our slate,” said Sundance president Sarah Barnett. “We were delighted with the overwhelming critical and fan response to the series and we expect that season two will continue to seduce and chill audiences.” Created by Fabrice Gobert, Les Revenants was inspired by the 2004 feature film by the same name directed by Robin Campillo. It is set in an idyllic French mountain town where a seemingly random collection of people find themselves in a state of confusion as they attempt to return to their homes without realizing that they have been dead for several years. ABC’s similarly themed drama Resurrection premieres on March 9. Read More »
China’s State Council has temporarily repealed a ban on selling foreign video game consoles, Reuters reports this morning. The move had been expected and will open up a path for the likes of Sony, Microsoft and Nintendo to sell their wares after a 14-year block. Now, “foreign-invested enterprises” will be allowed to make game consoles within Shanghai’s free trade zone and sell them in China after inspection by cultural departments. Consoles were initially banned in 2000 over concern that gaming would harm young people. Reuters says the growing market is worth a potential $14B.
Fox Turkey has appointed Shebnem Askin as EVP of programming. She was previously SVP of international acquisitions and sales at Fox International Productions and will take up her new role immediately. Her mandate will cover building on Fox Turkey’s entertainment offering and commissioning, acquiring and scheduling film, drama, factual, kids and event entertainment programming in addition to working with Fox Turkey’s channel partners in the increasingly hot TV territory. At FIP, Askin was a key player on co-productions and acquisitions including Mexico’s Academy Award entry Miss.BALA; Gaumont’s upcoming Mea Culpa directed by Fred Cavaye; and Sundance prize winner Metro Manila.
While the phone-hacking trials involving a number of its former staff continue in Britain, News Corp Monday signaled its “long term … Read More »
The UK emerged in 2013 as an increasingly attractive location destination with new and expanded tax credits – but can it stand the bulge? Hollywood has cozied up to Britain, not only bringing its films there to shoot, but now its TV programs while it also continues to plumb it as a source of original drama to be remade in the U.S. Across the Channel, after a wake-up call in the waning days of 2012 by France‘s influential Vincent Maraval of Wild Bunch, the local industry spent 2013 debating its rich subsidy system that’s spent big (too big?) on talent. Germany‘s local share of the box office is expected to be down for 2013, only slightly, but it’s been fertile ground for the studios working in local language. Meanwhile, Olympics host Russia is seeing its star rise while Italy and Spain are still undergoing financial woes. And yet, nothing seems rotten in the state of Denmark where the box office is top heavy with local films and a new drama series could be the Danes’ answer to Downton Abbey. Here’s a look back at 2013 and some glimpses of what 2014 may hold:
The British government has strongly backed the film and television business by increasing tax breaks this year. But in so doing, has it backed the industry into a corner? Arguably one of the biggest stories out of the UK in … Read More »
Warner Bros UK Gears Up For Creative Talent Initiative
Warner Bros UK has recruited its first group of scholars, apprentices and trainees for the inaugural season of Warner Bros Creative Talent. The first selection will participate in the program to gain industry insight and work experience across Warner’s UK film, TV, games and theater operations. The initiative is part of Warner Bros’ long-term commitment to the UK’s creative industries. Among the first folks chosen to take part are students Rienkje Attoh, Sam Coleman and Sam Hughes who are receiving the first Prince William Scholarships supported by BAFTA and Warner Bros. Four others will work as camera trainees and sound trainees on Ron Howard’s Heart Of The Sea and Guy Ritchie’s Man From U.N.C.L.E. More information on the program is available here.
Hugh Bonneville Back As Ian Fletcher In BBC’s ‘W1A’
Downton Abbey’s Hugh Bonneville will reprise his role as Ian Fletcher in a new BBC comedy, W1A. The show is a follow-up to BAFTA-winning comedy series Twenty Twelve, from BBC In-House Comedy. Shooting starts next month on the series that sees Fletcher, the ex-head of the Olympic Deliverance Commission, taking up his next big job – the (fictional) Head of Values at the BBC. His task is to clarify, define, or redefine the core purpose of the BBC across all its functions and to position it confidently for the future. In Twenty Twelve (available on iTunes in the U.S.), the network poked fun at the run-up to the 2012 London Olympics and here looks to be taking a shot at itself after the broadcaster suffered a string of PR scandals in the past year. But John Morton, who wrote the series, says: “It isn’t a demolition job on anybody or anything, and it isn’t one giant in-joke, and this isn’t a game of guessing who is supposed to be who. If it is satirical then it’s satirical about an environment, an ethos, and the absurdities of modern corporate life itself. The key principle is to operate at a level of reality just to the left or the right of fact, to create stories that haven’t actually happened but that could happen or might have happened.“ Says Mark Freeland, head of BBC In-House Comedy: “This is a kind of love letter to the BBC. But a letter that gets mislaid, because the remote computer system is not working.” Twenty Twelve’s Morton also directs the comedy that’s produced by that show’s Paul Schlesinger and executive produced by Jon Plowman. There will be an initial run of four 30-minute episodes to be screened in 2014 on BBC Two. Read More »
BSkyB Opens Its Sky Store Rentals To All Broadband Users
BSkyB set a challenge today to streaming providers in the UK such as Netflix and LoveFilm by announcing it has opened its Sky Store movie rental service to anyone with a broadband connection. The service does not require a Sky subscription, meaning all users in the UK and the Republic of Ireland will have access. Sky, which is controlled by 21st Century Fox, says new films including Man Of Steel and Despicable Me 2 are available from today with other fresh titles available at the same time as they drop on DVD. Those will rent for £3.49 ($5.70) each. Library titles will go for 99p-£1.99. There are already about 1,200 movies online which can be streamed through SkyStore.com, or via NOW TV, Roku and YouView. Sky’s had success with renting movies to its existing customers with 2.1 million rentals in the third quarter.
Report: Netflix Mulls Expansion Into France
Netflix has been a long time coming to France, Europe’s third-largest market, but is the tide about to turn? According to Reuters, executives from Netflix met with the staff of French President François Hollande this week to discuss the move. Netflix is available in 41 countries including France’s neighbors to the north such as the UK, the Netherlands and the Nordic region. A French launch has been rumored over the years, but moving into the fiercely protected territory is ornery for the streaming service given a complex film-windows chronology. There is no such protection for TV series, but many U.S. shows air as much as a year later than they do in the U.S. on traditional networks like TF1. TF1 has a VOD service that offers first-run U.S. series on a one-day delay and pay-TV leader Canal Plus airs first-run series within a few days; it even launched a new channel this year on which to showcase them. But movies are hampered by rules that prohibit films from appearing on monthly SVOD services until three years after a theatrical release. Rentals via a set-top box are permissible four months after theatrical. The windows issue has long been a thorny one in France, with industry opinions divided, but discussions are ongoing. A Hollande rep told Reuters, “Netflix wanted information about the legal conditions that would affect its potential arrival in France.” Read More »